架构师提供的文本描述。最近完成的电视阿兹特卡电影

Text description provided by the architects. The recently completed TV Azteca Film & TV Sets Campus transforms a complex program of performing arts and TV sets, into a clever game of open and close spaces.

 © Enrique Macias Martinez

c.Enrique Macias Martinez

该项目回应了一项整合在一个单一领域的提议，即电视频道对拍摄的要求，这之前是在租用的场景或地点完成的，增加了后勤和交通费用。

The project responds to a proposal that integrates into a single area, the television channel’s requirements for filming, which were previously done in rented sets or locations, adding cost of logistics, transportation. 

 © Enrique Macias Martinez

c.Enrique Macias Martinez

我们对一个原本没有具体用途的空间进行了浓缩。在一些现有集合的后面，重新创建了一个公共广场，为工人和演员服务；从而产生了一个信封，以改变上述元素的规模，因为周围的集合的方案不寻常，在结构、声学和机动性方面表现出一种不寻常的做法。

We densified a space that originally had no specific purpose. Being located in the back of some existing sets, a public square was recreated to serve workers and actors; thus generating an envelope that transforms the scale of the mentioned elements, because of the unusual scheme of the surrounding sets, representing an uncommon exercise in structure, acoustic and mobility.;

 Planta Conjunto

普兰塔康尼托

AT 103有兴趣将公共空间和私人空间联系起来，以体验与通常不同的用途，将常规实践推向产生新体验、新感觉和新氛围的程度。

at103 is interested in linking public and private space so as to experience a different use than the usual, by pushing the usual practice to a point where it generates new experiences, sensations and atmospheres.

 © Enrique Macias Martinez

c.Enrique Macias Martinez

正式项目的结果是与内部和外部项目的关系图：7套，后台区域，化妆区，隔间：音频，视频，节目，休息区，咖啡厅，休息室，教室，贵宾区，停车场升降机，露台，自助餐厅，庭院，花园和直升机停机坪。在外面，我们选择了一种黑色的兵马俑材料，它统一了复杂的环境，并通过百叶窗和充满LED灯的线的细微插入来实现与外部的对话，这样就可以实时地传递场景内外发生的信息。屋顶是可用于拍摄、特别活动或聚集区域的空间。

The formal project is the result of extruding a diagram of relationships with internal and external programs: 7 sets, backstage area, makeup area, cubicles: audio, video, programming, sitting areas, coffee shop, lounge, classrooms, VIP area, parking hoists, terraces, cafeteria, courtyards, gardens and helipad. On the outside we chose a black terracotta material that unifies the complex and enables the dialogue with the exterior through louvers and subtle insertions of lines filled with LEDs lights that transmit real-time information of what happens on and off the set. Roofs are spaces that can be used for filming, special events or gathering areas.

Proyect at103

Location Av.Tezozomoc, Xico, State of Mexico, Mexico

Category Institutional Buildings

Architects at103 (Julio Amezcua, Francisco Pardo)

Design Team Hanni Paz, Sara Ellenberger, Edward O’Donnell, Eugenio Lara ,Aida Hurtado Sofía Martínez, Maxime Hurdequint,Travis Hope

Area 11870.0 m2

Proyect Year 2012

Photography Enrique Macias Martinez