架构师提供的文本描述。这座由111个社会住宅组成的建筑坐落在Terrassa的东边，可以看到开阔的景观。这个建议把街区的内部空间变成一个半公共广场，这是建筑物生活所必需的：所有的居民都是通过这个中央广场，一个十字路口的地方，一个聚会的地方从街上进入的。从这里你进入楼梯前厅，然后进入公寓，通过一个逐步的尺度序列。

Text description provided by the architects. This building of 111 social dwellings is placed in the eastern limits of Terrassa, looking onto an open landscape. The proposal turns the inside space of the block into a semi-public square, essential for the life of the building: all the inhabitants enter from the street through this central square, a place of crossing paths, a meeting place. From here you enter into the staircase vestibule and then into the flats, through a progressive sequence of scales.

 © Duccio Malagamba

c Duccio Malagamba

这个社区广场使整个街区成为城市与景观之间的中间元素。从城市到房子的过渡，这两个对立面的连接，是通过一个丰富的序列来实现的，它将用户从一种情况逐渐地带到另一种情况。这一逐步通过的目的是解除公共空间和私人空间之间的限制。

This community square makes the whole block work as an intermediate element between city and landscape. The transition from the city to the house, the linking of these two opposites, is carried out using a rich sequence that brings the user from one situation to the other gradually. The aim of this progressive passage is to dissolve the limits between public and private spaces.

 © Duccio Malagamba

c Duccio Malagamba

特别注意地下停车场的自然照明。实现这一目标的方法是在中央广场加洞：这样可以看到停车场的坡道和一个有三棵树的大锅。这三个阿卡西娅种植在建筑物的最低层，从那里他们到达了广场的水平，连接整个部分。

Special attention was paid to the natural lighting of the underground parking. This aim was realised by adding holes in the central square: this allows views down to the parking ramp and to a large pot with three trees. These three Acacias are planted in the lowest level of the building, and from there they reach the level of the square, connecting the entire section.

 © Àlex Garcia

(C)Are Lex Garcia

由于房屋的尺寸缩小了，该项目的重点是将其延伸到一楼的露台、阳台和大厅、一个入口广场和一系列中间空间，使公寓不受其平面图的限制，而是延伸到楼面以外。房屋的布局只关闭了两个房间：一间卧室和一间浴室。其余的空间是在一个连续的流动，从一个到另一个，建立了一系列的情况，连接回到一个入口庭院的看法和附近的松林。

As the houses are of reduced dimensions, the project focuses in providing extensions of them into terraces, balconies, and halls at the ground floor, an entrance square, and a series of intermediate spaces that allow the flat not to be restricted by its floor plan but to extend out beyond it. The distribution of the houses closes just two rooms: one bedroom and the bathroom. The rest of the spaces are in a continuous flow, passing from one to another, establishing a series of situations that connect back to a view of the entrance courtyard and to the nearby pines forest.

 © Duccio Malagamba

c Duccio Malagamba

这座建筑是从一片由松树和干涸的溪流组成的景观中升起的。这种景观的纹理表示由阴影和纹理构成的立面。立面注重这个地方的特点，提出了一个混凝土立面，在原地建造，它呈现出纹理和不完美。光线流过这个混凝土表面的空洞，创造了与周围景观的连续性。此外，立面准备从不同距离的方法看到。从远处看，这座建筑可以被看作一个单元，没有清楚地显示它的大小和规模…。阻止理解其真实维度的能力。从近距离看，正面创造了共谋，一个与过路人的联系，谁接触，依靠它。

The building rises out of a landscape consisting of pine trees and dried streams. The texture of this landscape suggests a facade formed by shadows and texture. The façade attends to this character of the place, proposing a concrete façade, built in situ, which presents texture and imperfection. Flowing over the cavities of this concrete surface, light creates continuity with the surrounding landscape. Also, the facade prepares to be seen from different distance approaches. From afar the building could be read as one unit, not showing clearly its size and scale… preventing the ability to understand its real dimensions. From close up the facade creates complicity, a connection with the passer-by who touches, leans on it.