架构师提供的文本描述。坎比萨是一座19世纪末的豪宅，现在由维拉萨·德玛议会拥有。坐落在Riera de Cabrils水道上，它占据了一条街道的一部分，其中曾经包括一家工厂，现在已被拆除。它的历史和遗产价值以及它在该镇作为一个整体所占的战略地位，使理事会认为它是建设文化设施的理想场所，并以一座社会住房区建成了这座建筑群。

Text description provided by the architects. Can Bisa is a late-19th century mansion now owned by Vilassar de Mar Council. Situated on the Riera de Cabrils watercourse, it occupies part of a street block that used to include a factory, now demolished. Its historic and heritage value and the strategic position it occupies in the town as a whole led the Council to consider it the ideal venue for a cultural facility, completing the complex with a social housing block. 

 © Andrés Flajszer

c Andrés Flajsze

在该设施的方案实施过程中，显然无法满足CAN Bisa的所有必要用途，后者基本上交给了议会办公室；因此，礼堂、酒吧和会议室都安排在住宅大楼的底层。

During the implementation of the facility’s programme it rapidly became apparent that it would be impossible to accommodate all the necessary uses in Can Bisa, which is basically given over to council offices; the auditorium, bar and meeting rooms are therefore arranged on the ground floor of the residential building.

 © Andrés Flajszer

c Andrés Flajsze

对于住宅，“总计划”规定了两卷不同的高度，以形成一个L形，尊重街道的宽度，并安装在一个更大的基础上，设想容纳礼堂。该项目的目的是通过一个单一的倾斜屋顶统一体积，在街道上建造一个连续的立面，通向住宅，并规划内部容积，以鼓励与豪宅的相互关系。在这两座建筑之间产生的通道成为建筑群的主要入口。它的尺寸更像是一个庭院，加上坎比萨周围的花园，它包含了一系列的休闲和娱乐空间，以补充设施提供的活动。陶瓷播种机是由艺术家CarmeBalada专门设计的，用来组织建筑群。

For the dwellings, the General Plan specified two volumes of different heights, joined to form an L-shape that respects the width of the streets and mounted on a larger base which is envisaged to accommodate the auditorium. The aim of the project was to unify the volumes by means of a single sloping roof, construct a continuous façade onto the streets, leading to the dwellings, and lay out the interior volume to encourage interrelation with the mansion. The passage generated between the two buildings becomes the main entrance to the complex. Its dimensions are more suggestive of a courtyard and, together with the gardens around Can Bisa, it comprises a series of leisure and recreation spaces that complement the activities offered by the facility. Ceramic planters designed specially by the artist Carme Balada serve to organize the complex.

 © Andrés Flajszer

c Andrés Flajsze

房屋和豪宅都是由白色灰泥制成的纹理饰面，有不同宽度的条状。阳台和百叶窗是用金属制成的，带有砖石格。旧工厂的一部分被保留在一个外墙上，以见证它的过去。

Both the housing block and the mansion are given a textured finish of white stucco, in strips of varying widths. The balconies and shutters are made of metal, with masonry lattices. Part of the old factory is retained in one of the façades to bear witness to its past.

 Ground Floor Plan