架构师提供的文本描述。奥弗涅火山地区的自然有一种绝对神圣的东西。它似乎与艺术观念有着无形的联系。

Text description provided by the architects. The Nature in the volcanic region of Auvergne has something definitely sacred. It seems to be invisibly linked with the idea of art.

 Courtesy of atelier 37-2

工作室提供37-2

作为艺术家，我们的方法是探索这种特殊的性质，以便让恐惧、神秘、形而上学和精神上的质疑从火山记忆中显现出来。

Our approach, as artists, is to search this specific nature in order to let the fear, the mystery, the metaphysical and spiritual questioning appears from the volcanic memory.

一具巨大的骨架已经从普伊·德塞维克斯山顶的这些发掘中产生了。它沿着山顶画了一根脊梁。虽然它让人联想起猛犸的形状，但它的尺寸-超过100米长-超过了迄今发现的最大恐龙骨架(25米长)。它属于一个未知物种。这一发现是对这一特定自然环境的诗意和幻象的解释。

A gigantic skeleton has arisen from these excavations of the Puy de Serveix ‘summit. It draws a backbone along the peak of the mountain. Though it recalls the shape of a mammoth, its dimension – more than a 100 meters long – exceeds the biggest dinosaur’s skeleton ever discovered (25 meters long).  It belongs to an unknown specie. This discovery is a poetic and phantasmagorical interpretation of this specific natural environment.

 Courtesy of atelier 37-2

工作室提供37-2

这座不朽的雕塑描绘了自然与艺术之间的叙事对应。

This monumental sculpture draws a narrative correspondence between Nature and Art. 

这个想法是在景观中建立一个谜，对观众的想象力产生深刻的影响。他将被驱使去寻找我们起源的深度和奥秘。当代艺术必须通过重新引入抛弃我们世界的神圣情感来创造神话。

The idea is to set up an enigma within the landscape creating a deep impact upon the spectators’ imagination. He will be driven to search the depth and the mystery of our origins. Contemporary art has to create myths by reintroducing the sacred feelings that has deserted our world.

这件艺术品是根据宏伟的景观规模设计的。它必须从一定的距离被观察，当一个人靠近的时候，它就会消失。一个视点指示器-离山顶300米-与这座雕塑相配。

This artwork has been designed according to the scale of the magnificent landscape. It has to be observed from a certain distance and tend to disappear when one comes to close. A viewpoint indicator - 300 meters from the summit – goes with this sculpture.