架构师提供的文本描述。位于西班牙南部，靠近地中海，这座小亭子被一片壮丽的风景所环绕。建筑是由景观中的形态与场地上的结构接触之间的关系来定义的。这种结构发展成一朵花，这是一种自然的事实，它是奥斯卡·尼迈耶(Oscar Niemeyer)的方法的写照。整个项目都是以“如何在自然景观中建造”的理念来完成的。“这种规模的建筑的适当”权重“是多少？”非程序展馆达到了在景观中消失的想法，试图消除干预与区域之间的隔阂。这种对集成的关注达到了景观生成架构本身的程度。

Text description provided by the architects. Located in the South of Spain, close to the Mediterranean Sea, this small pavilion is surrounded by a remarkable landscape. The construction is defined by the relation between the form in the landscape and the contact of the structure on the field. The structure developed itself as a flower, as a natural fact, subscribing to Oscar Niemeyer’s approach. The whole project has been composed in the concept of “how to build in natural landscape?” and “what is the appropriate “weight” of a construction of this scale?” The non-program pavilion reaches the idea of disappearing in the landscape, attempting to erase the division between the intervention and the area. This concern of integration reaches the point where the landscape generates the architecture itself.

 Courtesy of Jesús Torres García

Jesús Torres García提供

该计划的非定义有广泛的用途，如提供环保意识，加倍作为一个展厅或音乐厅，并提供活动支持更广泛的社区。室内空间和程序自由一样自由，为空间提供了每一种用途的能量。

The non-definition of the program has a wide range of uses, such as providing environmental awareness, doubling as an exposition hall or music hall, and providing activities support for the wider community. The interior space is as free as the liberty of program, furnishing the space with the energy of each use.

 Ground Floor Plan