© Pablo Guillén Llanos & Fernando Zaparaín

(Pablo Guillén Llanos)

架构师提供的文本描述。尼亚拉体育俱乐部需要有自己的活动场所。在一个人口密度低、交通便利的边远居民区找到合适的地点后，Schola基金会决定将其大量活动集中在一栋大楼中，从而满足若干复杂的要求，其中包括为处于两个不同发展阶段的儿童设立一个教育和娱乐区-“小”儿童和“大”儿童；一个单独的家长会议和活动区，一个办公室区，一个住宅区，以及一个独立的服务区。所有这些都是围绕着礼拜堂布置的，小礼拜堂和体育中心一起是中心的核心。

Text description provided by the architects. The Niara Sports Club needed a place of its own for its activities. After finding a suitable site in an easily accessible, outlying residential area with a low population density, the Schola Foundation decided to concentrate a large number of its activities into a single building, thus fulfilling a number of complex requirements that included an educational and recreational area for children at two different stages of development- "small” and “big" children; a separate area for parents’ meetings and activities, an area for offices, a residential area, and a block of independent services. All of the above were laid out around the chapel which, together with the sports complex, is the nucleus of the centre.

 © Pablo Guillén Llanos & Fernando Zaparaín

(Pablo Guillén Llanos)

主要占据该地块的巴塞罗那街一侧，眺望其所在的公共公园，决定在建筑中正式反映该项目的异质性和复杂性。此外，这还包括一些可称为“城市空间”的开放空间，该地区没有这些空间：即连接公共道路和建筑群入口的门廊、自大楼开放以来已成为中心大厅的一个广场，以及一个用于和平与放松的小花园。

Primarily occupying the Barcelona Street side of the plot and looking out onto the public park in which it is located, it was decided that the heterogeneity and complexity of the project be formally reflected in the building. Moreover, this was to include a number of open spaces, what could be described as "urban spaces", which the area did not have: namely, a porch connecting the public road and the entrance to the complex, a square which has become the centre’s main hall since the building was opened, and a small garden for peace and relaxation.

与建筑外部的庞大而广泛的外观形成对比，这些空间以链的形式连接在一起，以便从不同的层次看到对角线视图，与内部和外部空间保持连续性，并具有较大的空间序列，例如，使占用者能够从门廊窗口、方形或悬臂式优势点观看运动场的比赛。这是通过运动场看台的不对称布置和由于地块的岩土特性而决定将场地设在地下室，这有利于创造一个巨大的真空，以节省经济和方便。

In contrast to the massive and extensive appearance of the building exterior, these spaces have been linked together in a chain to allow diagonal views from varying levels, in continuity with the interior and exterior spaces and with large spatial sequences that enable the occupants to watch, for instance, a game being played in the court of the sports complex from the porch window, square or cantilever vantage point above it. This was achieved through the asymmetrical arrangement of the stands in the sports complex and the decision to locate the court in the basement because of the plot’s geotechnical characteristics, which were conducive to the creation of a large vacuum for the sake of economy and convenience.

 © Pablo Guillén Llanos & Fernando Zaparaín

(Pablo Guillén Llanos)

这个项目是探索空间的解放性的系列之一，它使“尚未被克隆”的事物成为主角。这“空白”形式的门廊，提取或真空连接整个建筑物。光线通过间接的，独特的开口到达内部。该结构由大型浅表元件组成，其形式为厚厚的外壳，其中安装了储存元件、装置、气候调节装置和轻型开口。由于这种支持的大容量存储系统，大量费用的正面墙壁已经被释放出来，以管理阴影和透明的独特的艺术价值。红色配筋砌体被用来创造一个连续的平面，其中有值得注意的开口被插入。一个单一的陶瓷件被用来节省材料，解决和促进被动节能，这对我们来说特别重要。

This project is one of a series that explores the liberating massivity of space, which makes what "has not been clone" the protagonist. This “blank space" in the form of porches, extractions or vacuums articulates the entire building. Light reaches the interior through indirect, distinctive openings. The structure is comprised of large superficial elements that take the form of thick enclosures where storage elements, installations, climate conditioning and light openings have been installed. Thanks to this supporting mass storage system, large expenses of facade walls have been freed up to administer shades and transparencies of a unique artistic value. Red reinforced masonry was used to create a continuous plane into which noteworthy openings were inserted. A single ceramic piece was used to enable savings in materials and to address and promote passive energy savings, which vas of special importance to us.

Architects Amas4arquitectura

Location Valladolid, Spain

Category Cultural Center

Design Team Javier López de Uribe, Fernando Zaparaín Fermín Antuña, Eduardo García

Client Schola Fundation

Area 4459.6 sqm

Project Year 2010

Photographs Pablo Guillén Llanos & Fernando Zaparaín