© Angel Baltanás

c.安赫尔·巴尔塔斯

架构师提供的文本描述。名为“Conde Orgaz公园”的地区是马德里最有特权的地方之一，那里的植被掩藏着房屋.因此，这个位置的餐馆应该是“在公园里吃饭”。

Text description provided by the architects. The area called “Parque del Conde de Orgaz” is one of the most privileged places of Madrid, where vegetation hides houses... therefore a restaurant in this location should be something like "EATING IN A PARK".

 © Angel Baltanás

c.安赫尔·巴尔塔斯

该项目的目的是消除内部和外部之间的障碍，通过柳条用作花园围场，我们和我们周围。因此，室内，露台和步行街创造了一个单一的空间，被关闭的噪音和开放的花园.

The project aims to remove the barriers between inside and outside by means of a WICKER used as a garden enclosure that receives us and surrounds us. Thus interior, terrace and pedestrian street create a single space, being closed to the noise and opened for the garden...

 © Angel Baltanás

c.安赫尔·巴尔塔斯

现存的东西是由它自己的设施规模决定的，都是用黑色漆成的，用来在人的规模上引入材料，所以人们一步地意识到不同的感觉：花园的“气味”，柳条的“景色”，轻的黄金，我们所能接触到的一切(天然丝绸桌布)，。橡木椅.)最后，在餐馆里最重要的是味道。

What exists is left to its own scale of facilities, all painted in plain black, to introduce materials at the scale of people, so people, step by step, get conscious about the different senses: the “smell” for the garden, the “view” for a wicker made gold with light, the “touch” for everything that is within our reach (natural silk tablecloths, oak chairs...) and, finally, the most important in a restaurant, TASTE. 

当然，“听证会”我们把它留给一个好的谈话.。

Of course, the “hearing” we leave it for a good conversation...

 © Angel Baltanás

c.安赫尔·巴尔塔斯

建筑柳条作为建筑内外的主要侧重点材料，作为悬挂在三条钢板水平线上的双层体系。较低的位置20厘米离地板，方便清洁同样，中间，90厘米高，隐藏了双线的LED强调在桌面上的照明，产生余烬的效果，顶部的一个在2，40m。在他们三个人中，我们会用简单的电线把柳条挂起来.

Building Wicker, as main focus material for outside and inside, is used as a double layer system suspended of three horizontal lines of steel plate. The lower situated 20cm from the floor, to facilitate the cleaning of the same, the intermediate, 90cm height, hides a double line of LED that emphasizes the lighting on the table, producing ember effect, and the top one at 2,40m. Among the three of them we will hang the wicker with simple wires...

 © Angel Baltanás

c.安赫尔·巴尔塔斯

室外，现有扶手的结构将起到支撑柳条的作用，采用相同的系统和室内照明方式。这个现有的结构还将支持一个大字母的钢板，名为“Al Pto”，就像唱歌的正面…。

Outdoor, the structure of the existing handrails will serve to support the wicker, with the same system and lighting used indoor. This existing structure will also serve to support a big letters of steel plate with the name “Al Punto”, like the sing facade...

 © Angel Baltanás

c.安赫尔·巴尔塔斯

在人行横道，柳条消失了，离开他的地方竹子植物，作为一个过滤器之间的步行街和露台。在这里，一个木地板IPE介绍我们的地方，而在外面和里面隔开了一个玻璃正面地板到天花板。一个单一的枢轴门(1，50x2，80米)由黑色合成克里恩和垂直柄实木染色黑色和餐厅的名称低浮雕，邀请我们进入。

At pedestrian facade, wicker disappears leaving his place to bamboo plants as a filter between the pedestrian street and the terrace. Here, a wooden floor IPE introduce us to our local, while outside and inside separated by a glass facade floor to ceiling. A single pivot door (1,50x2,80 m) made of black synthetic Krion and vertical handle of solid wood stain black with the name of the restaurant made in low relief, invites us to enter. 

 © Angel Baltanás

c.安赫尔·巴尔塔斯

内部采用不同高度的悬挂灯来解决照明问题，模型是圣诞老人的Cirio。

Inside, the lighting is solved by suspended lamps at different heights; the model of the lamp is Cirio of Santa&Cole, in gold foil and a few with translucent ceramic. Light from wicker combined with suspended lamps and tables candles , creates an intimate atmosphere. The light from these suspended lamps are reflected in the glass facade producing an effect of ambiguity between the exterior and interior. 

 © Angel Baltanás

c.安赫尔·巴尔塔斯

瓶架由方形铁管、黑色漆和黑色克里昂架子组成，下部用主门相同的材料解决，顶部用实心橡木制成。

The barcounter is solved in its lower part with the same material of the main door and at the top with solid oak, while the bottle rack is made with square iron tube black lacquered with shelves in black Krion. 

 © Angel Baltanás

c.安赫尔·巴尔塔斯

该气候控制系统是解决了镀锌钢管涂上黑色和悬挂在现有的框架与相同的处理。

The climate control system is solved by galvanized steel ducts painted in black and suspended from the existing framework with the same treatment. 

浴室由印有黑色和清漆的DMF板组成，卫生间采用石墨色的“元素收藏”，由David Chipperfield设计成“Roca”。

The bathrooms are made of DMF boards dyed in black and varnished, with sanitary toilets in graphite color of the “Element collection”, designed by David Chipperfield to “Roca”. 

对于户外家具，由Jorge Pensi设计为“Pedralli”，内部设计为“标志椅”，由Daniele lo Scalzo设计，也为“Pedralli”设计。

For the outdoor furniture “Chair Ara”, designed by Jorge Pensi to “Pedralli” and inside “Sign Chair”, designed by Daniele Lo Scalzo also to “Pedralli”. 

总之，一家室内和室外对话的餐厅，仿佛是一个整体，增加了他们的空间。

In short, a restaurant where indoor and outdoor dialogue adding their spaces as if it were a whole.