Tian Yangbei Garden Spark
2013-02-20 01:00
© Sun Xiangyu
(三)孙向宇
一个独特的建筑,它的棱镜形状,不规则的平面和起伏的体积,唤起了一个未经触摸的宝石依偎在一个花园里的想法,是向Blvd的室内设计工作室提出的挑战。原始和纯粹的张力的“毛坯钻石”是启发开始的旅程,以创造一个内部值得转换能量在三维空间,并刺激每一个可用的角落。由此产生的内部是对“钻石晶格”的解释-碳原子排列在以面为中心的晶体结构的变体中-创造了一个戏剧性、戏剧性和雕塑性的空间,它操纵着光和影,固体和空虚,并与建筑无缝地结合在一起。
A unique piece of architecture with its prismatic shapes, irregular planes and undulating volumes, evoking thoughts of an untouched gemstone nestled in a garden, was the challenge presented to BLVD’s Interior Design Studio. The primitive and pure tension of a “rough diamond” was the inspired beginnings to the journey to create an interior worthy of transforming the energy within the three dimensional space and stimulate each available corner. The resulting interior is an interpretation of the “Diamond Lattice” – the carbon atoms arranged in variations of a face centered crystal structure – creating a dramatic, theatrical and sculptural space which manipulates light and shadow, solid and void and seamlessly integrates with the architecture.
© Sun Xiangyu
(三)孙向宇
销售廊和展厅的设计语言、风格和氛围向二十多岁和三十多岁的年轻、充满活力和向上移动的专业人士推广当代住宅物业,需要传达所提供的趋势和生活方式。棱镜几何学是强大的,大胆的,自信的和确定的,很像今天的职业世界所需要的特征,反映了毛坯钻石内在的结晶是这个动态内部的灵感。三角雕刻不规则表面-垂直的、倾斜的或水平的、融合在一起的或自由的;无论是用作墙壁、窗户和天花板还是作为一件家具-定义、标定和戏剧化一个强大的视觉特征,并传播最初的概念观念。一个丰富的自然光从各个方面的展馆拥抱内部空间,创造了更多的动画图案跨越表面,因为太阳在天空中移动。
The design language, style and the ambience of the Sales Gallery and Showroom promoting contemporary residential properties to young, dynamic and upwardly mobile professionals in their twenties and thirties needed to communicate the trend and the lifestyle that was on offer. Prismatic geometry which is strong, bold, confident and definitive, much like the traits that are needed in today’s professional world, reflecting the crystallization inherent in a rough diamond was the inspiration for this dynamic interior. Triangulated sculptured irregular surfaces - vertical, inclined or horizontal, fused together or free; whether used as a wall, window and ceiling or as a piece of furniture – defines, demarcates and dramatizes a strong visual identity and disseminates the initial conceptual idea. An abundance of natural light from all sides of the pavilion embraces the interior space creating further animated patterns across the surfaces as the sun moves across the sky.
空间规划相当直截了当,大多数客房位于底层,工作人员和行政空间位于一楼,只有两间贵宾房和展厅会议室是上层唯一的客人区。在入口处迎接客人的是模型展台,其突出的三角形天篷和一面倾斜的墙壁作为地图展览的两倍,而左边则是接待处“长出”地面的单块木贴面棱镜,引导你到主休息室空间,即销售廊的中心,而桌子则是桌子,现在,接待员的动作结束了,变成了为休息室服务的水吧。当一个人找到通往休息室的路时,画廊的三维空间也逐渐演变成一个引人注目的双高度空间,由坚实而透明的粗糙钻石平面环绕在四面八方。一间会议室,像一块切割的宝石悬在另一端,仿佛要通知旅程的结束或晶格结晶成品钻石的最终结果。
The space planning is quite straight forward with most of the guest spaces located on the ground floor level and the staff and administrative spaces on the first floor with the exception of two VIP rooms and the showpiece conference room being the only guest areas on the upper level. At the entrance the guest is greeted at the model display with its overhanging triangular canopy and an inclined wall which doubles as the map exhibit, while to the left, the monolithic wood veneered prism like reception desk “grows” out of the surface of the floor and guides you to the main lounge space, the heart of the Sales Gallery, while the desk, now finished with the act of receiving, morphs into a water bar serving the lounge. When one finds their way to the lounge, the three dimensional volume of the Gallery also evolves unnoticed into a dramatic double height space embraced on all sides by solid and transparent faceted planes of the rough diamond. A conference room resembling a cut gemstone overhangs on the opposite end as if to notify the end of the journey or the final result of the lattice that crystallizes into the finished diamond.
© Sun Xiangyu
(三)孙向宇
三角休息室的座位类似于落地玻璃碎片,是天花板上的碎片,它们以一种鼓励隐私的方式安排,以帮助完成严肃的谈判任务。抛光铬和白色皮革休息室座位和咖啡桌,一个复杂的现代时代,构成了剩余的,更传统的,休息室空间毗邻景观庭院。在座位区域之外,构成休息室引人注目的背景,谨慎的贵宾房间被雕塑的木质贴面围护所包围,提供了这样一个空间所需要的温暖、安全的环境。天花板上的深色条纹与嵌套的灯光形成鲜明对比,在地毯上回荡着充满活力的蓝色三角格子图案,为原本纯净的白色空间带来了一丝色彩。就在入口的右边,通往一楼的旅程从一个雕刻的管道开始,就像楼梯一样,它似乎是用一大块实木雕刻而成,为室内增添了一丝温暖和质感。天花板和扶手上隐藏的边缘照明,从侧面空出,引导客人到贵宾室和上层主会议室。
Triangular lounge seating akin to fallen shards of glass, fragments from the creation of the ceiling, are arranged in a privacy encouraging fashion to assist with the serious task of negotiation. Polished chrome and white leather lounge seating and coffee tables, of a sophisticated modernist epoch, make up the remaining, more conventional, lounge space adjacent to the landscaped courtyard. Beyond the seating areas, forming a striking backdrop to the lounge, discreet VIP rooms are cocooned in sculptural, wood veneered enclosures providing a warm, secure environment that such spaces demand. The contrasting dark stripes in the ceiling with nestled lighting, define the sculptural facets while echoing the vibrant blue triangulated lattice pattern on the carpet bringing a touch of colour to the otherwise overall pure white space. Immediately to the right of the entrance the journey to the first floor begins via a sculptured conduit like stairs which seems to be carved from a single block of solid wood adding a touch of warmth and texture to the interior. Concealed edge lighting on the ceiling and the handrail, hollowed out of the side surface, guides to the guest to the VIP rooms and the main Conference Room on the upper level.
Ground Floor Plan
我们画出了充满活力和想象力的线条,塑造了各种形状,并创造了一个可以有人居住的雕塑,它反映了地球本身诞生的珍贵物体的永恒的力量、活力和永恒的美,希望它指明了前进的方向,并为年轻一代打开了一扇通向未来乐观生活的大门。一颗宝石耐心地坐在一个美丽的花园里,等待着再一次被发现。
Dynamic and imaginative lines were drawn, shapes were molded and a sculpture that can be inhabited was created reflecting the timeless power, vitality and ageless beauty of a precious object born from the Earth itself, hopefully pointing the way and opening a door to an optimistic life of the future to a younger generation. A jewel sits patiently in a beautiful garden waiting to be discovered once again.
Architects Spark
Location Chaoyang, Beijing, China
Category Showroom
Creative Director Honglei Liu
Design Director David Perera
Senior Interior Designer Jiayi Hu
Junior Interior Designers Yachun Zhang, Huichao Liu
Area 1300.0 sqm
Project Year 2012
Photographs Sun Xiangyu
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