© Pixelcraft

© Pixelcraft

架构师提供的文本描述。新的圣阿洛伊修斯教堂通过它的建筑表达来讲述其目的故事。这座教堂的设计有两个重要的概念探索：“重新推倒帐篷”，这体现在微妙的高耸的屋顶线条中，唤起了简单崇拜的概念，以及圣阿洛伊修斯的四种信仰：祝福的圣阿洛伊修斯，上帝的受难，爱我们的女人，以及天使合唱团，它们坐落在紧靠屋顶的大型混凝土支撑的教堂内。

Text description provided by the architects. The new Church of Saint Aloysius tells the story of its purpose through its architectural expression. Two significant conceptual explorations gave form to the design for this church: “re-pitching the tent”, expressed in the delicate soaring roof lines evoking the concept of simple worship and the Four Devotions of Saint Aloysius: Blessed Sacrament, Passion of Our Lord, Love of Our Lady, and Choir of Angels, which sit within the church adjacent to the large concrete buttresses anchoring the roof.

该项目最初是一项总体计划，目的是了解教会现在和将来的需要的性质。总体计划涉及场地流通、服务条目、现有学校的扩建以及为教区建造一个新教堂。

The project began as a master plan to understand the nature of the church’s needs today and into the future. The master plan addressed site circulation, service entries, expansion of the existing school and the construction of a new church for the parish.

进入顺序利用了为崇拜而聚集的社会含义。与停车的关系决定了一种独特的做法，通过一系列日益亲密的空间，使聚集者准备与教区的同伴交流礼拜。当他们被重新定位到圣坛时，每个人成为一体，并通过用圣水从基督教印心仪式所用的洗礼字体中涂抹自己来更新他们的洗礼承诺。

The entry sequence exploits the social implications of gathering for worship. The relationship to parking dictates a singular approach through a series of increasingly intimate spaces preparing congregants for worship in communion with their fellow parishioners. Individuals become one with each other as they are reoriented to the altar and renew their baptismal commitment by anointing themselves with holy water from the same baptismal font used for Christian initiation rites.

 © Alan Schindler

艾伦·辛德勒(Alan Schindler)

将教堂定位在网站的前部，可以让教堂成为社区中一个更容易辨认的图标。它还与现有的教区建立了关系，并在教会和教区之间建立了一个聚会区。

Locating the Church at the front of the site allows the church to be a more recognizable icon within the community. It also creates a relationship with the existing rectory and lends to a gathering area between the church and rectory.

 Section through Altar

穿坛节

 © Alan Schindler

艾伦·辛德勒(Alan Schindler)

双曲抛物面顶板通常被用作大跨度屋面要求的廉价解决方案。因此，它被用于实用目的，如运动场和体育设施。项目团队和业主都着迷于它的优雅形式和流线型，这与人们在织物帐篷中可能会看到的线条是一致的。圣阿洛伊修斯教堂的帐篷是由站立的接缝金属板制成的。

The hyperbolic paraboloid roof is used most often as an inexpensive solution to long-span roof requirements. As such, it is used for utilitarian purposes, such as sports arenas and athletic facilities. Both the project team and the Owner were enamored with the elegance of its form and the fluid lines consistent with those that one might expect to see in a fabric tent. The tent of St. Aloysius Church is fabricated from standing seam metal panels.

 Courtesy of Erdy McHenry Architecture

麦亨利建筑

对圣礼及其邻接进行了仔细的考虑。此外，还考虑了祭坛和每日礼拜堂在进入圣殿时的浸礼字体的方向。浮顶结构的隐喻基础是四个奉献者，他们的位置为建筑和这个忠实的教会提供了基础。

Careful consideration was given to the sacraments and their adjacencies. Also considered was the orientation of the altar and the daily chapel to the baptismal font at the entry to the Sanctuary. The floating roof structure is metaphorically grounded by the four devotions whose locations provide the foundation to both the building and to this faithful congregation.

 © Alan Schindler

艾伦·辛德勒(Alan Schindler)

Architects Erdy McHenry Architecture

Location 935 Bennetts Mills Rd, Jackson, NJ 08527, United States

Category Churches

Design Team Scott Erdy, FAIA, LEED AP; David McHenry, FAIA, LEED AP; Mark Miller, R.A.; David Niemiec, R.A.; Kristy Balliet, MArch

Landscape Architect LGA Engineering, Inc.

Area 0.0 ft2

Project Year 2009

Photographs Alan Schindler, Pixelcraft

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