架构师提供的文本描述。在一定的空间或一定的形式下，为了使物品的放置和排列具有意义，物体与艺术创作的框架之间的关系的结果。城市环境中的私人家庭住宅。从外面看，这座建筑并没有显示出它是一个家。它就像一个模子，一个艺术家的画布，或者一个几乎是二维的框架，在它的区域内已经放置了各种开口，并且被一个动态的木条，线性条形系统所包围。

Text description provided by the architects. The arrangement of objects in a given space or a defined format in order to give meaning to the placement and arrangement of the items,  The result of the relationship between the object and the framework of the artistic creation. A private, family residence in an urban environment. From without, the building does not reveal that it is a home.  It resembles a mold or an artist's canvas or an almost two dimensional frame within whose area various openings have been placed and which are enveloped with a dynamic system of wooden, linear strips.

 © Amit Geron

阿米特·杰龙(Amit Geron)

平面分布的“图片”，或在这种情况下，正面创造了一个不对称的组合，拉向侧面，试图表明，这实际上是一个三维的质量。物体(开口)的排列总是固定的，允许一个中心和永久的组合物。通过智能百叶窗系统的设计，能够将平衡的百叶窗转换成一个动态的百叶窗是可能的。该系统允许百叶窗在折叠成类似屋顶的物体时向上移动。所有的栏杆和固定装置都是隐藏的，因此，当门面关闭时，隐藏在住宅外墙中的动态和变化的可能性就不明显了。(鼓掌)

The planar distribution of the "picture" or, in this case the front façade creates a non-symmetrical composition which pulls towards the flanking faces in an attempt to suggest that this is, in fact, a three dimensional mass.  The arrangement of the objects (the openings) is always fixed and allows for one central and permanent composition. The ability  to reverse the balanced composition into a dynamic one is made possible thanks to the design of a system of smart blinds that allows the blinds to be lifted upwards whilst they are folded into what resembles a roof.  All the rails and fixtures are hidden and so, when the façade is closed the dynamic and changing possibilities hidden in the residence's façade are 

 © Amit Geron

阿米特·杰龙(Amit Geron)

所有的开口都是分开的，因此允许不同的构图。在任何时刻，无论出于什么原因(隐私，不受太阳影响)，物体和飞机之间的关系都可以改变。因此，我们可以在同一框架内实现平衡、动态、随意、封闭或开放的组合。(鼓掌)

All the openings open separately and so allow for different compositions.  At any given moment and for whatever reason (privacy, protection from the sun) the relationship between the object and the plane can be changed. Thus we can achieve a composition that is balanced, dynamic, haphazard, closed or open within the same framework.  

 © Amit Geron

阿米特·杰龙(Amit Geron)

通过房子的运动伴随着(由于灵活的盲系统)的不同观点的外部，一些暴露和裸露，另一些赤裸裸的，另一些是专门为它设计的一段景观。这种可变性和灵活性也允许控制阳光和自然光的数量，通过开口进入家庭空间。这些空间的特点是有节制地使用材料和形式，从而使穿透空间的光产生一种戏剧感、运动感和活力感，这似乎为沉默的墙壁的灵魂注入了生命。

Movement through the house is accompanied (thanks to the flexible blind system) by different views of the outside, some exposed and bare, others undisguised and others framing a section of landscape especially designed for it.  This selfsame changeability and flexibility also allows control of the amount of sunlight and natural light entering through the openings and into the homes spaces.  These spaces are characterized by a restrained use of materials and form so that the light penetrating the space creates a sense of drama, movement and dynamism which seems to breathe life into the souls of the silent walls.

 © Amit Geron

阿米特·杰龙(Amit Geron)

因此，实际上，街道与结构之间的关系系统由不断变化的结构组成，但在框架和平面上的二维构图为房屋空间的使用者发展了一个开放的区域，将抽象或有形的图像与体积结合起来。

Thus, in effect, the system of relationships between the street and the structure composed of changing, but two dimensional compositions on a framed and flat plane develops, for the user of the house's spaces, an open area that incorporates abstract or tangible images with volume.

 © Amit Geron

阿米特·杰龙(Amit Geron)

这些同样的体积(墙壁、楼梯、各种隔断和房屋中的不同元素)与空间之间的关系，通过改变外观结构和百叶窗的活力，创造出变化的构图，有时是可控的，有时是随机的，每次都为用户和居住在家里的人创造一种新的不同的体验。

The relationship between these same volumes (the walls, the stairs, the various partitions and the different elements in the house) and the space, create, through the structures changing façade and the dynamism of the blinds, changing compositions, sometimes controlled and sometimes random with a new and different experience being created each time for the user and those living in the home.

 Upper Floor Plan

上层平面图