架构师提供的文本描述。这所房子呈现出巨大的几何体积的简单和干净的线条。特定的领域，如通道画廊和露台，着眼于Primavera Forrest，在其雕塑中包含叙事性元素，这是基于当代墨西哥风格的设计激励的结果。

Text description provided by the architects. This house presents great geometric volumes of simple and clean lines. Specific areas like the access gallery and the terrace with view to the Primavera forrest include elements of narrative character in its sculptures as the result of design incentives that build on the Contemporary Mexican style of the project.

 © Marcos Garcia

马科斯·加西亚

整体体积概念由两个主要元素组成：一个是石头质地，另一个是灰泥，它们和谐地生活在一起，由一个垂直的玻璃“裂缝”隔开，这个裂缝包含着房子的入口处。车库的门和房子的主门都是用孜然木做的，复合了两卷书的组成元素。同时，画廊被概念化为从另外两卷中减去的立方体，在室内空间产生了一种对比真空的感觉。

The overall volumetric concept parts from two main elements; one with a stone texture and the second one in stucco that live together in harmony and are separated by a vertical glass "fissure" that contains the entrance to the house. The garage doors and the main door of the house are made out of cumarú wood and compound an element that wraps up the two main volumes. Meanwhile the gallery is conceptualized as a cubic volume subtracted from the other two volumes, generating a feeling of contrasting vacuity in the indoor space.

 © Marcos Garcia

马科斯·加西亚

房子的设计是围绕着双高中央画廊解决的，可以从一楼和一楼的所有房间进入。这个入口大厅有一个立方体比例(8.5m×8.5m)，是由一个三角形的水镜对角“切片”。爬到一楼的楼梯飞过水面，伸出哭闹的水墙，把水倒进镜子，曼努埃尔·马林(Manuel Marin)的雕塑团体“Allegoia de la Pintura，la Escultura y la ArquArchtura”被发现。只有一面巨大的镜子和一张大长凳装饰着这个空间。

The design of the house is solved around the double-height central gallery that can be accessed from all the rooms in the ground floor and first floor. This access hall that has a cubic proportion ( 8.5m x 8.5m x 8.5m ) is "sliced" diagonally by a triangular water mirror. The stairs that go up to the first floor fly over the water and reach out to a crying water wall that pours its water into the mirrorwhere Manuel Marin's sculptoric group called "Allegoria de la Pintura, la Escultura y la Arquitectura" is found. Only a huge mirror and a large bench decorate this space.

 © Marcos Garcia

马科斯·加西亚

墙面上涂着杏仁色的灰泥，除了哭哭啼啼的水墙外，墙上还覆盖着从房子正面进入画廊的巧克力钙华大理石，还有一些橙色灰泥和孜然木的特色。

Plater stucco painted in almond color covers the walls, except the crying water wall that is covered with chocolate travertine marble that comes in to the gallery from the house's facade and some features in orange stucco and cumarú wood.

 © Marcos Garcia

马科斯·加西亚

所有室内公共场所的地板都是用米色象牙大理石(2.2m×1.8m)、外墙铺上孜然木、厨房和服务区用瓷砖砌成的；包括卧室、图书馆和健身房在内的所有私人区域都有硬木积木地板。同时，在房屋的正面，入口前广场被黑色火山石(Piedra De Recinto)覆盖，将房屋与该地段现有的石墙和大量的巧克力钙华大理石连接起来。

For all the indoor public areas, the floor is made out of beige ivory marble in large format ( 2.2m x 1.8m ), cumarú wood decking in the exterior areas and porcelain tiles in the kitchen and service areas; all the private areas including the bedrooms, library and gym have hardwood cumaru flooring. Meanwhile in the houses facade, the access front plaza is covered in black volcanic stone ( piedra de recinto ) that links the house with the existing stone walls on the lot and the large volume in chocolate travertine marble.

 © Marcos Garcia

马科斯·加西亚

其余的室外正面都涂满了杏仁色(从不是白色)的灰泥，除了一个装有窗户和悬臂阳伞以保护窗户的缝隙外，这一颜色将主立面与Ayamonte的墙壁的颜色结合在一起。其他的例外是背面的橙色阳伞和露台上的巧克力石灰华大理石框架。

The rest of the outdoor facades are covered in stucco painted in almond color ( never white ), except for a slot that contains a window and a cantilever parasol to protect it, that are painted in terracota red, this color unifies the main facade with the color of Ayamonte's walls. Other exceptions are the orange parasol in the back facade and a chocolate travertine marble frame in the terrace.

 Courtesy of LASSALA + ELENES Arquitectos

LASSALA Elenes ArquArchtos提供