架构师提供的文本描述。Schijndel™的市场广场在第二次世界大战期间遭受了市场花园的破坏，并受到了多次的扩建和整修。WinyMaas在1980年写了一封信，2000年市议会采纳了在教堂、市政厅和主要街道之间的广场上建造新结构的想法。从那时起，MVRDV反复提出了新的方案，可以填补这个不同寻常的大村庄广场的空白。该玻璃农场是MVRDV-欧元™的第七项提议的网站，早先的设计包括一个剧院。

Text description provided by the architects. Schijndel’s market square suffered from Operation Market Garden damages during the Second World War and has been subject to numerous enlargements and refurbishments. Winy Maas wrote a letter in 1980, and in 2000 the town council adopted the idea of a new structure in the square between the church, town hall and main street. MVRDV since then iteratively proposed new options that could fill the gap of this unusually large village square. The Glass Farm is MVRDV’s seventh proposal for the site, earlier designs included a theatre.

 © Persbureau van Eijndhoven

c PersBureau van Eijndhoven

该村生动地参与了这一进程，在当地媒体上引发了激烈的辩论、民意调查和辩论-支持者和对手。这座1600平方米的建筑完全由玻璃幕墙覆盖，主要由一系列公共设施组成，如餐厅、商店和一个健康中心。

The village engaged vividly in the process resulting in heated debates, polls and polemics in the local press - by supporters and adversaries. The 1600m² building which is entirely covered by a glass facade consists primarily of a series of public amenities such as restaurants, shops and a wellness centre.

 © Persbureau van Eijndhoven

c PersBureau van Eijndhoven

巧合的是，城镇规划者们定义的最大封套的形式是传统的Schijndel农场。所有剩余的历史当地农场都进行了测量、分析，并从这些数据中构想出了一个欧元˜理想™平均值。在MVRDV的合作下，艺术家FrankvanderSalm拍摄了所有剩余的传统农场，并由此组成了一个典型的农场˜™的图像。这张照片是用烧焦的方法印在1800平方米的玻璃正面上，产生了像大教堂的彩色玻璃窗这样的效果。根据对光线和视图的需要，印刷品或多或少是半透明的。

By coincidence, the maximum envelope that was defined by the town planners had the form of a traditional Schijndel farm. All remaining historical local farms were measured, analyzed and an ‘ideal’ average was conceived from this data. In collaboration with MVRDV, artist Frank van der Salm photographed all the remaining traditional farms, and from these an image of the ‘typical farm’ was composed. This image was printed using fritted procedure onto the 1800m2 glass facade, resulting in an effect such as a stained glass window in a cathedral. The print is more or less translucent depending on the need for light and views.

 © Persbureau van Eijndhoven

c PersBureau van Eijndhoven

到了晚上，这座建筑将从内部被照亮，成为农场的一座纪念碑。在14米的高度，玻璃农场是有意设计出来的规模，比一个真正的农场大1.6倍，象征着这个村庄正在成长为一个城镇。印刷图像遵循这一“增广历史”，例如，叠加的农场门看起来有4米高。当成年人与建筑物互动时，他们可以再次体验幼儿的体型，这可能会给他们对大楼的接待增添一种怀旧的回忆。为了进一步加强这一点，将有一张桌子和秋千旁边的建筑，一个规模扩大的农场。

At night the structure will be illuminated from the inside, becoming a monument to the farm. At a height of 14 metres the Glass Farm is intentionally designed out of scale and is 1.6 times larger than a real farm, symbolizing the village growing into a town. The printed image follows this 'augmented history', with the superimposed farm door for example appearing 4 metres tall. When adults interact with the building, they can experience toddler size again, possibly adding an element of nostalgic remembrance to their reception of the building. To enhance this further, there will be a table and swing next to the building, a scaled up farmyard.

 © Persbureau van Eijndhoven

c PersBureau van Eijndhoven

在这座建筑竣工的同时，当地博物馆简·赫斯特舒伊斯(JanHeesterShuis)举办了一个展览，内容和真实性有关。今年晚些时候，奈出版社将出版一本书，探讨玻璃农场的发展，包括对导致其实现的漫长过程的文学描述。

Coinciding with the completion of the building, an exhibition opens in the local Museum Jan Heestershuis about Context and Authenticity. Later this year a book will be published by NAi Publishers exploring the development of the Glass Farm, including a literary description of the lengthy processes which lead to its realisation.

 Courtesy of MVRDV

MVRDV提供

MVRDV实现了Rembrand开发商的建筑，由Van Den品牌房地产和Remmers建筑集团、Hooijen工程师、IoC Ridderkerk安装公司、Brakel Atmos公司和AGC公司组成。

MVRDV realised the building for RemBrand developers, a combination of Van Den Brand Real Estate and Remmers Construction Group, together with Hooijen Engineers, IOC Ridderkerk for installations, Brakel Atmos for the facade and AGC for the print.