竞争小组Gary Bates、Gro Bonesmo、Adam Kurdahl、Wenche Andreassen、Fredrik Krogeide、Naofumi Namba、Tim Prins、Minna Riska、Lotte Sponberg、Gerald Bliem、Grant Cooper和Nathan Smith Engineering Arup

Competition Team Gary Bates, Gro Bonesmo, Adam Kurdahl, Wenche Andreassen, Fredrik Krogeide, Naofumi Namba, Tim Prins, Minna Riska, Lotte Sponberg, Gerald Bliem, Grant Cooper and Nathan Smith Engineering Arup & Partners London Fire Reinertsen Engineering Visualization MIR AS, Luxigon Landscape : Space Group, PLAN arkitekter AS Construction Dr. Ing. A. Aas-Jakobsen Trondheim AS Client Star Property C

 © Peter Hebeisen

彼得·赫贝森

布拉特拉的酒店重新定义了古典中庭酒店的类型，形成了一个新的强大的身份。这些房间被安排成四种高度合理的结构，它们都朝向完美的视野。旋转将中庭从封闭的中央空间转变为三维星型大厅空间。

The hotel at Brattøra redefines the classical atrium hotel typology to a new and strong identity. The rooms are arranged/organized in four highly rational structures all oriented towards the perfect view. The rotation transforms the atrium from an enclosed central space to a 3-dimensional star shaped lobby space.

与经典的美国和亚洲酒店中庭不同的是，所有的东西都集中和垂直地暴露在玻璃罩下，华丽但一维的体验在这里提供了一个三维和动态的空间体验，一个程序化的屋顶，以及从一瞥到全景，亲密和壮观的曝光之间的一系列变化。

Unlike the classical American and Asian hotel atrium where everything is exposed in a centralized and vertical, magnificent but one-dimensional experience under a glass cover - the lobby is here given a 3-dimensional and dynamic spatial experience with a programmed roof, and a sequence of shifts between glimpse and panorama, intimacy and spectacular exposure.

 © Peter Hebeisen

彼得·赫贝森

该酒店在大型结构线和小型亲密“盟友”之间的结合中，引用了特隆赫姆的当地城市结构。酒店成为一个没有正面或背面的地标，但面向城市和峡湾，以便从各个方面获得最佳的景观。海边的灯塔和城市的邀请。

The hotel bears references to the local city fabric of Trondheim in the combination between the large structural lines and the small intimate ‘ally’.The hotel becomes a landmark without front or backside - but oriented towards the city and the fjord for optimal views in all directions.A lighthouse by the sea and inviting from the city.

 © Peter Hebeisen

彼得·赫贝森

酒店客房结构在底层被“溶解”，以增加地面公众的可访问性。开放确保了良好的定位，从内部和内部接待，电梯，大堂酒吧餐厅，展区和会议。鼓励将交叉连接、快捷方式和公共功能移至相邻的广场：布拉特拉盆地西南面露台的户外就餐、公园、展览和娱乐场所的停顿区可以转向室外竞技场，有代表性的“红地毯”入口，喷泉和石头花园面向城市。

The hotel room structure is ‘dissolved’ at ground level to increase the public accessibility at ground level. The openness secures good orientation from inside and out - and internally between reception, elevators, lobby bar restaurant, exhibition area and conference. Cross connections, shortcuts and moving of common functions into the adjacent squares are encouraged: outdoor dining at the south-west faced terraces by the Brattøra basin, pause areas in the park, exhibition and entertainment can turn towards an outdoor arena and representative ‘red carpet’ entrance with fountain and stone garden are facing the city.

 © Peter Hebeisen

彼得·赫贝森

超级明星大厅，酒店特殊的公共空间，从地面到高层，将所有的公共功能连接在一起。在三维大厅中，壁炉房、会议设施和带屋顶露台的天空酒吧都是自由造型的，以利用公园、布拉特拉盆地和邻近建筑物的自由景观。内部的水晶形状是支离破碎的，但垂直的骶骨-使戏剧性的冰形成与悬崖，裂痕和浮冰联系在一起。

SUPERSTAR LOBBY, the exceptional common space of the hotel connects all the public functions from ground level to the upper floors.In the 3-dimensional lobby, the fireplace room, conference facilities and sky bar with roof terrace are shaped in a free form to take advantage of unique attractions towards the park, the Brattøra basin and the free view above neighbour buildings. The internal crystalline shape is fragmented, but vertical sacral - gives associations to dramatic ice formations with cliffs, rips and ice floes.