架构师提供的文本描述。这个空间被一系列的临界点所打断，这些临界点表明了过渡点、地面工程、墙壁和天花板-这些都是由照明和视听系统照亮的，创造了吸引和吸引感官的通道方式。已经为动画和表演组织了空间。这里有连接地下空间和户外的开口，还有天窗和艺术家的作品。整体印象是一个巨大的文化大厅，提供给所有人。

Text description provided by the architects. The space is punctuated by a series of thresholds indicating points of transition, ground works, walls, and ceilings – that are illuminated by the lighting and audiovisual system, creating passage ways that are enticing and appealing to the senses. Spaces have been organized for animation and shows. There are openings that link underground spaces and the outdoors, as well as skylights and the works of the artists on display. The overall impression is an immense cultural foyer, available to all.

 © Stéphane Groleau

(Stéphane Groleau)

这个文化综合体的入口和门厅于1972年首次投入使用，提供了进入各种表演空间以及地下网络的通道。该建筑群很容易被用户访问，但它从未真正成功地突出了广泛的文化活动和服务，如表演厅、票房、精品店、餐馆和广泛的步行道。由于获得和使用的程度如此之高，这座建筑群遭受了时间的损耗。蒙特雷艺术广场正在为广场、主要入口和通讯设施寻找新的设计，以便创建一个具有独特身份的著名文化中心，开展广泛的文化活动。

The entrance way and the foyer of this cultural complex first became functional in 1972, providing access to the various performance spaces as well as an underground network. The complex was easily accessible to users, but it never really succeeded in highlighting the wide range of cultural activities and services available, such as performance halls, box offices, boutiques, restaurants, and extensive pedestrian walkways. With such a high level of access and use, the complex suffered the wear and tear of time. The Place des Arts de Montréal was seeking new designs for the marquee, the main entrance, and the communication facilities in order to create a prestigious cultural centre with a unique identity offering a wide range of cultural activities.

 © Stéphane Groleau

(Stéphane Groleau)

相当大的结构挑战、内部装修和城市设计都有助于在现有建筑的基础上进行高质量的建筑工作。今天，太空文化乔治-埃里-拉帕尔梅向公众介绍了一种有利于发现和休闲的氛围。·合并交通。最大限度地利用绿地。养护现有结构。主要关注行人交通和替代交通。为了用户的利益而增强自然光。

The considerable structural challenges, the interior renovations and the urban design all helped produce a high quality architectural work, based on an existing building. Today, the Espace culturel Georges-Émile-Lapalme introduces the public to an atmosphere that is conducive to discovery and leisure. • Traffic consolidation. • Maximum deployment of green spaces. • Conservation of existing structures. • Primary focus on pedestrian traffic and alternative transportation. • Enhancement of natural light for the benefit of users.

 © Stéphane Groleau

(Stéphane Groleau)

除了对现有空间进行翻修外，该项目还增加了一个新的展厅、动画和服务空间、一个玻璃天篷、通往海滨花园的通道、一个多媒体区和一个先进的室外照明系统，其目的是确认建筑群在新的四分位眼镜中的旗舰作用。巧妙地优化宣传工具，既反映了艺术场所为其用户提供的文化范围的多样性和深度。艺术广场保留了加拿大最大的文化中心的地位。

In addition to the renovation of existing spaces, the project involved adding a new exhibit hall, animation and service spaces, a glass canopy, access to the esplanade, a multimedia zone, and an advanced outdoor lighting system, the purpose of which is to confirm the flagship role of the complex in the new Quartier des spectacles. The masterful optimization of promotional tools reflects both the diversity and the depth of the cultural spectrum provided by Place des Arts for the benefits of its users. Place des Arts has preserved its status as the largest cultural center in Canada.

 Courtesy of MSDL Architectes

MSDL架构提供

该建筑群的入口和门厅提供了一条通道，每天有35000名用户通过，每年有800万名行人、顾客和顾客通过。建筑方面的挑战是把魁北克最大的文化综合体改造成一个有活力的环境。其活动的多样性和选择自由已成为其最可持续的特点：无障碍是关键词，沟通的途径是大使。

The entrance way and foyer to the complex provide an access way, through which thirty-five thousand users transit on a daily basis, and eight million pedestrians, customers and patrons on an annual basis. The architectural challenge was to transform the largest cultural complex in Quebec into a living milieu. The diversity of its activities and the freedom to choose have become its most sustainable features: accessibility is the keyword, and the pathways of communication, its ambassadors.

 Courtesy of MSDL Architectes

MSDL架构提供