架构师提供的文本描述。乌姆布里亚的一个碎片，一个红色的农舍，橄榄园，和建筑投机争夺的背景下，方济各教堂将出现，将普遍从上面看到。

Text description provided by the architects. A fragment of Umbria, a red farmhouse, olive groves, and building speculation contend for the background on which the Franciscan church is to arise that will be seen prevalently from above.

 © Mauro Davoli

莫罗·达沃利

教堂和教区中心坐落在山体上，通过一系列特权的概念来建造、挖掘、低广场和高广场，这是佩鲁贾市历史的一部分，也是佩鲁贾镇中心的一部分，秘鲁人称其为“卫城”。

The church and the parish centre lie on the body of the hill through a sequence that privileges the concept of substruction, excavation, low piazza and high piazza which is part of the history of the city of Perugia, of its town centre, which the Perugians significantly call “Acropolis.”

 © Mauro Davoli

莫罗·达沃利

从教堂到主教堂，到平日教堂，再到教区牧师，一条直线标志着神圣的道路。

A straight line marks the sacred path from the parvis to the main church, to the weekday church, and to the rectory.

 © Mauro Davoli

莫罗·达沃利

这条路在外面重复，穿过连接巴萨广场和阿尔塔广场的大楼梯，其尺寸类似于教堂的身体。在剖面上，教堂的身体有13米高，达到与教区中心相同的高度。这座教堂有六米五十厘米高。教堂的整体由一条光线穿过，在主教堂里，它标志着正面的垂直切割，并在屋顶上继续，伴随着信众走上祭坛。

The path is duplicated outside, through the large stairway that links Piazza Bassa and Piazza Alta, with a dimension analogous to the body of the church. In section, the body of the church, thirteen linear metres high, reaches the same altimetric level as the parish centre, which is six metres fifty centimetres tall. The overall body of the church is traversed by a line of light which, in the main church, marks the vertical cut of the façade and continues in the roof, accompanying the faithful up to the altar.

 © Mauro Davoli

莫罗·达沃利

光线，就像它通过与铁梁相交而形成的十字线一样，可以从山丘上辨认出来，并标志着室内空间和天空之间的界线。主教堂的石头砌块-圣日教堂-就像土地性质的延续一样，在街道前部展开，把它封闭了50米，形成了一堵大墙，由隆起的地面组成，用来保护向上的大型楼梯广场的空旷的双重空间，使之不受车辆交通的影响。这块砖似乎完全暴露在内部和外部材料，证实了教会属于土地的性质，历史和佩鲁贾及其圣徒的身份。

The line of light, like the cross it forms on the façade by intersecting with an iron beam, is legible from the hills and marks the borderline between interior space and sky. The stone block of main church-sacristy-weekday church, like a continuation of the nature of the land, develops on the street front, closing it for fifty linear metres, constituting a sort of large wall, of raised ground that protects the empty dual space of the large stairway-piazza facing upward towards the hills from vehicular traffic. The brick that appears fully exposed as both interior and exterior material, confirms the church’s belonging to the nature of the land and to the history and identity of Perugia and its Saints.

 First Floor Plan

一层平面图