架构师提供的文本描述。农村房屋，或农舍，很容易在农村周围看到。然而，这些人工的形态在大自然中被随意地放置在这里和那里。南海、金都、平昌等地的农村民居，形成了20世纪韩国农庄的风貌。有人可能会说，本地的建筑师兼设计师兼建筑师的制度，在兴建乡村房屋方面，是非常经济的。然而，我们所拥有的大自然太好了，不能只覆盖同样生产的乡村房屋。贫穷的西方木屋和红砖屋的幻想成为韩国农村社区的典型形象。红砖屋已成为农民们的浪漫梦，成为建筑师们的终极建筑目标，而不关心无限的景观和竹林的精神。

Text description provided by the architects. Rural houses, or farmhouses are easily seen around countryside. However, these artificial forms are being placed here and there thoughtlessly in Mother Nature. A common stereotyped rural houses around Namhae, Jindo, and Pyeongchang have set a scenery of 20th century’s Korean farm village. One might say, the system of a local constructor also being a designer also being a constructor is extremely economical in terms of building rural houses. However, mother nature we have is too nice to only covered with identically produced rural houses. The fantasy of poor copied western wooden houses and red brick houses become formed a typical figure of Korean rural communities. Without any concern about an infinite landscape or a spirit of bamboo forest, red brick houses have become a romance dream for farmers, and an ultimate architectural goal for architects.

 © Jeonghoon Lee

李俊勋

这位在首尔拥有一家设计公司的客户问道：“在新房子里，我希望自己能有家的感觉，并依附于周围的环境。”他已经要求当地的一位木匠在他的家乡建一所农村房屋，但结果无法实现他的愿望。后来，每当他访问现场，他都不想在退休后住在那里。房子很简单，只有两间小房间，这意味着是一间避暑别墅。然而，老实说，这座建筑太不平衡了，不足以容纳南海美丽的风景。客户尊重景点本身的景观和敏感性。他想给他的房子一个独特的身份，使之与建筑所处的自然相协调。从城市的角度来看，这个项目是一个无偿和不平凡的项目，可能太多了。一个温馨的春日，这个有趣的项目开始了。

“In the new house, wish I felt at home and attached to its surroundings,” the client who owns a design company in Seoul, asked. He had already requested a local carpenter to build a rural house at his hometown, but the result couldn’t fulfill his wish. Afterwards, whenever he visited the site, he didn’t feel like living there after his retirement. The house was simple with only two small rooms, which meant to be a summer house. However, to be honest, the building  was out of its proportion and was not good enough to hold the beautiful landscape of Namhae. The client respected the scenic view and sensitivity of the site itself.  He wanted to give a unique identity to his house that can harmonize with nature that the building put in. In urban point of view, this project was an unremunerative and unordinary one, may be too much. One cozy spring day, this interesting project started.

 © Namgoong Sun

(孙南光)

一条线产生另一条线。天际线、山地线和陆地线都是绝对线.新划的线意味着占领地球和天空与陆地交汇的地方。毕竟，Cheo-ma可能意味着为人类和以上的人设定一条交汇线.它是人类对自然和天空的想象行为，同时也是对地形美的回应。作为书法的一种强项，车马线不对称地浓缩了一条线的能量，同时也重新确立了人与自然的关系。车马线是人类形象化的宏伟抽象边界，也是揭示土地身份的工具。它以自己的线条拥抱大地，同时在大自然的山脊上伪装自己。这种自相矛盾的两极化符合韩国哲学的和谐但不一样，相似但不同。这是我们的生活和美德。

A line produces another line. Sky-line, a line made by mountain-line, and land-line are all the Absolute’s line. Newly drawn line means capturing the earth and the point where the sky and the land merge. After all, Cheo-ma possibly means setting a line where mankind and above meet. It is a human beings’ imaginary action about nature and sky while responding back to the beauty of its topography. As a strong stroke from calligraphy, Cheo-ma lines asymmetrically condense the energy of a line while resetting the relationship between mankind and the nature. The Cheo-ma lines are magnificent abstract boundary that mankind visualized and also a tool to reveal the identity of the land. It embraces the land in its own line and disguises itself in the nature’s ridge at the same time. This paradoxical duplicity of Cheo-ma meets the Korean philosophy of being harmonious but not the same and being similar but different. It is our lives and the virtue that the line has.

 © Namgoong Sun

(孙南光)

它向一边弯曲。它再一次弯曲到另一个轴上。弯曲的钢本身就含有能量。这种所体现的能量是物质性质的内在力量，也是物质平衡的点。我们在弯曲的钢上用磨床做了一条线。一个方形的钢管在弯曲的表面弯曲，就好像它马上就会爆裂一样。三维弯曲是通过在弯曲钢上画一条线来揭示弯曲钢本质的过程。在弯曲过程中，图纸上的数字可能是无用的。当我们试图进行三维弯曲时，二维弯曲值只是理论上的数字。工人的感觉，不断的努力和无休止的试验，以找到曲线的真实同一性将是唯一的现实解决方案的三维弯曲。这些图纸只是一个基本的数据，以尽量减少试验和错误。它源于一个人如何控制和传播物质属性的内在能量，这取决于制造者的长期经验和技能。在高温下，我们可以弯曲一个扁平的钢板，但是一个方形的管道是不会被驯服的。当我们强迫管道弯曲时，内部的能量就会被俘获。当我们把以前弯曲的力再一次弯曲到不同的方向时，Cheo-ma的线就开始了。这是一个漫长的旅程，以寻求一个谜团之间的物理力量和三维几何之间的平衡。

It bends to one side. And it bends again to another axis. Bent steel contains energy in itself. This embodied energy is the inherent strength of property of matter and the point where it balances out. We make a line with a grinder on the bended steel. A square shape steel pipe warps through curved surface as if it will burst right away. 3 dimensional bending is a process of exposing the nature of bended steel by making a line on it. The numbers on the drawing might be useless during the bending. 2 dimensional bending values are only theoretical figures when we try to bend 3 dimensionally. Workers’ sense, constant exertion and endless trial to find the true identity of the curve will be the only realistic solution for 3D bending. The drawings are only a base data to minimize the trial and error. It originates from how one controls and spreads internalized energy of property of matter which depends on the maker’s long time experiences and skills. With the heat we can bend a flat steel plate, but a square shape pipe refuses to be tamed. As we force the pipe to be bent, the energy captured within. The line of the Cheo-ma starts from as we bend a previously bent force to a different direction again. It is a long journey of seeking an answer to a mystery of balancing between physical force and three dimensional geometries.

 © Namgoong Sun

(孙南光)

由Cheo-ma曲率创造的立面，充满了参数化的铝制百叶窗。两颗垂直排列的钻石形成一个简单的单元，流经一条三维弯曲线，组成主门面。由于预算紧张，我们不得不想出一个最好的合理的解决方案来解决如何构建而不是如何设计。解决这一问题的主要问题是对实际建设的探讨。那就是找到容易找到的材料，在现场简单可行，足够坚固到能够面对露天，以及处理材料的方法。为了构造一个弯曲的线状皮肤图案，使用了一个重复模块；用磨床在容易操作的铝棒上画一条线，并将钻石形模块排列在一起。如果我们说钢框架定义了Cheo-ma的线，菱形铝制百叶窗图案就像过滤器一样在土地和房子之间设置了一个边界。这些百叶窗保护建筑物免受粗糙炎热的正午阳光的影响，有时它在改造风景的同时将内部和外部私营化。

The façade that is created by Cheo-ma curvature, gets filled with parametrically patterned aluminum louvers. Two perpendicularly arranged diamonds form a simple unit to flow through a 3 dimensionally bended line to compose the main façade. Because of the tight budget we had to come up with a best rational solution of how to construct rather than how to design. Discussion about the practical construction was the main issue in order to solve this problem. That is finding the material which is easy to find, simply workable at the site, and strong enough to face open air, and the way to handle the material. To construct a curved-line-shaped skin pattern, a repetitive module was used; making a line on easily manipulatable aluminum bars with a grinder, and arraying the diamond-shaped modules next to each other. If we say that the steel frame defines the line of the Cheo-ma, the diamond-shaped aluminum louver pattern sets a boundary between land and the house like a filter. These louvers protect the building from the rough hot noonday sun and sometimes it privatizes the inside from the outside while restructuring the scenery.

 © Namgoong Sun

(孙南光)

在季风季节，一个小的，但艰难的两个月的建设结束了。由于我的甜言蜜语，永仁市窗框公司的建筑工地经理诺先生，不得不呆在一间偏僻的房子里，每天早晨听唱歌两个月。雇员和雇主必须省吃俭用，克服他们以前从未经历过的三维弯曲的结构，以及每名成员更换一厘米的铝制百叶窗的模式。从某种程度上看，建筑很简单，但装修的过程却并非如此。从与原有房屋的颜色和谐到从切成薄片的电线，一切都需要非常精确和完美。幸运的是，诺先生对各种钢材非常熟悉，所以他可以处理我们所需要的每一个建筑，甚至是每一步旋转的微小钢件的连接。为了在美丽的风景中创造一条线，我们经常去南海，却没有注意到春天快结束了。由于建筑的缘故，我们可以欣赏南海美丽的风景，欣赏大自然创造的线条的完美。我们终于在那个风景优美的地方划了一条线。

A small, but tough 2-month long construction was over during the monsoon season. Because of my sweet words Mr. No, a construction field manager of window frame company in Yong-in, had to stay in a secluded house and listen to sing from scops owl every morning for two months. Employees and Employers had to save a word and overcome the construction of 3 dimensional bending that they never experienced before and the pattern of aluminum louver that changes a centimeter every each members. The construction can be seen very simple in a way, but the process of the renovation was not so. From harmony with color of the pre-existing house to electricity wire from sliced slab, everything needed to be very precise and perfect. Luckily, Mr. No was very familiar with all kinds of steels, so he could deal with every construction that we needed, even connections of tiny steel pieces that rotates in each step. In order to create a line within a beautiful landscape we visited Namhae a lot without noticing spring was almost over. Thanks to the construction we could enjoy the beautiful landscape of Namhae and admired the perfection of lines created by nature. We finally draw a line in that scenic place.

 Front Elevation