© Pedro Pegenaute

佩德罗·佩佩诺特

努埃诺是一个属于赫斯卡省的自治市，位于省会北部16公里处，具有巨大的复杂性：它包括七个村庄(Sabayes是其中之一)，在14,724公顷的表面，海拔600mts和1600mts之间。

Nueno is a municipality that belongs to the province of Huesca, it’s located 16 Km North of the provincial capital, and has a great complexity: it embraces seven villages (Sabayes is one of them), in a surface of 14.724 hectares altogether and with altitudes between 600 mts and 1600 mts above sea level.

 © Pedro Pegenaute

佩德罗·佩佩诺特

最后选择了在Sabayés旁边的一块地块来安置这座大楼，因为它位于该市其他村庄的中心位置，而且位置很高。这是一个靠近维珍·德尔·帕特罗尼奥的隐居地，由萨尔托·德尔·罗尔丹(Salto Del Roldan)建造。

A plot next to Sabayés was finally chosen to place the building, because of its central situation among the other villages of the municipality and its high position. It’s a field next to the hermitage of the Virgen del Patrocinio, by the Salto del Roldan.

 © Pedro Pegenaute

佩德罗·佩佩诺特

该项目方案分为两部分：一方面是主办展览内容的大楼，另一方面是再现市政府不同生态系统的花园。理事会愿意将这一项目转变为不仅仅是一个口译中心：一个与教育学、智力工作、研究和知识相联系的充满活力的中心。

The project programme is divided in two parts: the building to host the exhibition contents on one hand and, on the other hand, the garden where the different ecosystems of the municipality would be reproduced. It’s the Council’s will to turn this project into more than an Interpretation Centre: something dynamic, linked to pedagogy, intellectual work, research and knowledge.

从最初的草图开始，放置在地块北部边界的隐藏室一直是该项目的参考，但它是对周围环境的必要暗示，赋予了建筑的个性。解释中心有一卷类似于隐藏室的书，但是整个建筑的开口和彩色混凝土的大小把我们的建筑变成了一个抽象的元素，就像一块从萨尔托·德尔·罗德兰(Salto del Roldán)山掉下来的岩石，后来被时间和人手雕刻出来。这样，口译中心通过与隐居地的体积对话和与领土的物质对话与周围环境互动。

The hermitage placed in the northern boundary of the plot has always been a reference for the project, since the first sketches, but it was the necessary allusion to the surroundings what gave personality to the building. The Interpretation Center has a volume similar to the hermitage’s, but the size of the openings and the gunite of colored concrete all over it turns our building into an abstract element, like a rock that fell from the Salto del Roldán and was afterwards sculpted by time and human hand. This way, the Interpretation Center interacts with its surroundings through a volumetric dialogue with the hermitage and a material dialogue with the territory.

 © Pedro Pegenaute

佩德罗·佩佩诺特

所选择的材料，包括彩色混凝土和球状钢，设置了一个额外的水平，与景观的关系，因为时间的推移，通过季节的变化很快将是显而易见的。由于其不同的方位和暴露在大气中的现象，它将成为一个不断变化的建筑，充满了阴影。(鼓掌)

The chosen materials, both the coloured concrete and the corten steel, set an additional level of relationship with the landscape, because the passage of time through the change of seasons will be soon evident. Due to its different orientations and its exposure to the atmospheric phenomena, it will become a changing building, full of shades.     

 © Pedro Pegenaute

佩德罗·佩佩诺特

室内是一个单独的房间，其中天花板的几何形状创造了一个伟大的天窗，由平面表面，不接触墙壁，让日光进来。此外，线状照明系统被放置在天花板与墙壁相连的地方。

The interior is a single room in which the geometry of the ceiling creates a great skylight, made of plane surfaces that don’t touch the walls and let the daylight come in. Besides, the lineal light system is placed where the ceiling joins the walls.

 © Pedro Pegenaute

佩德罗·佩佩诺特

墙的下部，从地板到2，40米高，被设计成一个连续的表面，展览内容被悬挂在外面的开口、装WC的木箱、衣柜和系统面板中。这样，通过拆除天花板的部分，将展览内容集中在墙壁的下部，既能使参观者的注意力集中在展览中，又能丰富他们的空间体验。

The lower part of the walls, from the floor to 2,40 meters high, are designed as a continuous surface where exhibition contents hang, among the openings to the outside, the wooden boxes that host the wc, the wardrobe and the system panels. This way, through the disintegration of the parts of the ceiling and by concentrating the exhibition contents in the lower parts of the walls, we intend to focus the visitors’ attention in the exhibitions and to enrich their spatial experience, at the same time.