Courtesy of Khvil Anastasia, Ivanova Elena, Fadeeva Alina, Rudikov Aleksei, and Spiridon Mellos

感谢Khvil Anastasia、Ivanova Elena、Fadeeva Alina、Rudikov Aleksei和Spiridon Mellos

我们使用封闭和开放的空间，海与风，简单的表面和复杂的路线，与我们想象的古文物、展览和一种联系我们和希腊的真实性的交流和观察。混凝土和纸，水和玻璃，木材和石头，现代技术和工业建筑的记忆比雷埃夫斯港。

We use close and open space, the sea and the wind, simple surfaces and complex routes, communication and observe the work of with the ancient artifacts, exhibitions and a sense of authenticity that connects us with that of Greece, which we imagine. Concrete and paper, water and glass, wood and stone, modern technology and the memories of the industrial architecture of the port of Piraeus.

 Courtesy of Khvil Anastasia, Ivanova Elena, Fadeeva Alina, Rudikov Aleksei, and Spiridon Mellos

感谢Khvil Anastasia、Ivanova Elena、Fadeeva Alina、Rudikov Aleksei和Spiridon Mellos

如何同时改变所有的一切，同时保持记忆的位置。如何连接谷物和古代文物。如何将观众关在一栋建筑里，却又告诉他们复杂的、千百年来令人惊叹的故事，显示出可靠的证据。作为一个人，同时也是一个令人兴奋和真实的人。

 How to change all at the same time while keeping the memories place. How to connect the grain and ancient artifacts. How to hold spectators in just a building, but instead tell them complex, the breathtaking story of many thousands of years, showing reliable evidence. As one and the same time be an exciting and truthful. 

 Courtesy of Khvil Anastasia, Ivanova Elena, Fadeeva Alina, Rudikov Aleksei, and Spiridon Mellos

感谢Khvil Anastasia、Ivanova Elena、Fadeeva Alina、Rudikov Aleksei和Spiridon Mellos

城市景观的概念-在工业城市中整合自然，创造新的公共空间。以自然的线条创造出吸引人的景观，新航线的最大数量，连接港口领土，使步行成为一段迷人的旅程。几种类型的谨慎铺装，交替开放的阳光和阴凉的空间，绿色植物，水，沙子，石头和木材。两个子中心累积了一个关键活动。当游客从单轨下来时，第一个地方是在筒仓前展开的。分中心的性质-从那里辐射出各种方向。没有分配任务来聚集这里的人，必须有一个方案涉及到路线。所以这个地方没有明确的性质，这是一个大厅。

The concept of urban landscape - integrating the nature  in the industrial city in order to create a new  public space.  The creating an attractive landscape with the natural lines,the maximum number of new routes, linking the port  territory, making a walk a fascinating journey. Discreet paving of several types, alternating open sunny and shady spaces,greenery, water, sand, stone and wood. A key activity is accumulated in the two sub-centers. The first place is unfolding before Silo when visitors descend from the monorail. The nature of the sub-centers - the place from which radiate all sorts of directions. Not assigned the task to gather people here, necessary to have a scenario involve in the routes. So this place has no explicit nature.This is a hall. 

 Courtesy of Khvil Anastasia, Ivanova Elena, Fadeeva Alina, Rudikov Aleksei, and Spiridon Mellos

感谢Khvil Anastasia、Ivanova Elena、Fadeeva Alina、Rudikov Aleksei和Spiridon Mellos

主要场景是在两个仓库建筑(未来的主题公园和展览)之间播放。我们对滨水区做了一个开放而诱人的姿态，它提供了一个开放但受保护的地面公共空间，同时也将空间划分为-只是一张剥落的纸，展示了后面的主要筒仓建筑。

The main scenario is played between two warehouse buildings (future theme park and exhibition). We made open and inviting gesture to the waterfront as a wing, which provides an open, but protected public space at ground level, and at the same time partitions space in - just a stripped sheet of paper, revealing the main Silo building behind.

 Courtesy of Khvil Anastasia, Ivanova Elena, Fadeeva Alina, Rudikov Aleksei, and Spiridon Mellos

感谢Khvil Anastasia、Ivanova Elena、Fadeeva Alina、Rudikov Aleksei和Spiridon Mellos

复杂的空间，我们提供了许多额外的链接渗透建筑。建筑内建的许多开放区域丰富了休闲。餐厅、交通区域、代表场所-建筑中的开放空间整合功能丰富。最大限度的活动集中在海滨附近。在北部，干船坞路线后面有另一个秩序。宁静的绿树成荫的绿洲，崎岖的道路。这是一个安静的隐居地区。

Complicating the space we offer a lot of additional links permeating building. Many the open area built-in the building enriches leisure. Restaurants, areas for communication, grounds for the representations -  integration of open space in the building is enriched functions.  Maximum activity is concentrated near the seafront. Opposite In the northern part behind the dry docks route exists another order. The quiet tree-shaded oases, rocky road. This is a quiet secluded area.

 Courtesy of Khvil Anastasia, Ivanova Elena, Fadeeva Alina, Rudikov Aleksei, and Spiridon Mellos

感谢Khvil Anastasia、Ivanova Elena、Fadeeva Alina、Rudikov Aleksei和Spiridon Mellos

在海滨有很多人，风、太阳和海。船来来去去。缓缓一般的运动小溪作为一条分隔线，在那里乐趣和放松被取代博物馆计划，同时小溪强调简单的线性组成的水下古物博物馆。博物馆有一个非常简单的形式，就像一块石头，雕刻着大海。水活跃的建筑，柔和的瀑布起源于博物馆大厅的巨大窗户，形成了薄薄的小溪。

On the waterfront there are many people, wind, sun and sea. The ships come and go. Slowing the general movement the Creek  serves as a line of separation, where fun and relaxation are replaced the museum program.At the same time the creek emphasizes simple linear composition of the Museum of Underwater Antiquities museum. The museum has a very simple form like a stone, carved the sea. Water enlivens building, gentle waterfalls stem from the huge windows of the main hall of the museum giving rise the thin Creek.

 Courtesy of Khvil Anastasia, Ivanova Elena, Fadeeva Alina, Rudikov Aleksei, and Spiridon Mellos

感谢Khvil Anastasia、Ivanova Elena、Fadeeva Alina、Rudikov Aleksei和Spiridon Mellos

主要材料是混凝土。整个游戏都是基于不同的纹理。实质上，它是两个混凝土盒子(筒仓和新建筑)。连接这些外壳的技术类似于工业园区。我们的主要任务是创造各种形式和内容的大厅和明确广泛阅读和令人兴奋的路线。

The main material is concrete. The whole game is based only on the difference in textures. In essence it is two concrete boxes (Silo and the new building). Technology to connect these enclosures is similar to the industrial belt. The main task for us was the creation of a variety in form and content halls and clearly widely read and exciting routes.

 Courtesy of Khvil Anastasia, Ivanova Elena, Fadeeva Alina, Rudikov Aleksei, and Spiridon Mellos

感谢Khvil Anastasia、Ivanova Elena、Fadeeva Alina、Rudikov Aleksei和Spiridon Mellos

从第五层迷宫的顶端开始，主展览结束了，你可以坐上工业电梯，在最后一个教育项目中布置了一个新的坡道。我们的主要任务是在这里创建一个与较低级别的对比。山洞，封闭，只有人工的光线，硬编码的运动对面的开阔空间，善良的，充满空气，光明和海景。建筑物的上层也有重大变化。我们拆除了部分柱子，标志着屋顶被抬高，大厅里覆盖着新的木桁架。顶层的圆形剧场设备很贵。但我们认为，如果这样做的结果是为交流和培训创造一个舒适的空间，那么成本是合理的。此外，我们不想对筒仓的外观做出重大改变。新屋顶不会产生不和谐。正如你所看到的，在筒仓的伪装下，只有新的开放式疏散楼梯。

From the top of the fifth level labyrinth, where the main exhibition is over and you can go down in industrial elevators, arranged is a new ramp up in the last block of educational programs. Our main task is to create here a contrast with the lower level.  The cave, the closedness, only artificial light, hard coded movement opposite open space, good-natured, full of air, light and sea views. The upper level of the building also involves major changes. We have removed part of the columns, mark the roof is raised, and the hall is covered with new wooden truss. A device of amphitheater on the top floor be costs. But we believe that if the result is to create a comfortable space for communication and training, the cost would be justified. In addition, we did not want to make significant changes in the appearance of Silo. And a new roof makes no dissonance. As you can see, in the guise of Silo only  new open evacuation stairs.

 Courtesy of Khvil Anastasia, Ivanova Elena, Fadeeva Alina, Rudikov Aleksei, and Spiridon Mellos

感谢Khvil Anastasia、Ivanova Elena、Fadeeva Alina、Rudikov Aleksei和Spiridon Mellos

因此，我们考虑在不改变建筑外观的情况下重建筒仓。相反，它是现存的“盒子”，充满了各种各样的奇迹和空间。

Thus, we consider the reconstruction of the Silo without change of the external appearance of the building. Rather, it is the existing "box" filled with a variety of wonders and spaces.

建筑师：Khvil Anastasia，Ivanova Elena，Fadeeva Alina，Rudikov Aleksei，Spiridon Mellos

Architects: Khvil Anastasia, Ivanova Elena, Fadeeva Alina, Rudikov Aleksei, Spiridon Mellos  Location: Piraeus, Greece Area: 19,333.23sq.m