架构师提供的文本描述。这是一片平缓的坡地，覆盖着常绿的橡树、榆树、灰烬、刺槐、李子和梧桐树，它们都是由周围地区的鸟儿自发播种的。所有这些树木和它们的树冠周长都被测量并绘制成计划。勒·柯布西耶说，他想让空荡荡的拉图雷特庭院自然地长满植被，由鸟和风组成。勒·柯布西耶在他的建筑中留下了一片空白，让大自然占据了他的生活。我们认为这个项目的产生是反对这种想法的。

Text description provided by the architects. This is an allotment on a gentle slope covered by evergreen oak, elm, ash, acacia, prunus and plane trees, all seeded spontaneously by birds from the surrounding plots. All of these trees and their canopy perimeters were measured and drawn on to plan. Le Corbusier said he wanted the empty La Tourette courtyard to be populated naturally with vegetation, by birds and the wind. Le Corbusier left a void in his architecture to be populated by nature. We think this project has arisen in opposition to that idea.

 © Pablo Zuloaga

.Pablo Zuloaga

 © Pablo Zuloaga

.Pablo Zuloaga

大自然给我们留下了一个鸿沟，只有在这里，我们才能用建筑来填充它，因为它是理性的。然而，我们同意La Tourette的观点，即既没有伪装，也没有整合，也没有真正寻求所谓的“有机建筑”。这所房子完全靠反对而适应。在意大利，一些高速公路桥梁被漆成蓝色。一种天真的，甜蜜的伪装，只在几天和某些特定的时刻起作用，但我们发现它最美丽的日子，当你真的可以看到的诀窍。最终的目的是(说“永远”是夸张的)任何被赞赏的东西。

Nature has left us a gap and here, only here, can we populate it with something that is architecture, because it is rational. We agree with la Tourette, however, that neither camouflage nor integration nor what is called “ organic architecture “ have ever really been sought. The house adapts by pure opposition. In Italy, some of the motorway bridges are painted sky blue. An innocent, sweet camouflage that only works as expected on a few days and at certain moments, yet we find it most beautiful on the days when you can actually see the trick. The ultimate purpose is (it would be an exaggeration to say “always”)whatever is admired.

 © Pablo Zuloaga

.Pablo Zuloaga

这一分配已经被一些应该保留的东西堵住了，我们剩下的唯一选择就是填充剩下的界面，只填写树木之间可能存在的剩余部分，而我们根本无意触及这些界面。尊重，但疯狂的程度。这座房子坐落在两个平台下，力求将我们的目光置于自然的东方天空之上。房子的景色看上去是自然环境的基础。该项目由这两个平台组成。房子是他们下面的一个附加物。这两个平台很舒适，有柔软的人行道，大部分时间都住在里面。每一个都有不同的颜色和不同的级别，以便于访问。每一个都对应于房子的内部时间，而每一个都是没有另一个的东西。关于室内空间，我们唯一能说的就是它没有被注意到。它产生于这里唯一工作空间的反应所产生的余数。室外空间。

This allotment is already choked with something that should be preserved, and the only choice left to us is to fill in the remaining interfaces, only the areas that are possible, remnants, between the trees, which we have no intention of touching at all. Respect, but to a manic extent. The house is set beneath two platforms that strive to arise our gaze above the natural setting towards the eastern sky. The views of the house look at the base of the natural environment. The project consists of these two platforms. The house is an addition underneath them. These two platforms are comfortable, with soft pavements, for living inside most of the time. Each one has a different colour an a different level to facilitate access. Each one corresponds to an interior time of the house, and each one is nothing without the other. The only thing we can say about the interior space is that it goes unnoticed. It arises as a remainder from the reaction of the only space being worked here. Outdoor space.

 © Roland Halbe

罗兰·哈贝

这是一个只与外部相关的项目。两个水平平台在一般的接近，但一个隐喻距离培养它。距离，我们所说的无生命的自然，复制或抽象的，也是地球和天空的反映，两者兼而有之，但两者都不属于。它的形象化或拟人化轮廓的相似之处似乎是相似的，球状光/望镜与眼睛和其他天窗与脊骨的情况的巧合，只是巧合而已。

This is a project that is only related to the exterior. Two horizontal platforms cultivate it in generic proximity but a metaphoric distance. Distance in which we speak of inanimate nature, reproduced or abstract, also a reflection of an earth and a sky , which becomes involved with both but belongs to neither. The resemblances in its zoomorphic or anthropomorphic silhouette that seem to belong of similarities, the conincidences of the situation of the spherical lightwells/lookouts with eyes and the other skylights with backbones, are just coincidences.

 © Roland Halbe

罗兰·哈贝

Architects Selgas Cano

Location Spain

Category Houses

Authors Jose Selgas, Lucia Cano

Project Team José de Villar, Miguel San Millán, Lara Resco, Blas Antón

Project Year 2006

Photographs Pablo Zuloaga, Roland Halbe, Iwan Baan