© Paùl Rivera © Archphoto

(帕奥·里韦拉(Pa！l Rivera)

架构师提供的文本描述。该会所和高尔夫球场的设计方法植根于可持续性、自我更新、自然资源保护和对原有景观的最小干预。

Text description provided by the architects. The design approach to this clubhouse and golf course is rooted in concepts of sustainability, self-regeneration, conservation of natural resources, and minimal intervention into the preexisting landscape.

总体规划和选址是围绕有限走廊清理和避免填土原则制定的。会馆是一座经过精心布置、对环境负责的建筑，对当地的气候和文化做出了回应，并采用了节能技术。

The Master Plan and siting are developed around the principles of limited corridor clearing and avoidance of filling land. The clubhouse is a carefully sited, environmentally responsible building responding to the local climate and culture and employing energy conserving technologies.

 © Paùl Rivera © Archphoto

(帕奥·里韦拉(Pa！l Rivera)

俱乐部的形式和方向是这一绿色战略的直接产物。屋顶曲线捕捉风向，便于雨水收集。在三面长岛海岸线上提供令人叹为观止的山顶景观的同时，宽阔的双层玻璃幕墙为采光和对流通风提供了便利。遮阳的深屋顶悬垂在每个建筑正面的热量增加。

The forms and orientations of the clubhouse are a direct outgrowth of this green strategy. The curves of the roof capture prevailing winds and facilitate the collection of rainwater. While offering stunning hilltop views onto Long Island shoreline on three sides, the expansive double-wall glazed facades facilitate daylighting and convection ventilation. Shading deep roof overhangs mediate heat gain on each of the building facades.

 © Paùl Rivera © Archphoto

(帕奥·里韦拉(Pa！l Rivera)

会馆是以类似涡轮的叶片形式组织起来的。每个“刀片”包含一个独特的功能和框架一个特定的视图，这使得建筑既高效，又具体的地点。利用从可持续森林中收获的柏树，木墙和百叶窗系统使人们想起了当地的木工工艺传统。这座建筑还广泛使用回收材料。在拒绝更正式的景观规划的情况下，土生土长的草本植物、灌木和树木被种植在受建筑干扰的地区。

The clubhouse is organized in bladelike forms like those of a turbine wheel. Each “blade” contains a distinct function and frames a particular view, and this makes the building both highly efficient and site-specific. Using harvested cypress obtained from sustainable forests, the wood wall and louver system recalls a local woodworking craft tradition. The building also makes extensive use of recycled materials. In a rejection of a more formal landscape plan, native grasses, shrubs and trees have been planted in areas disturbed by construction.

 © Paùl Rivera © Archphoto

(帕奥·里韦拉(Pa！l Rivera)

这座两层40，000平方英尺的会所包含了社交和高尔夫相关活动的各个方面。除了更衣室、健身设施和支持空间外，大楼还包括餐厅、办公室和行政区域。

The two-story 40,000 square foot clubhouse contains areas for all aspects of socializing and golf related activities. In addition to locker rooms, a fitness facility, and support spaces, the building contains a dining room, offices, and administrative areas.

 © Paùl Rivera © Archphoto

(帕奥·里韦拉(Pa！l Rivera)

这座桥建在著名的赛车跑道上，也叫“大桥”，直到1990年代中期才开始运营，并为保罗·纽曼这样的名人所使用。与赛马场相关的美国流行文化，再加上赛道本身的异想天开的残余物，已经被包括在这个建筑群中：广告牌、霓虹灯标志、电影海报、保时捷詹姆斯迪恩(Porsche James Dean)的复制品，等等。另一个奇怪的举动是，一些内墙是用科里安建造的。

The Bridge is constructed on the site of famous car racetrack also called The Bridge, in operation until the mid-1990s and used by celebrities like Paul Newman. American popular culture associated with the racetrack, along with often whimsical remnants of the racetrack itself, has been included in the complex: billboards, neon signs, movie posters, a reproduction of the Porsche James Dean crashed in, and so on. In another quirky move, some of the interior walls were made of Corian.

 Courtesy of Roger Ferris + Partners

罗杰·费里斯合伙人

罗伯特·鲁宾(RobertRubin)是一位金融家，他在哥伦比亚大学(Columbia)学习建筑史，同时也拥有这座桥。他使它成为一个高度非传统，非正式的高尔夫俱乐部，没有着装规范和社会多样性。理查德·普林斯(Richard Prince)和汤姆·萨克斯(Tom Sachs)等著名艺术家都是俱乐部中许多当代艺术作品的成员和创作者。罗伯特·威尔逊(Robert Wilson)曾利用俱乐部的戏剧服务入口作为戏剧制作的场所。

Robert Rubin, a financier who studied architectural history at Columbia and is owner of the Maison du Verre in Paris, also owns The Bridge. He has made it a highly unconventional, informal golf club, with no dress code and with social diversity. Famous artists like Richard Prince and Tom Sachs are both members and creators of some of the many contemporary artworks in the clubhouse. Robert Wilson has used the clubhouse’s dramatic service entrance as the setting for theatrical productions.

 © Paùl Rivera © Archphoto

(帕奥·里韦拉(Pa！l Rivera)

建筑师罗杰·费里斯不久将成为大桥上的网球建筑。费里斯是罗杰·费里斯合伙公司的创始负责人，负责指导公司的设计和总体规划工作。在他的指导下，该公司获得了众多国家和地区机构、商业和住宅设计奖，其中包括29项AIA荣誉奖。费里斯先生是哈佛大学设计研究生院的毕业生和Loeb研究员，是美国建筑师协会、英国皇家建筑师学会和国家建筑注册委员会理事会的积极成员。他经常担任讲师和设计陪审员，最近一次是在迈阿密的AIA分会工作。他正在为威尔逊的水磨中心设计保罗·西克画廊。

Architect Roger Ferris will soon be a building for tennis at The Bridge. Ferris is the founding principal of Roger Ferris + Partners and is responsible for directing the design and master planning work of the firm. Under his guidance, the firm has been the recipient of numerous national and regional design awards for institutional, commercial, and residential work, including twenty-nine AIA honor awards. A graduate and Loeb Fellow of Harvard University’s Graduate School of Design, Mr. Ferris is an active member of the American Institute of Architects, the Royal Institute of British Architects, and the National Council of Architectural Registration Boards. He has frequently served as a lecturer and design juror, most recently for the AIA chapter in Miami. He is designing the Paul Thek Gallery for Wilson’s Watermill Center.

 © Paùl Rivera © Archphoto

(帕奥·里韦拉(Pa！l Rivera)

Architects Roger Ferris + Partners

Location Bridgehampton, NY, United States

Category Hospitality Architecture

Design Team Roger Ferris, Dave Beem, Myron Mirgorodsky, Tiziano Fabrizio

Area 40,000 ft2

Project Year 2010

Photographs Paùl Rivera © Archphoto