架构师提供的文本描述。这位设计师为特拉维夫港地区一座废弃的破旧建筑注入了新的生命，围绕着设计世界上最好的家具收藏之一，创造了一个既强大又同时被限制的空间。

Text description provided by the architects. The designer breathed new life into an abandoned and dilapidated building in the Tel Aviv harbor area, and created, around one of the finest furniture collections in the world of design, a space that is both powerful and yet restrained at one and the same time.

 © Amit Geron

阿米特·杰龙(Amit Geron)

这座11米高的建筑有一个独特的立面，由一排柱子组成，形成了一个清晰而明确的建筑网格，设计师把它作为整个外壳的基础。建筑师选择只留下柱子和梁，并移除其他一切，只留下一个建筑历史的线索与长方形的硅酸盐西面墙，经过特殊处理，以保持其原有的外观。(鼓掌)

The 11 meter high structure with a unique façade consisting of a line of pillars that creates a clear and well defined construction grid, was used by the designer as the base for the entire outer shell.  The architect chose to leave in place only the pillars and beams and to remove everything else leaving just a hint of the structures history with the rectangular, silicate western wall, being specially treated to preserve its original look.  

 © Amit Geron

阿米特·杰龙(Amit Geron)

在建筑内部的设计中，建筑师对有连续空间的展示空间表达自己的、局部的诠释，通过光线、视觉和运动实现，同时使用与外壳的工业外观相对应的工业材料。(鼓掌)

In the design for the interior of the building, the architect expresses his own, local interpretation for the display space where there is a continuous space, achieved through light, sight and movement along with the use of industrial materials that correspond with the industrial look of the outer shell.  

 © Amit Geron

阿米特·杰龙(Amit Geron)

其目的是创造一个既令人印象深刻又有力的展示空间，但同时又不减损展出家具的重要性。

The aim was to create a display space that was both impressive and powerful but without detracting from the importance of the furniture on display.

 © Amit Geron

阿米特·杰龙(Amit Geron)

中心思想是创造一个壳，它将作为一个自身的建筑元素，同时仍然尊重结构的内容。

The central idea was to create a shell that would stand as an architectural element in its own right whilst still respecting the contents of the structure.

 © Amit Geron

阿米特·杰龙(Amit Geron)

使用未加工材料的天然和原始形式(如混凝土面板和生锈的铁)成功地增强了工业化的外观，但也没有压倒家具展示。

The use of unprocessed materials in their natural and original form (such as concrete panels and rusted iron) succeeded in empowering the industrialized look but also not to overpower of the furniture display.

 © Amit Geron

阿米特·杰龙(Amit Geron)

这座建筑的外部覆盖着工业用的混凝土面板，尽管建筑高度很高；建筑师设计了一个低矮的金属入口，强调所有进入结构的人之间的人际关系，以及在建筑物内部加强空间高度的力量的对比。(鼓掌)

The outside of the structure was sheathed in industrial, concrete looking panels and, despite the buildings great height; the architect designed a low, metal entrance that emphasizes to all those entering the structure the human relationship and the contrasts that strengthen the power of the space's height once inside the building itself.  

 © Amit Geron

阿米特·杰龙(Amit Geron)

从外面看，门面几乎是匿名的，而且大部分都是密封的。由于决定不像其他陈列室那样用巨大的标志来装饰它，而是为了保持外部的简约和克制的外观，该公司的标志被放置在入口“隧道”的墙壁上，从而加强了家具展示的效果。

From outside, the façade is almost anonymous and, for the most part, sealed.  Due to the decision not to adorn it with huge signs as is usually the case with other showrooms, but rather to preserve the minimalistic and restrained look from the outside, the company's logo was positioned on the walls of the entrance "tunnel" thus strengthening the effect of the contents – furniture display.

 © Amit Geron

阿米特·杰龙(Amit Geron)

人们意识到展出的家具收藏及其设计者的重要性，并真诚地试图遵循如此脆弱和微妙的分界线，设计一个既令人印象深刻又永恒的陈列室，同时又不把建筑强加于内容上。

There is an awareness of the importance of the furniture collection on display and of its designers and of a sincere attempt to follow the so fragile and delicate dividing line, to design both a showroom that is impressive and eternal whilst not imposing the architecture on the contents.