“字里行间的阅读”是吉斯·范瓦伦伯格(Gijs Van Vaerenbergh)的一个项目，这是比利时年轻建筑师Pieterjan Gijs(Leuven，1983)和Arnout Van Vaerenbergh(Leuven，1983)的合作项目。自2007年以来，他们一直共同实现公共空间的项目，从他们的建筑背景，但有一个艺术意图。例如，他们的项目并不总是起源于古典客户的主动性，并具有很大程度的自主权。他们主要关心的是实验、反思、对最终结果的实际参与以及观众的投入。

‘Reading between the lines’ is a project by the duo Gijs Van Vaerenbergh, a collaboration between young Belgian architects Pieterjan Gijs (Leuven, 1983) and Arnout Van Vaerenbergh (Leuven, 1983). Since 2007, they have been realizing projects in public space together that start from their architectural background, but have an artistic intention. Their projects do not always originate out of the initiative of a classical client, for example, and carry a large degree of autonomy. Their primary concerns are experiment, reflection, a physical involvement with the end result and the input of the viewer.

 © Filip Dujardin

c.Filip Dujardin

“字里行间的阅读”是“坑”的一部分，这是一条艺术轨迹，大约有十位艺术家在博格隆-黑尔地区(位于林堡的佛兰芒省)创作。“坑”将是Z-out展览项目的第一部分。Z33是哈塞尔特市的当代艺术博物馆，在该项目中，Z33在公共空间展示艺术(另见www.z33.be)。9月24日，Gijs Van Vaerenbergh将以当地教堂的设计为基础，通过一条循环路线展示乡村景观的建筑。这座“教堂”由30吨钢和2000根柱子组成，建筑在武装混凝土的基础上。通过使用水平板，传统教堂的概念变成了透明的艺术对象。

‘Reading between the lines’ is part of ‘pit’, an artistic trajectory with works by some ten artists in the region of Borgloon-Heers (in the Flemish province of Limburg). ‘Pit’ will be the first part of the exhibition project Z-OUT, an initiative in which Z33, the contemporary art museum of the city of Hasselt, presents art in public space (see also www.z33.be). On September 24th, Gijs Van Vaerenbergh will reveal a construction in the rural landscape, by a cycle route, that’s based on the design of the local church. This ‘church’ consists of 30 tons of steel and 2000 columns, and is built on a fundament of armed concrete. Through the use of horizontal plates, the concept of the traditional church is transformed into a transparent object of art.

 © Filip Dujardin

c.Filip Dujardin

取决于观众的视角，教堂要么被视为一座巨大的建筑，要么部分或全部溶入景观。另一方面，那些从教堂内部往外看的观众则会看到一段抽象的线条，这些线条重塑了周围的景观。这样，教堂和风景都可以被认为是作品的一部分-因此也是它的标题，这意味着要在字里行间阅读，一个人也必须自己读行。换句话说，教会使景观的主观体验可见，反之亦然。

Depending on the perspective of the viewer, the church is either perceived as a massive building, or dissolves — partly or completely — into the landscape. Those viewers that look from the inside of the church to the outside, on the other hand, witness an abstract play of lines that reshapes the surrounding landscape. In this way, church and landscape can both be considered part of the work — hence also its title, which implies that to read between the lines, one must also read the lines themselves. In other words: the church makes the subjective experience of the landscape visible, and vice versa.

 © Filip Dujardin

c.Filip Dujardin

 © Filip Dujardin

c.Filip Dujardin

“字里行间的阅读”可以理解为对建筑主题如规模、地面规划等的一种反映，但该项目也强调了对严格建筑的超越。毕竟，教会本身并没有明确界定的功能，只注重视觉体验(甚至可以认为它是空间中的一条直线)。同时，施工表明，这种经验实际上是设计的结果，因为它明确地提到了其概念中的各个阶段：设计图，模型…。此外，由于教会没有发挥其古典功能，它可以理解为与遗产有关的对该地区教堂目前空缺(及其潜在的艺术再利用)的反映。

‘Reading between the lines’ can be read as a reflection on architectural themes such as scale, the ground plan etc., but the project also emphatically transcends the strictly architectural. After all, the church does not have a well-defined function and focuses on visual experience in itself (one could even consider it to be a line drawing in space). At the same time, the construction demonstrates that this experience is in effect a consequence of the design, since it explicitly refers to the various stages in its conception: the design drawing, the model… Apart from that, because the church does not fulfil its classical function, it can be read as a heritage related reflection on the present vacancy of churches in the area (and their potential artistic reuse).

 © Filip Dujardin

c.Filip Dujardin

所有这些层次融合在一起的艺术作品是开放的各种阅读，从一个严格的建筑，一个艺术的。同时，“字里行间阅读”是一种可访问的空间干预，除其他外，它给了骑车者一种意外的视觉体验。

All these layers merge in one work of art that is open to various readings, from a strictly architectural one to an artistic one. At the same time, ‘Reading between the lines’ is an accessible spatial intervention that gives, among others, a cyclist that happens to ride past, an unexpected visual experience.

 © Filip Dujardin

c.Filip Dujardin