架构师提供的文本描述。房子是从一个抽象的概念的形状，一个主观的行为，构成程序的形状标准。

Text description provided by the architects. The house is considered from an abstract conception of shape, a subjective act that structures the program with shape criteria.

 © Pepo Segura

3.Pepo Segura

在这个概念的最初阶段，因此，我们没有考虑到功能标准给我们家庭项目的模式，但是我们的“投射学科”是构造的形状，能够在建筑之前给材料(质量)带来秩序。(雕塑-绘画)它是构造的，然后，一个关系的结构(视觉，感官等)综合原因和投影值​​。

At that first moment of this conception, and consequently, we did not have in mind functional criteria which give us the pattern to home's project, but what fed our "projective discipline" was the tectonics shape, able to bring an order to the material (mass) prior to the architectural. (sculpture – painting) it is constructed, then, a structure of relations (visual, sensory, etc.) that synthesize reasons and projective values​​.

塑料材料的存在-颜色、质地、亮度、活力、透明度-是建筑元素的属性，也是赋予建筑物体视觉质量的属性。

The presence of plastic material - color, texture, brightness, vibrancy, transparency - are attributes of construction elements and the ones which give visual quality at the architectural object.

 © Pepo Segura

3.Pepo Segura

在这个早期阶段，我们不想或不需要展示材料的塑性，而是让设想的物体变成一个冻结的形式。

At this early stage we do not want or need show the plastic presence of the material, but rather let the conceived object becomes only a frozen form

这个术语“冻结形式”给了我们关于投射性论证和论证的线索。在这种情况下，建筑学的节目、场所、环境、观点、方向、纯粹的功能问题就在这里成为了一种含蓄的内容。

This term "frozen form" gives us the clue about the projective arguments and reasoning have discoursed. Under these circumstances; the programme, the place, the environment, the views, the orientation, purely functional issues of architectonics become here in mere contents implicit subsequently.