D house Lode Architecture

2013-02-26 01:00

 © Daniel Moulinet

c.Daniel Moulinet

在河口的河岸上搁浅着，那里的淡水遇到了涨潮，D宫滋生了矛盾。它既可以是一个庇护所，也可以是一个接待场所，一个亲密的空间，也可以是聚会的场所。它由相反的电流驱动，其特性取决于居住者的情绪和自然循环。

Beached on the estuary’s banks, where fresh waters meet rising tides, the D house cultivates contradictions. It can be either a shelter or a reception place, an intimate space or the place for partying. It is driven by opposite currents and its character varies depending on its occupants’ moods and natural cycles.

 © Daniel Moulinet

c.Daniel Moulinet

当我们发现房子的时候，我们首先看到的是突出的部分。由于有了挡土墙，下面出现了一个中空的空间。这里的生活是围绕着炉子、楼梯和一个中央烹饪岛组织起来的。在你周围，楼上的楼层提供了灌木丛和河外的全景。穿过楼上地板的光井，邀请天空进入这一复杂的景观。在地面上，石头消失了，窗玻璃的角度消失了。我们住在树林里。

When discovering the house, the first thing we catch sight of is the overhanging section. Thanks to a retaining wall, a hollow space appears below. Life is organised here around the hearth, the stairs and a central cooking island. All around you, panoramic views of the undergrowth and beyond the river are offered by the upstairs floor. Wells of light passing through the upstairs floor invite the sky into this blended landscape. On the ground, the stone disappears, the windowed angles fade. We live inside the wood.

 © Daniel Moulinet

c.Daniel Moulinet

楼上，一连串的小空间创造了一种完全不同的安静气氛。我们穿过一系列相邻的房间，通过木制的帐篷照明，过滤景观，使光线变暗。从卧室，你可以进入外面封闭的空间，以获得新鲜空气或日光浴以上的客厅。大自然无处不在，包围着你。

Upstairs, a succession of small spaces creates a completely different hushed atmosphere. We cross a series of adjoining rooms, lit through wooden trellises which filter the view and dim the light. From the bedrooms, you can access outside closed-in spaces to get fresh air or sunbathe above the living-room. Nature is all around  and envelopes you.

 © Daniel Moulinet

c.Daniel Moulinet

鲜明的立面反映了这些空间的二重性。在不同的方式下，他们都采取了相同的伪装策略：叶在釉面上的反射，或由未经处理的木板制成的包层，它们模仿周围的自然，其纹理在木质环境中融合。复杂与质朴，抽象与物质性，房子的建筑与辩证的集合，就像一个景观的力量，从对抗的元素。

The contrasting façades reflect the duality of these spaces. In very different ways they both adopt the same strategy of camouflage : the reflections of the leaves on the glazed surfaces, or the cladding made of untreated planks which imitate the surrounding nature and whose texture merges in the woody environment. Sophistication and rusticity, abstraction and materiality, the architecture of the house plays with dialectical sets, just like a landscape drawing its strength from the confrontation of the elements.