Urban planning

这个项目的构想是为了使外部看起来像一个单一的实体。这是通过在扩展部分和现有建筑的大部分周围包裹一个穿孔的信封来实现的。虽然这种设计方法强烈强调建筑综合体的紧凑性，但也清楚地提到了城市环境。

This project is conceived so that externally it looks like a single entity. This is achieved by wrapping a perforated envelope around large parts of the extension and the existing building. Although this design approach strongly emphasizes the compactness of the building complex, clear references to the urban context are also made.

 © Roland Halbe

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体积的主要部分集中在与现有建筑物的直接连接点，然后下降到规划区东南的小规模结构。

The major part of the volume is concentrated at the immediate point of connection to the existing building and then steps down to the small-scale structure to the south-east of the planning area.

 © Roland Halbe

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在建筑物的高度，有助于提供足够的光和空气为这一地区的城市，而质量的建筑更多的反应更大的规模的奥斯特威斯。这一地区作为节日建筑东部前厅的新意义，在城市规划方面得到了阐述和升级。通过用一个连续的透明屏幕包覆它，在这一点上，建筑物不再像“后方”。甚至可以想象，在这里可以显示投影，这将使奥斯特威斯有露天礼堂、夏季室外电影院或类似的功能。

Stepping the building in height helps to provide sufficient light and air for this area of the city, while the mass of the building responds more to the larger scale of the Osterwiese. The new significance of this area as the eastern forecourt of the Festival Building is both articulated and upgraded in urban planning terms. By cladding it with a continuous transparent screen the building at this point no longer seems like a “rear”. It is even conceivable that projections could be shown here, which would give the Osterwiese the function of an open-air auditorium, a summer outdoor cinema or similar. 

 Level 00 Plan

00级计划

无论发生什么情况，都计划在新的扩展部分和Schubertplatz之间建立一个良好的连接(因此也可以连接到步行区)。在变电站(奥斯特维塞场址)上建一个前楼梯，是为了市议会对改善城市循环作出的贡献。在这里，在城市规划方面的全面升级与为在奥斯特维塞停车的游客提供与文化中心的良好联系之间实现了有效的共生。

Whatever the case, it is planned to create a good connection between the new extension and Schubertplatz (and consequently to the pedestrian zone). Building a front stairs over the transformer station (on the Osterwiese site) is intended as the town council’s contribution to improving urban circulation. Here an efficient symbiosis is achieved between an overall upgrading in urban planning terms and providing a good connection to the Cultural Centre for visitors who park their cars on the Osterwiese.

 © Roland Halbe

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这条路线的吸引力因其几乎整个长度的事实而进一步增加，即行人在Landesgalerie内可以看到(在那里，展品的性质使之成为可能)。

The attractiveness of this route is further heightened by the fact that, along almost its entire length, pedestrians have a view inside the Landesgalerie (where the nature of exhibits makes this possible).

 © Roland Halbe

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在面对舒伯塔普兹的一侧，一处U形的庭院状区域，从大楼最上层的两层中剪裁出来，与邻近的建筑物围绕着庭院状、缩进的空旷空间的组合方式相对应。这些缩进的大小改变了，在衣帽间、售票桌和书店的布局中，这些凹痕又再次出现在门厅里，在新酒吧和毗邻的会议室的上层。

On the side facing onto Schubertplatz a U-shaped, courtyard-like area cut out of the two uppermost floors of the building responds to the way the neighbouring buildings are grouped in clusters around courtyard-shaped, indented open spaces.  These indentations, transformed in scale, are encountered again in the foyer in the layout of the cloakrooms, the ticket desks and the bookshop, and on the upper floor in the area of the new bar and the adjoining seminar rooms.

 © Roland Halbe

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在较低的楼层，垂直百叶窗的新的连续玻璃正面形成了舒伯塔普兹的主立面，在那里，建筑物的公共特性被清楚地表达出来。公共广场在建筑物内部流动，使它成为公共空间的一部分，而对于来自门厅外的观众来说，它是一个社会互动的场所。

On the lower floors the new continuous glass front of vertical louvers forms the main façade onto Schubertplatz, where the public character of the building is clearly expressed. The public square flows inside the building, making it a part of public space, while for viewers from outside the foyer is revealed as a place of social interaction.

 © Roland Halbe

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在这个立面上发展起来的一座新桥梁使用了现有的空间和结构连接点。与现有的桥梁不同，新的单元像漏斗一样向上一层的门厅延伸。

A new bridge developed out of this façade uses the existing spatial and structural linking points. In contrast to the existing bridge the new element widens like a funnel towards the foyer on the upper floor.

 © Roland Halbe

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在这座桥下面，类似于现有的结构，新的主入口是以覆盖区域的形式构思的。

Below this bridge, analogous to the existing fabric, the new main entrance is conceived in the form of a covered area.