House R Kaboom Architecture

2012-11-21 00:00
架构师提供的文本描述。这个项目是由一个家庭赞助的,他们想把他们的夏季住宅作为今年的主要住所。占地面积110平方米,面积561平方米,位于塔马里斯湾,距海洋约50米,位于新普罗旺斯式房屋的环境中,现有建筑分为两个相同的工作室,一个面向露营地的东露台。这座大楼位于另一边,地下室被改建成一间洗衣房-地窖。屋顶是传统的。进入阴谋是通过一个门户位于东方。通过楼梯进入位于东面地面上方的房屋。(约250厘米)
Text description provided by the architects. The project was sponsored by a family who wanted to make their summer home their principal residence for the year. 110 square meter of floor area on a plot of 561 square meter, located in the cove of Tamaris about 50 meters from the sea, in an environment of neo-provencal houses, the existing building was a house divided into two identical studios with a terrace East facing a campsite. The building is in aslope, the basement was converted into a laundry room available-cellar. The roof was tiled traditional . Access to plot is through a portal located east . Access to the house where the floor is raised above the ground on its eastern façade is via a staircase. (Up to about 250 cm)
 © Jean Baptiste Reol
让·巴普蒂斯特·罗尔
这个程序很简单,就是有一间有两间卧室的房子,把房子朝向南方的大海,这一切都是当代的作品。与预算拨款相比,希望客户重新开发其新住宅(19万欧元),党被认为保留了大部分现有的外观(仅提高60厘米)以及楼梯通道。只有房屋的东南部分被彻底摧毁和重建,房子在角落里打开,创造了一条通向大海的原木,这也是为了经济的利益,大部分现有的洞口已经保留下来,但它们的高度被扩大,使它们在“垂直”中所占的比例更高。
The program simple enough, was to have one house with 2 bedrooms and orient the house towards the sea located in the South, all in a contemporary writing. Compared to the budget allocated want the client to the redevelopment of its new home (190 000 Euros), the party is taken to retain the majority of existing facades (by elevating only 60 cm) as well as stair access. Only the south-east part of the house is completely destroyed and rebuilt the house to open in the corner by creating a loggia redirected towards the sea Also in the interests of economy, the majority of existing openings has been preserved but they were enlarged on their height to give them a higher proportion "vertical".
 © Jean Baptiste Reol
让·巴普蒂斯特·罗尔
在屋顶方面,现有的屋顶瓦片被完全拆除,取而代之的是覆盖整个工程的平屋顶,采用楼梯遮阳,在起居室设置大海湾窗口角。为了更好地提供及时的光线,在露台的新屋顶上建造了两个天窗。月台窗的角度完全打开,使厨房与餐厅、露台和海洋之间形成一条对角线,露台与日间的土壤是连续的(瓷砖50x100厘米),玻璃没有固定的角度,14平方米的露台就成了停留的延伸。为了保护位于房屋以东的白天营地的视觉部分,设立了木桩。
For the roof, the existing roof tiles was completely demolished and replaced by a flat roof that covers the entire project, using the stairs for awning and the large bay window angle is set in the living room. To provide timely light more finely, two skylights were created in the new roof at the terrace. The angle of the bay window opens completely and allows visually create a diagonal between the kitchen and dining room, terrace and sea The soil is continuous between the terrace and the day part (stoneware tiles 50x100 cm), and the fact that the glass does not amount to a fixed angle, the terrace 14 m2 becomes an extension of stay. To protect the visual part of the day camp located east of the house, wood posts were established.
 © Jean Baptiste Reol
让·巴普蒂斯特·罗尔
这种阴影有两个功能。一方面,它隐藏了视图东侧的服务屏幕,另一方面,其中四个仅仅是4个金属柱覆盖木支撑屋顶。拆除这些柱子后,在东南角的屋顶上可以看到更轻的一面和空气。布局相当简单,白天部分面向东南,房间面向西方.为了将房屋整体体积的视觉高度降到最低,对整个底体进行了不同的处理,即贯穿整个房子的板面贴面。为了处理当前部分的白色灰泥和板岩底体之间的空心接头,一个U形不锈钢包在整个房子周围,以分离这两种材料。
This shading has two functions. On the one hand, it hides the view east side serving screen, on the other hand, four of these are just 4 metal posts covered with wood that support the roof. The removal of these post gives a lighter side and air on the roof in the south-eastern corner. Distribution is quite simple, the day part is facing South-East, the rooms are oriented to the West. To minimize the visual height of the overall volume of the house, the entire underbody was treated by a different material, namely a slate veneer which runs throughout the house. To treat a hollow joint between the white plaster of the current part and slate underbody, a U-shaped stainless steel wraps around the entire house for separation between the two materials.
 © Jean Baptiste Reol
让·巴普蒂斯特·罗尔
进入门爬行空间和地下室洗衣-已被金属门的油漆钢,以相同的色调板岩,使他们视觉消失在地下。
Access doors to crawl space and basement laundry-have been replaced by metal doors in painted steel in the same tone as the slate so that they visually disappear into the underbody.
 © Jean Baptiste Reol
让·巴普蒂斯特·罗尔
在室外空间,地块入口处的土方工程帮助扩大了房屋的停车容量。花园里的那棵高大的松树也被保存了下来。
At outdoor spaces, earthworks at the entrance of the plot helped expand the parking capacity of the house. The tall pine on the garden has also been preserved.
 © Jean Baptiste Reol
让·巴普蒂斯特·罗尔
冷热生产是地窖中的一种热泵。从屋顶露台回收水是通过塑料流经屋内隐藏在石膏板箱后面。
Production of cold and heat is a heat pump in the cellar. The recovery of water from the roof terrace is made by Plastic runs that pass inside the house hidden behind plasterboard boxes.
 © Jean Baptiste Reol
让·巴普蒂斯特·罗尔
房子的书写在上面的垂直线(窗户,木柱的比例,.)和房子的底面上的水平线(板木板和钢门)上发挥作用。唯一例外的规则在东边,水平窗口允许创造一个“图片”从客厅到海和周围的悬崖。
The writing of the house plays on vertical lines on the upper part (proportion of windows, wood posts, ..), and horizontal lines on the underbody of the house (slate veneer and steel doors). Only exception to the rule on the East side, a horizontal window allows to create a "picture" from the living room to the sea and the surrounding cliffs.
 © Jean Baptiste Reol
让·巴普蒂斯特·罗尔
在房子的内部,有三个实体体积日(休息室,餐厅和厨房)分开通过游戏天花板和油漆。餐厅是一个“被撕开的立方体”,墙上和天花板上留下了橙色的痕迹。客厅的标志是一个虚假的天花板,在其中插入四条随机排列。该路径然后沿着低压凹进聚光灯。在海湾窗口的角落,有一个尖顶石膏板,插入一个条状LED。浴室是从地板到天花板的瓷砖,由80x40和2x2镶嵌而成。在这个硬币里,形成了两面镜子。浴缸的甲板是用木头实现的。这些都是废弃的建筑,已经回收,涂漆,并愿意随意。
At the interior of the house, there is three entities volume day (lounge, dining room and kitchen)separate through games of ceiling and paint. The dining room is a "cube ripped" leaving an orange mark on the walls and ceiling . The living room is marked by a false ceiling disbursed in which are inserted four strips embedded randomly arranged. The path is then along the low voltage recessed spotlights. Along the bay window corner , there is a cornice plasterboard into which is inserted a strip LED. The bathroom was fully tiled from floor to ceiling tiles combining 80 x40 and 2x2 mosaic. Within this calepinage come to integrate two mirrors. The deck of the tub has been realized in wood. These are waste boards of the construction that have been recovered, varnished, and willing randomly .
 Courtesy of Kaboom Architecture
卡布姆建筑
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

                    

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