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 © Roland Halbe

罗兰·哈贝

架构师提供的文本描述。博物馆，集体社会经验和文化表达的艺术，提供了新的解释世界的方式。它们包含知识、保存信息和传播思想；它们激发好奇心、提高认识和创造交流机会。博物馆作为教育和社会变革的工具，有可能塑造我们对自己和我们所生活的世界的理解。

Text description provided by the architects. Museums, armatures for collective societal experience and cultural expression, present new ways of interpreting the world. They contain knowledge, preserve information and transmit ideas; they stimulate curiosity, raise awareness and create opportunities for exchange. As instruments of education and social change, museums have the potential to shape our understanding of ourselves and the world in which we live.

随着我们的全球环境面临越来越严峻的挑战，更广泛地理解自然系统的相互依存关系对我们的生存和进化变得越来越重要。致力于自然和科学的博物馆在扩大我们对这些复杂系统的理解方面发挥着关键作用。

As our global environment faces ever more critical challenges, a broader understanding of the interdependence of natural systems is becoming more essential to our survival and evolution. Museums dedicated to nature and science play a key role in expanding our understanding of these complex systems.

位于胜利公园的新的佩罗自然和科学博物馆将为博物馆创造一个独特的特征，提高该机构在达拉斯的知名度，并丰富城市不断发展的文化结构。博物馆旨在吸引广大观众，激发年轻人的活力，并在游客的日常生活中激发奇迹和好奇心，博物馆将培养一种难忘的体验，这种体验将在游客的脑海中持续存在，并最终扩大个人和社会对自然和科学的理解。

The new Perot Museum of Nature and Science in Victory Park will create a distinct identity for the Museum, enhance the institution’s prominence in Dallas and enrich the city’s evolving cultural fabric. Designed to engage a broad audience, invigorate young minds, and inspire wonder and curiosity in the daily lives of its visitors, the Museum will cultivate a memorable experience that will persist in the minds of its visitors and that will ultimately broaden individuals’ and society’s understanding of nature and science.

 © Morphosis Architects

形态学建筑师

博物馆将努力达到可持续发展的最高标准。高性能的设计和先进技术的结合将产生一个新的建筑，它将尽量减少它对环境的影响。

The Museum will strive to achieve the highest standards of sustainability possible for a building of its type. High performance design and incorporation of state of the art technologies will yield a new building that will minimize its impact on the environment.

这一世界级设施将通过积极吸引游客的身临其境和互动的环境，激发人们对科学的认识。不把博物馆建筑作为展览的中性背景，新建筑本身就成为科学教育的积极工具。通过整合建筑、自然和技术，建筑展示了科学原理，激发了人们对自然环境的好奇心。

This world class facility will inspire awareness of science through an immersive and interactive environment that actively engages visitors. Rejecting the notion of museum architecture as neutral background for exhibits, the new building itself becomes an active tool for science education. By integrating architecture, nature, and technology, the building demonstrates scientific principles and stimulates curiosity in our natural surroundings.

 © Iwan Baan

(Iwan Baan)

城市内自然的沉浸体验始于游客对博物馆的参观，博物馆经过两种得克萨斯州本土生态系统：一片大型天然树冠森林和一片土生土长的沙漠干燥露台。干燥的露台缓缓倾斜，与博物馆标志性的石顶相连。整体建筑质量被认为是一个巨大的立方体漂浮在网站的景观基座上。一英亩起伏的屋顶景观由岩石和本土抗旱草组成，反映了达拉斯当地的地质学，并展示了一个随着时间的推移将自然进化的生物系统。

The immersive experience of nature within the city begins with the visitor’s approach to the museum, which leads through two native Texas ecologies: a forest of large native canopy trees and a terrace of native desert xeriscaping. The xeriscaped terrace gently slopes up to connect with the museum’s iconic stone roof. The overall building mass is conceived as a large cube floating over the site’s landscaped plinth. An acre of undulating roofscape comprised of rock and native drought-resistant grasses reflects Dallas’s indigenous geology and demonstrates a living system that will evolve naturally over time.

这两种生态系统的交汇处定义了主要入口广场、游客聚集和活动区以及达拉斯市的室外公共空间。从广场，美化屋顶上升，吸引游客通过一个压缩的空间，进入更广阔的入口大厅。大厅起伏的天花板的地形反映了外部景观表面的动态性，模糊了内外的区别，将自然与人为连接起来。

The intersection of these two ecologies defines the main entry plaza, a gathering and event area for visitors and an outdoor public space for the city of Dallas. From the plaza, the landscaped roof lifts up to draw visitors through a compressed space into the more expansive entry lobby. The topography of the lobby’s undulating ceiling reflects the dynamism of the exterior landscape surface, blurring the distinction between inside and outside, and connecting the natural with the manmade.

 © Iwan Baan

(Iwan Baan)

从入口的压缩空间出发，游客的目光会从高耸的、明亮的中庭(这是大楼主要的充满光线的循环空间)向上吸引，这是大楼的楼梯、自动扶梯和电梯的所在地。从一楼开始，一系列的自动扶梯将顾客从中庭带到博物馆的最顶层。顾客们来到了位于城市上空的一个全玻璃阳台，鸟瞰达拉斯市中心。从这个空中阳台上，游客沿着顺时针螺旋穿过画廊的路径往下走。这种动态的空间过程创造了一种发自内心的体验，吸引了游客，并建立了与博物馆沉浸式建筑和自然环境的直接联系。

Moving from the compressed space of the entry, a visitor’s gaze is drawn upward through the soaring open volume of the sky-lit atrium, the building’s primary light-filled circulation space, which houses the building’s stairs, escalators and elevators. From the ground floor, a series of escalators bring patrons though the atrium to the uppermost level of the museum. Patrons arrive at a fully glazed balcony high above the city, with a bird’s eye view of downtown Dallas. From this sky balcony, visitors proceed downward in a clockwise spiral path through the galleries. This dynamic spatial procession creates a visceral experience that engages visitors and establishes an immediate connection to the immersive architectural and natural environment of the museum.

 © Morphosis Architects

形态学建筑师

从顶层到博物馆画廊的这条小路在大楼的主要流通中庭之间穿行，交替地将游客与博物馆的内部世界以及城市外部生活联系在一起。游客成为建筑的一部分，因为建筑物的东面拐角处向达拉斯市中心开放，以揭示建筑内部的活动。因此，博物馆是一座基本的公共建筑-一座开放、属于和激活城市的建筑；最终，公众是博物馆的组成部分，就像博物馆是城市的一部分一样。

The path descending from the top floor through the museum’s galleries weaves in and out of the building’s main circulation atrium, alternately connecting the visitor with the internal world of the museum and with the external life of the city beyond. The visitor becomes part of the architecture, as the eastern facing corner of the building opens up towards downtown Dallas to reveal the activity within. The museum, is thus, a fundamentally public building – a building that opens up, belongs to and activates the city; ultimately, the public is as integral to the museum as the museum is to the city.

 © Iwan Baan

(Iwan Baan)

Architects Morphosis

Location 2201 N. Field Street, Dallas, Texas, United States

Category Museum

Project Year 2012

Photographs Roland Halbe, Iwan Baan , Morphosis Architects

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