架构师提供的文本描述。位于塞浦路斯尼科西亚的Engomi市区，Constantinos Kalisperas的建筑工作室完成了质子项目，这是一座三层楼高的建筑，由三套宽敞的单层公寓组成，俯瞰建筑师提出的一个迷人的公园。玻璃，钢铁，白色混凝土建筑与清洁的有机弯曲线允许光为主要焦点，是一个惊喜在它自己！这座建筑位于地面之上，在拟议的边界内将周围的地形连接起来，统一和重新定位建筑物的本质，使其在更广阔的城市结构和拟议中的公园跨越并穿过建筑物。

Text description provided by the architects. Situated in the urban area of Engomi in Nicosia, Cyprus, Constantinos Kalisperas  architectural studio completed project PROTON, a three storey building that consists of three spacious single floor apartments overlooking an intriguing park proposed by the Architect. The glass, steel, white concrete building with the clean organic curved lines allowing light to be the primary focus, is a surprise in it self! The building rises above ground interconnecting the surrounding topography within the proposed boundaries, unifying and repositioning the buildings essence within the broader urban fabric and the proposed park across and through the building.

 Courtesy of CKAS

克拉斯

公园上方和整个公园内部空间的投影将私人和公共连接起来，消除了界定建筑物各部分规划用途的过渡边界。一个宽敞的区域是由打开外部滑动玻璃门，统一的露台和生活区，允许外部的颜色在公寓内互动。通过“开放”的外观，内部的规划素质被展示给外部，扭转了这一进程，并允许城市进入。

The projection of internal space above and across the park connects private and public, erasing the transitional boundaries that define the programmatic use of each sector of the building. A spacious area is generated by opening the external sliding glazed doors, unifying the terrace and living area, allowing colors of the exterior to interact within the apartment.  By “opening” the façade, the internal programmatic qualities are revealed to the outside, reversing the process and allowing the city to look in.

 Courtesy of CKAS

克拉斯

内部的边缘，界定天花板，地板和墙壁，溶解成“纯白色”，被材料调色板的房子是减少，以强调房间的轻盈。当地的材料，如木材和青铜，被仔细使用，以软化和揭示特定的规划用途，在空白。

Internally the edges that define ceiling, floors and walls, dissolve into the “pure white”, were the material palette of the house is reduced to emphasize the lightness of the rooms.  Local material such as wood and bronze is carefully used to soften and reveal specific programmatic uses within the white space.

 Courtesy of CKAS

克拉斯

在建筑物的西南，令人印象深刻的弯曲体积，容纳楼梯和内部部分是精心设计的，以整合自然光在特定的地区贯穿。具有雕塑状的有机白色混凝土楼梯成为建筑物的“脊柱”，并在内部水平之间建立起垂直关系。

On the south west of the building the impressive curved volume that accommodates the staircase and part of the interior is carefully designed to integrate natural light into specific areas throughout.  The organic white concrete staircase with a sculpture-like form becomes the “spine” of the building and instigates a vertical relationship between the internal horizontal levels.

 Courtesy of CKAS

克拉斯

在东边，小开口的作用就像一个集体的“摄像机”，把周围的景色和行动都固定下来，居民就成了观察者。光是用来作为一个工具，重新动画的形态和规划的性质的建筑物。卧室所在的东面玻璃板是精心布置的，需要清晰和模糊，保护室内免受外部“噪音”的影响，但同时允许最大限度的光线进入房间。

On the east side, the small openings act like a collective “camera”, framing views and actions of the surroundings were the inhabitant becomes the observer. Light is used as a tool that re-animates the morphological and programmatic qualities of the building. The glass panels of the east facade were the bedrooms are situated are carefully placed combining clarity and obscurity were needed, protecting the interior from the outside “noise” but allowing at the same time maximum light into the rooms.

 Courtesy of CKAS

克拉斯

在底层，艺术家尼科斯·库鲁西斯(Nicos Kouroussis)设计的雕塑与水元素相互作用，以软化锋利的边缘，在规划和空间上提供流畅的效果。在南侧，低于地面水平，屏蔽车辆噪音，是游泳池的区域，提供统一和相互作用的居住者。“纯白”变成了一幅无形的画布，它超越了建筑的本质，从一种典型的艺术转变为一种“超凡脱俗”的艺术。

On the ground floor level sculptures designed by artist Nicos Kouroussis interact with water elements in order to soften the sharp edges providing a flowing effect both programmatically and spatially.  On the south side, below ground level, screened from the vehicular noise, is the pool area providing unity and interaction between the occupants. The “pure white” becomes an invisible canvas inviting for creation, transcending the building’s essence, from a typical to an “extra-ordinary” piece of art.

 Floor Plan