架构师提供的文本描述。总部位于伦敦的罗宾·莫诺蒂建筑师于2012年9月完成了“游艇之家”。这座875平方米的当代建筑在克里米亚海岸线上创造了一个突出的特色。它有四套出租公寓，位于一层高游艇储藏室周围，由一座楼梯塔连接。公寓提供了壮观的海景和山脉，直接和直接连接周围的沿海环境。

Text description provided by the architects. London based Robin Monotti Architects completed ‘Yacht House’ in September 2012. The 875 sq m contemporary building creates an outstanding feature on the Crimean shoreline.  It houses four rental apartments arranged around tall yacht storage at ground level, and connected by a staircase tower. The apartments provide spectacular views across the sea and the mountains, and a direct and immediate connection to the coastal environment that surrounds them.

 © Ioana Marinescu

伊亚娜·玛丽内斯库

2011年，罗宾·莫诺蒂(RobinMonotti)的Ukranian客户收购了位于顿涅茨克钢铁集团(Donetsk Steel Group)旗下的Foros Shore度假村内克里米亚有着地中海般的气候和壮观的景色，被称为俄罗斯的里维埃拉。福洛斯位于克里米亚最南端，是乌克兰30公里海岸线上最受欢迎的地区。由于它的长期流行，该地区有着丰富的政治和建筑遗产。邻国包括前苏联总统戈尔巴乔夫(Gorbachev)和现任乌克兰总统亚努科维奇(Yanukovich)的达查，旁边是沙皇时代的宏伟宫殿和教堂。

In 2011 Robin Monotti’s Ukranian client acquired the site which lies within the Foros Shore resort owned by the Donetsk Steel Group. With a Mediterranean-like climate and dramatic scenery, the Crimea is known as the Russian Riviera. Foros is located at the southernmost tip of the Crimea, along the most sought after 30 km band of coastline in the Ukraine. Because of its enduring popularity, the area has a rich political and architectural heritage. Neighbours include the dachas of former USSR president Gorbachev and current Ukrainian president Yanukovich, and close by are magnificent palaces and churches from the Tsarist era.

 © Ioana Marinescu

伊亚娜·玛丽内斯库

游艇屋是对俄罗斯达查传统的当代回应。罗宾莫诺蒂的设计是不妥协的现代，但也开放，嬉戏和人们集中注意力。对于一个还记得专制的苏联政权及其与野蛮建筑的关联的国家来说，这是很重要的。

Yacht House is a contemporary response to Russia’s dacha tradition. Robin Monotti’s design is uncompromisingly modern, but also open, playful and people focussed. This is important for a country that remembers the repressive Soviet regime and its association with brutalist architecture.

 © Ioana Marinescu

伊亚娜·玛丽内斯库

简介客户最初需要为他13米长的游艇提供冬季储藏空间。然后，客户决定增加三套出租公寓和船长的住宿，以最大限度地利用这一出色的场地。一个重大的挑战是如何设计这座建筑，使公寓不会被游艇所需的巨大门所压倒。其他挑战来自地震活跃地区的陡坡场地，以及在恶劣天气下可能将房屋浸入腐蚀性海水的海洋附近。

Brief The client initially required winter storage space for his 13 metre yacht. The client then decided to add three rental apartments and captain’s accommodation to make the most of the outstanding site. A significant challenge was how to design the building so that the apartments were not overpowered by the massive door required for the yacht.  Other challenges were presented by a steeply sloping site in a seismically active area, and its proximity to the sea which in bad weather could drench the house in corrosive salt water.

 © Ioana Marinescu

伊亚娜·玛丽内斯库

解决方案从一间7米宽、15米深、6米高的游艇房开始，在底层，可以通过一扇25英尺的门进入前面的栏杆滑道。为了平衡25英尺的车门，并能在黑海上空看到生动、无限制的景色，罗宾·莫诺蒂(Robin Monotti)提出了三本独特的书，分别在这座高大的游艇屋的上方和旁边。通过抵消卷，设计提供了各种不同层次的梯田，广阔的视野和室外通道。

Solution The design commenced with a yacht room 7 metres wide, 15 metres deep and 6 metres high on the ground floor giving access via a 25’ door to a railed slipway in front.  To balance the 25’ door and enable dramatic, unrestricted views across the Black Sea, Robin Monotti proposed three distinctive volumes above and beside the tall boat house. By offsetting the volumes, the design provided a variety of terraces at different levels, extensive views and outdoor access.

 © Ioana Marinescu

伊亚娜·玛丽内斯库

“游艇屋是一种有机的组合物”莫诺蒂解释道。“我们先从船上的箱子开始，然后在旁边增加住宿条件，加上梯田，最后是楼梯塔。”但最终，这座建筑是关于靠近大海和巨大天空的。我们希望人们体验周围的环境-水的声音、海风、变幻的光线和情绪、不断变化的温度，甚至空气中的咸味-就像他们已经在游艇上一样“。

“Yacht house is an organic composition” explains Monotti. “We started with the box for the boat, then added accommodation alongside, terraces, and finally the stair tower. But ultimately the building is about the nearness of the sea and the huge skies. We wanted people to experience their surroundings – the sound of the water, the sea winds, the changing light and moods, the changing temperatures, even the salty taste in the air – as if they were already on a yacht”.

 © Ioana Marinescu

伊亚娜·玛丽内斯库

外面是由9米宽的地板到天花板的主要公寓窗户，提供几乎无缝的海景。当双折叠门完全打开时，室内的生活空间感觉就像有阴影的室外空间。Porthole窗口继续海洋主题。

The outside is brought inside by 9 metre wide floor to ceiling windows in the main apartments which provide almost seamless seascapes.  When the bi-folding doors are fully open the interior living spaces feel like shaded outdoor spaces.  Porthole windows continue the marine theme.

所有阳台和露台的玻璃栏杆都可以不间断地看到风景，四楼共有135平方米的水族馆露台提供360度的海景和后面的克里米亚山脉的景色。各种不同的室外露台和阳台提供对周围景观的不同看法。

Glass railings to all balconies and terraces allow for uninterrupted views, and a shared 135 sq m solarium terrace on the fourth floor provides 360 degree views of the sea and the Crimean Mountains behind.  A variety of different outdoor terraces and balconies offer contrasting views over the surrounding landscape.

一座高大的楼梯塔将楼层连接起来，并以狭长的窗户连接着附近的热那亚防御工事巴拉克拉瓦。狭窄的窗户限制了光线和视野，因此当主生活区从塔楼进入时，人们会更加惊讶和愉悦。狭长的窗户也为面对度假村的建筑提供了隐私。

A tall stair tower links the floors and, with its slit-like windows, recalls the nearby defensive Genoese fortifications of Balaklava.  The narrow windows restrict light and views so that surprise and delight is enhanced when the main living areas, with their astounding light and views, are entered from the tower.  The slit windows also provide privacy on the side of the building that faces the resort.

 North East Elevation

东北高程

船长的住所和一楼公寓提供演播室住宿，三楼和四楼有两套卧室公寓。这些公寓配备了高品质的白色意大利家具。

The captain’s accommodation and the first floor flat provide studio accommodation, with two bedroom apartments on the third and fourth floor. The flats are fully furnished with high quality white Italian furniture.

该建筑采用钢筋混凝土建造，使结构能够抵御地震，并提供更多的防冬季风暴的防护措施。人们有意识地努力减少外部地区的光污染。重要的是，晚上客人的注意力应该放在自然景观上，这样他们才能看到月亮、星星和大海的倒影。外来照明的涌入会限制客人接触自然和周围的景观。为了尽可能地吸收尽可能少的太阳辐射，以及提高建筑物的能见度，选择了建筑外部的非白色油漆。建筑物两侧的门窗提供交叉通风。

Environmental Features The building is constructed of reinforced concrete throughout to make the structure capable of withstanding earthquakes and to provide additional protection against winter storms. There was a conscious effort to reduce light pollution in the outside areas. It was important that the focus for guests at night time would be on the natural landscape, in order for them to witness the reflection of the moon, stars and sea. An influx in outside lighting would restrict guests from engaging with nature and the surrounding landscape. Off-white paint was chosen for the exterior of the building in order to absorb the least amount of solar radiation possible, as well as to enhance the visibility of the building. Porthole windows to the sides of the building provide cross ventilation.