义乌市是世界上最大的小型商品市场，在联合国和世界银行的认可下，这座城市似乎是一夜之间兴起的，现在是世界上小商品贸易的中心。义乌人，曾经是农耕工人，敢于改变命运，踏入商业世界，一帆风顺。“突破创新”是这座城市最宝贵的精髓。城市大力鼓励年轻企业家，考虑到这一点，拉哈斯区具有理想化的概念和设计，以绿色环境为中心，可以将服务、办公室和展览融入舒适的生活。

Recognized by united nations and world banks, the City of Yiwu houses the world’s biggest small goods market, having seemingly arisen over night, is now the center of trading for small goods in the world. The people of Yiwu, once workers on the farming fields dared to change their fates and stepped into the world of business and landed on success. “Breakthrough Innovations” is this city’s most valued essence. The city strongly encourages young entrepreneur, and with that in mind, the Lahas Zone was idealistically concieved and designed, centering a green enviroment that can incorporate services, offices, and exhibitions all into living comfortably.

 © Ji-Shou Wang

c.王纪寿

为了成功实施这样一个绿色区域的创新，首都域委托先锋派建筑师的自然风格，筑金林创建的陈列室，将象征拉哈斯区。与以往的销售中心不同的是，拉哈斯区是从一座老工厂大楼全面翻新的，而不是按照维护绿色的原则在拉哈斯区建造一个新的区域。面对旧建筑的诸多挑战，林书豪在保持循环设计的完整性的同时，秉承开发商的意图，为后当代创造了中国风格的生活模式。林先生认为，绿色设计的原则在于对房产的重新利用，以及如何利用一座正在进行项目变更的废弃建筑的全部潜力。这个废弃工厂的设计还必须考虑长期使用，而不仅仅是一个陈列室，在努力实现绿色设计的过程中，要加入一个像设置未来使用环境这样的俱乐部。该计划是继续改变空间的功能，在未来，一段，以最大限度地利用它的收集器输出和一个不断更新的程序。然而，目前的主要目的是利用最低限度的建筑，以达到一个陈列室的“微妙的幸福”的气氛。(著名作家村上春树(Haruki Murakami)提出的“微妙的幸福”(微妙的幸福)或“Syoukakku”(Syoukakku)的概念意味着：虽然它是微妙的，也许是平淡无奇的，但它是一种完全确定的幸福感。)

For the successful implementation of such a green zone for innovations，Capital Domain commissioned avant-garde architect of the natural styles, Tsueng-Jin Lin to create the showroom that will symbolise Lahas Zone. Differing from past sale centers, Lahas Zone was comprohensively renovated from an old factory building instead of built a new on the Lahas Zone site in accordance to maintaining green. In facing the many challenges of the old structure，while maintaining the integrity of recycle design and adhering to the developers intentions，Lin has created Chinese stylised models of living for the post contemporary age. Lin Believes，that the principles of green design is in the recyled use of the property and how to utilise an abandoned building undergoing a program change to it’s full potential. The design for this abandoned factory would also have to consider long term use beyond just a showroom, to incorporate a club like setting for future use in the effort the be true to green design. The plan is to continue transforming the space’s fucntionality in the future, section by section, to maximism its recyle output and a continuing renew to program. However the current main purpose was to utilise minimal construction to achieve a showroom with an air of ‘Subtle Happiness’. (The idea of ‘Subtle Happiness’ or ‘Syoukakkou’ cames from the famous author Haruki Murakami to mean: Though it’s subtle and maybe pedestrian, it’s a feeling of happiness that you’re completely sure of.)

 © Ji-Shou Wang

c.王纪寿

为了缓解建筑物裸露的水泥外墙的寒冷气氛，林书豪试图创造一个与建筑相反的空间，以适应人类所需要的更温暖的氛围。因此，在裸露的混凝土上加入木质元素，结合材料的色调，在空间中投射出粗糙而细腻的阴影，使空间的面貌更加质感。这些材料的结合，在突破建筑和室内设计的界限的同时，也模糊了外部和内部的界限。布局不仅要展示拉哈斯区的陈列室模型，而且要在阳光明媚的中庭中展示单元模型之间的外部关系。为了从单元模型中感受自然，中庭必须模拟理想的周边环境，包括后院、阳台和垂直花园等。因此，要更好地向顾客描绘绿色生活；从外部体验，反之亦然。

To ease the cold atmospherics of the building’s bare cement facades, Lin tried to aesthetically create a space thats in contrast to the building but would fit the warmer atmosphere that humans need。Therefore by adding wooden elements upon the bare concrete, combining tonality of the materials，it casts rough and delicate shadows through the space，texturising  the spacial visage. The combination of these materials used through out the site blurs the thresholds of exterior and interior while it breaks through the boundries of architecture and interior design。The layout had to be displayed well to not only to house the showroom models for the Lahas Zone but also display the exterioral relationship between the unit models within the sunny atrium. To feel the nature from within the unit models, the atrium had to simulate the desired neighbourhood surroundings inclusive of backyards, veranders and vertical gardens etc. thus to better portray the green life to customers; to experience outside from within and vice versa.

 © Ji-Shou Wang

c.王纪寿

作为中庭的特色，为了欢迎客人和客户，搭建了一个巨大的木洞结构，起到了重点作用。这个结构在一个人甚至进入空间之前就开始了，把人们吸引到室内，然后从地板一直到三层高的天花板，折叠起来代表屋顶，真正显示出内外门槛的交叉。“屋顶”被折射成许多片，以反映中庭的阳光吸收，鼓励了中国人对木材和温暖的传统看法，这对于一个可以等待和/或讨论拉哈斯区的中庭来说是完美的。中庭的另一部分不是被木制的“屋顶”所包围，而是留下了它原来的实心混凝土墙和这种住宅开发的模式，以给客户一种放心和可靠的感觉。中庭在两部分之间的平衡创造了一个功能和情感对话，让客户决定他们的梦想，他们的未来生活。

As the feature of the atrium, to welcome guests and customers, erects a giant wooden cavern structure, acting as the focus.  The structure starts way before one even enters the space, drawing people in to the interior and then attentions will be paid from the floor all the way to the 3 story high ceiling that folds over to represent the roof to truly display a crossing of the interior/exterior threshold. The ‘roof’ is refracted in to many slices to reflect the atriums intake of sunlight, encouraging the Chinese people’s traditional views on wood and warmth, which is perfect for an atrium where people can wait and/or discuss the Lahas Zone. The other section of the atrium that is not encompassed by the wooden ‘roof’ but is left with it’s original solid concrete walls with the model of this residential developement to give customers a sense of assurence and cofidence. The balance of the atrium between the two distict sections creates a functional and emotional dialogue for customers to decide their dreams for their future lives.

 © Ji-Shou Wang

c.王纪寿

林先生认为，人们应该营造一种更轻松的生活氛围，从而使陈列室呈现出一种更加宁静的生活方式。整个陈列室就像一个小咖啡馆，人们可以来这里喝一杯咖啡，在温暖的阳光下阅读一本好书或一些杂志。该空间的微妙情绪是为未来的居住者投射他们的梦想生活，生活和工作在拉哈斯地区，拥有自己的“微妙的幸福”。

Lin believes that people should persue a more relaxing atmosphere for living, thus monochromatisied the showroom, to depict a more peaceful life style. The whole showroom is set up like a little cafe where people can come and enjoy a drink or some coffee, to read a good book or some magazines under the warm sunshine. The subtle mood of the space is set for future occupants to project their dream lives of living and working into the Lahas Zone, to own ‘Subtle Happiness’ for themselves.