架构师提供的文本描述。这房子采取典型的家庭运动路径，并操纵他们编织外部景观和场地到房子，同时增强自然气流和景观。对景观的连续性、循环和空间的连续运动的兴趣导致了对这座住宅中持续的空间关系的探索。光滑，曲折的表面描绘了空间的区域，同时最大限度地扩大了站点的地形、视图和环流。卷是通过对表面和材料的切片来区分的，强调水平的同时允许多种空间条件通过这些形式、表面和体积的相互作用而发展。这些空间交叉口积累了更多的静态元素，同时打破了内部和外部的边缘，允许更多的土地和内部逻辑之间的关系。

Text description provided by the architects. This house takes the typical paths of domestic movement and manipulates them to weave the exterior landscape and site into the house while enhancing natural airflows and views. An interest in the continuity of landscape, circulation, and the sequential movement through space has lead to an exploration of continuous spatial relationships in this residence. Smooth, sinuous surfaces delineate zones of space while maximizing the site’s topography, views, and circulation. Volumes are differentiated through a slicing of surfaces and materials, emphasizing the horizontal while allowing a multiplicity of spatial conditions to develop through the interaction of these forms, surfaces and volumes.  These spatial intersections accumulate the more static elements of the house, while breaking down edges between inside and outside, allowing a more engaging relationship between the land and internal logics of the house.

 © Benny Chan

(C)陈方安生

在马里布的Dume点顶部，住宅从下面通过车道进入，而现有的挡土墙将场地平分，沿着现有小丘的几何形状移动。居住框架海洋全景视图的几何形态，因为这些视图提供了几何学上的变化，从而产生了“S”形状的平面。从入口到生活空间和外部景观的曲折序列与下面的海岸线相呼应，在多个观点之间产生了一种动摇。房子里的运动从入口弯到起居室，然后再向游泳池倾斜。

On the top of Point Dume in Malibu, the residence is accessed from below by a driveway, while an existing retaining wall bisects the site and moves along the geometry of an existing knoll. The geometric morphologies of the residence frame panoramic views of the ocean, as these views inform the shifts in geometry that produce the “S” shape of the plan. The sinuous sequence from the entry to the living space and landscape beyond echoes the shoreline below, creating a vacillation among multiple viewpoints. Movement in the house bends from the entry to the living area and again towards the pool.

 © Benny Chan

(C)陈方安生

入口是通过车库和客房之间的空隙进行的。一个人进入一个狭窄的、弯曲的垂直大厅，下面是两个牧师窗口，向开阔的水平生活空间蜿蜒而行，到达了一个框架式的海洋全景。这个流动的走廊成为住宅的纽带，在这里，住宅的公共和私人区域之间的运动被聚集在一起，并在弯曲的走廊空间中交织在一起。房子的路径延伸到生态树脂、定制装配式灯箱下的起居区，延伸到室外露台，弯弯曲曲地延伸到膝上池和圣莫尼卡海岸线的另一端。开放式客厅有11英尺高的天花板，厨房、餐厅和生活区都有阁楼般的感觉。起居区域从字面上延伸到外部，有两个大的滑动门，形成一个向外的开口，即11英尺乘22英尺。一个超大型的水平百叶窗系统延伸沿住宅的边缘，以控制光线，合并图书馆货架，并成为主卧室平台上方的栏杆系统。主卧室被移回来，既创造了一个露台，也重新定位了海岸线朝向城市的灯光。

Entry occurs through a gap between the volumes of the garage and the guest bedroom of the house. One descends into a narrow curving vertical hall below two clerestory windows that twists towards the open horizontal living space arriving at a framed panoramic view of the ocean. This fluid hallway becomes the nexus of the residence, where movement between the public and private areas of the home is aggregated and intertwined in the curved hallway space. The path of the house extends through the living area under an eco-resin, custom fabricated, light box and extends to an outdoor terrace that curves around to the lap pool and a new view towards the Santa Monica coastline beyond. The open living area has eleven-foot ceilings where kitchen, dining and living areas have a loft like feel. The living area literally extends to the exterior with two large sliding doors that create an opening to the outside that is eleven foot by twenty-two foot.  An over-scaled system of horizontal louvers extends along this edge of the residence to control light, incorporate library shelving and become the railing system for the master bedroom terrace above.  The master bedroom is shifted back both to create a terrace and to re-orient views of the coastline towards the city lights.

 First Floor Plan

一层平面图