架构师提供的文本描述。要为电影建造一个五室电影院，32协会必须应对一些挑战。除了你在郊区找到的鞋盒，还有别的什么吗？什么样的身份会适合于一个集合点，发现，辩论和多样性的地方？在市中心有什么全新的建筑，而不是一个旧的军营？我们如何才能提出一个适合电影32的地方和身份，以及他对一个永远更广泛和混杂的公众所采取的行动？我们想出了老电影院的雏形和烟草烘干机从法国西南部，他们的开放工作天然木材外观。我们也关心一个假设的双重生活形象，充分的日夜使用。电影有这个独特的机会来聚集不同的人，共同但却不寻常的旅程。我们希望为这次旅行提供出色的条件。

Text description provided by the architects. To built a five rooms cinema for CINE 32 association has to answer some challenges. What else than a shoe box as you find in suburban territory ? What kind of identity would suit to a meeting point, place of discoveries, debates and diversity ? What presence for a brand new building right downtown, in place of an old military camp ? How could we propose a place and an identity that fit to CINE 32 and his actions towards an always broader and mixed public ? We came up with images of old cinemas’ pediment and tobacco dryer from the south-west of france, with their openwork natural wood façade. We also care for an assumed double life image, an adequate day and night use. Cinema has this unique opportunity to gather different people for a common but yet unusual journey. We wish to offer remarkable conditions for such a trip.

 © Sebastien Normand

c塞巴斯蒂安·诺曼德

为了实现这一冒险，我们非常重视架构师和客户之间的关系。怀孕的每一步都产生了多项研究。例如，投影室受到叙事大纲和气候环境的制约；引导我们建立大气的基地。因此，我们经历了繁星之夜(第一个房间)到日出(第二个房间)。内饰和立面灯是专为这个项目开发的努力，经济，一致性和精确。

A Strong Relationship To carry this adventure out we’ve looked preciously to the relationship between architect and client. Every step of conception has produced multiple studies. For instance, projection rooms were subject to a narrative outline and climatic environments ; bases leading us to built atmospheres. Thus, we go through starry night (first room) to sunrise (second room). Interior and façade lights were developped specificly to this project with an effort of economy, consistency and precision.

 © Adelaide Maisonabe

阿德莱德·梅索纳比

就像特制的政府家具一样，艺术家邦尼弗里特领导着建筑的标志，有着微妙的触感。主要的标志，在大街德莱瑟一侧，是一个强大和高兴的姿态，对城市。手绘数字展示了电影空间和风格的多样性。当地建筑公司的大力参与，使我们能够平等地尊重交货期和预期预算，并对结果提出共同的要求。这次冒险被证明是有力的和有吸引力的。

As were the custom-made administration’s furnitures Artist Bonnefrite has lead building’s signage with a delicate touch. The main sign, on avenue de l’Yser side, is a powerful and joyful gesture toward the city. Hand-painted numbers on pedi­ments reveal the diversity of both spaces and styles in cinema. Strong involvement from local construction firms allowed us to respect lead time and expecte­ted budget equally with a common requirement for the result. The adventure proved to be forceful and appealing.

 © Sebastien Normand

c塞巴斯蒂安·诺曼德