架构师提供的文本描述。这座名为“Palazzo Campari”的建筑是上世纪60年代由Ermenegildo和Eugenio Soncini在米兰市中心设计的，是在经济繁荣时期出现的一系列建筑之一，代表了意大利工业企业身份的一个新方面。它最初的特点是表面金属结构的光泽颜色，幕墙的彩色玻璃，以及在Via Cavalieri用于小型街区的棕色金属油漆，这些油漆被移交给住宅使用。当它建成时，它被认为是现代的和技术先进的，甚至是实验性的。然而，就目前的建筑标准而言，其许多无可否认具有吸引力的方面已经过时。由于这个原因，新业主意识到它的质量和令人回味的存在，决定引入建筑师重新设计建筑群。

Text description provided by the architects. The building known as “Palazzo Campari” was designed in the 1960s by Ermenegildo and Eugenio Soncini in the heart of Milan and was one of a series of buildings that emerged during the economic boom years, representing a new aspect of corporate identity for Italian industry. It was originally characterised by the burnished colour of the metal structure of the facade, tinted glass of the curtain walling and the brown metallic paint used for the smaller block in via Cavalieri given over to residential use. When it was built, it was considered to be modern and technologically advanced, even experimental. Today however, many of its undeniably attractive aspects have become outdated with regards to current standards of building construction. For this reason the new owner, aware of its quality and evocative presence, decided to bring in architects to redesign the complex.

 © Andrea Martiradonna

(Andrea Martiradonna)

至于原来的布局，新计划的目的是在内部空间的划分方面提供最大程度的灵活性，内部照明系统也赋予统一感，改善出入和流通。

With respect to the original layout, the aim of the new scheme was to provide a maximum level of flexibility in terms of the division of the internal spaces with sense of uniformity also given by the system of the internal lighting and improved access and circulation.

 © Andrea Martiradonna

(Andrea Martiradonna)

该设计的其他核心要素是在底层使用额外的空间，以及对高地结构进行全面改造，使之更加开放和生机勃勃，特别是在Via Turati和Via Cavalieri的部分地区。随着高地相对于原来的边界被拉回，已经有可能消除冷桥接-当时还没有考虑-有用的楼面面积已经被转移，允许在地面建造新的空间，现在被让给三级使用。同时，原方案的核心-园林庭院被保留下来，重新设计成一个明亮的新设计。

Other elements central to the design were the use of additional space at ground floor level as well as an overall reworking of the structure of the elevations, made much more open and vibrant especially on via Turati and part of via Cavalieri. With the elevations pulled back with respect to the original boundary it has been possible to eliminate cold bridging – at the time not considered – the useful floor area has been shifted allowing new spaces to be built at ground level, now given over to tertiary use. The landscaped courtyard meanwhile, the heart of the original scheme, has been retained and reworked into a bright new design.

 © Andrea Martiradonna

(Andrea Martiradonna)

新的海拔是设计的主要特征。在Via Turati盒子上，穿孔的和压成的铝制，在明亮的颜色(夜间亮起)的节奏中被使用，使高度能够被重新加工，以确保在内部空间的划分方面的最大的灵活性。在庭院里，内部和外部之间建立了密切的关系；在卡瓦里，与附近的卡帕布洛塔直接相关的最初的低海拔显得光滑而平坦，玻璃表面主要使用灰色，光滑和反映了其历史环境。

The new elevations are the main feature of the design. On via Turati boxes in perforated and press-formed aluminium in a burnished colour (lit up at night) are used in a rhythm that enables the elevation to be reworked also to ensure maximum flexibility in terms of the division of the internal spaces. In the courtyard a close relationship has been created between the interior and exterior; on via Cavalieri the original lower elevation that is in direct relation with the nearby Cà Brutta, appears sleek and flat, with predominant use of grey for the glazed surfaces, smooth and reflecting its historic surroundings.