© Fernando Guerra | FG+SG

费尔南多·格拉

架构师提供的文本描述。这座房子建在不规则的地方，有一个固定的吊坠，位于一个乡村，四周是一种分散的环境，类型和尺度的多样性造成了周围环境缺乏视觉上的统一。

Text description provided by the architects. The presented house, built in an irregular area, with a constant pendent, is located in a rural village, surrounded by a certain kind of dispersion, diversity of typologies and scales creating a lack of visual unity in the surroundings. 

然而，它有着良好的健康条件，良好的太阳能展示会，在视觉和物理联系方面占主导地位的高度测量。这座房子分为三个不同的层次，其中两层与外立面有视觉和物理关系，最后一层有很大的视觉扩展，一直延伸到地平线，寻找海洋，在南面和奥斯特。

It has, however, great salubrity conditions, a good solar exposition, dominant altimetry in what concerns to the visual and physical connections to the neighborhood. The house is developed in 3 different levels, having two of them a visual and physical relationships with the exteriors and the last one with a great visual expansion till the horizon, searching for the sea, in south and oest. 

 © Fernando Guerra | FG+SG

费尔南多·格拉

通路在中间层，不仅通过步行，而且通过汽车，直接连接一个露台和车库。在这个层次上，主要的服务区域是，如洗衣房、厨房或户外区域，如烧烤、露台和后院。

The accesses are solved in the middle level, not only by foot but also by car, in a direct connection with a patio and a garage. It´s in this level that the main service areas are, such as laundry, kitchen or outdoors areas like barbecue, patio and backyard. 

也正是在这个层次上，我们有通往内部的主要通道，有一条有盖的走廊，通过花园、游泳池和进入最常用的区域，如餐厅、客厅、厨房等，保持视野。

It´s also in this level that we have the main access to the interior, by a covered corridor, maintaining the view through the garden, the pool and entering till the most used areas such as dining and living room, kitchen, etc.. 

 Elevation & Section

较低的水平，通过在外部使用一些挖掘，被限制在Oest的墙，在南方的田野和在EST上的池/花园。这个区域，是一个更受限制的区域，然而，允许一个更广阔的方法，尽管与内部地区建立了亲密的关系，完全卧室。

The inferior level, created by using some excavations in the exterior, is limited by a wall in oest, the field on south and the pool/garden on est. This area, being a more restricted area, allows however a more expansive approach despite the intimate relation established with the interior areas, exclusively bedrooms. 

这些区域画的外观，它的节奏，调节和个性化的瘙痒一。

These areas draw the façade, with its rhythm, modulation and individualization of itch one. 

 © Fernando Guerra | FG+SG

费尔南多·格拉

最后，在上层，创造的子空间，感同身受的观点，视觉的视野，允许在内部和外部区域之间有一个强有力的联系。

Finally, on the upper level, the sub-spaces created, empathizes the views, the visual horizons that allows equally having a strong connection between the interior areas and the exterior ones. 

从整体意义上讲，我们可以说，这座建筑有它的需求，它是由三个不同的体积组成的，它们都是用混凝土建造的，但同时又有3种不同的混凝土颜色，在…之间有一定的同一性。它还改善了容量测量的动态效果，减少了更多线性结构的影响。

In global senses, we can say that the building, with its needs, was created as a somatory of 3 different volumes, all of them built in concrete, but at the same time in 3 different concrete colors, allowing some identity in between… it also improves the dynamic effect of the volumetry and reduces the impact of a more linear construction. 

 © Fernando Guerra | FG+SG

费尔南多·格拉

同时，它也能更好地适应更受限制的环境，寻找合适的平衡。在北立面，在楼梯后面建造一个通风和照明的露台，在特定的时刻转身，拥抱楼梯，把楼梯变成一个线性元素，把所有三个层次连接起来，不仅在功能上，而且还参与房子的形象和设计。

It also works better with the more restricted surroundings, searching for the right balance. In the north façade, the creation of a ventilation and illumination patio, behind the stairs, turns itself in a particular moment, embracing the stairs and turning them in a linear element that connects all the 3 levels and participate not only functionally but also in the image and design of the house. 

该提案包含了一些自然性，与传统规则相距甚远，并与现有的所有结构相互影响。

The proposal embraces some naturality, distant of conventional rules and interacting with all the existing constructions. 

 © Fernando Guerra | FG+SG

费尔南多·格拉

这种方法还试图与非建造的环境建立一些联系，寻找赖特的不同材料会开启的颜色。

This approach tries to evidenciate also some connections with the non-built environment, searching for the wright patines and colors in which the different materials will turn on. 

从外观上看，混凝土和玻璃大面积的窗户，如木路，试图进化植被，使之变老，而不是变老。

By the exterior, the concrete and the windows with big glass areas, such as the wood pavements, tries to evolve the vegetation and getting old, without being old. 

 © Fernando Guerra | FG+SG

费尔南多·格拉

在室内，墙壁和木制品上的白色，人行道上的木头，服务区的石头，创造了一个简单的环境，重视统一和同质化。

By the interior, the white color in walls and carpentries, the wood in the pavement and the stone in the service areas, allows the creation of a simple environment, valuing the unity and homogeneity. 

房子与外部区域也有着很强的联系，呈现出一种创造自然的倾向，尽管当代的形象是这样，寻找的是连续性而不是破裂。

The house has also a strong connection with the exterior areas, presenting a tendency to create some naturality, despite the contemporary image, searching the continuity instead of getting ruptures.