© Pregnolato e Kusuki estúdio Fotográfico

(C)Pregnolato e Kusuki Estúdio FotográFICO

架构师提供的文本描述。一个庭院，一个阳台，一个简单的地板，地中海建筑中总是存在的元素，沐浴在阳光中，透过树木，伴随着愉快的微风，几乎总是存在。内部由一个杂音保护，这是一种令人印象深刻的混凝土装饰，覆盖整个外墙，以小框架分隔外部，并包含繁忙街道的阴影。空间是一个沉浸在这种环境中，通过构成阿拉伯文化氛围的要素。它将会话和共存作为隐式元素来恢复，不仅是频繁的，而且是建立该项目架构的基础。

Text description provided by the architects. A courtyard, a balcony, a simple floor, elements that are always present in Mediterranean buildings, bathed in sunlight that filters through the trees along with a pleasant breeze that is almost always present. The interior is protected by a muraxabi, an imposing concrete arabesque that covers the whole façade, which delimits the exterior in small frames and contains the shadow of the busy street. The space is an immersion in this environment, through the elements that constitute the premise of the Arab cultural atmosphere. It recuperates conversation and coexistence as implicit elements, not only frequent, but fundamental in establishing the architecture of this project.

在计划中，组织允许庭院空间的多种配置。在天窗下，阳台、大厅和等候区可以扩大或缩小。一方面，Muraxabi框架保护空间不受喧闹的Horacio Lafer大道的影响，另一方面，阳台完全开放，以便利用外面的植被，将室内大厅展示到狭小且几乎没有使用的JusseapèStreet。因此，该项目融入了街道，加强了城市的建设。

In plan, the organization allows for multiple configurations of the space from the courtyard. Under a skylight, balcony, hall and waiting area can be expanded or reduced. On one hand, the muraxabi frame protects the space from the loud Horacio Lafer avenue, and on the other, the balcony opens entirely in order to take advantage of the vegetation outside and display the interior hall to the narrow and scarcely used Jusseapê street. The project is thus integrated into the street, enhancing the city.

 © Pregnolato e Kusuki estúdio Fotográfico

(C)Pregnolato e Kusuki Estúdio FotográFICO

 © Pregnolato e Kusuki estúdio Fotográfico

(C)Pregnolato e Kusuki Estúdio FotográFICO

我们受到阿拉伯建筑基本要素的启发，我们试图将这些传统元素转化为当代语言和应用。因此，建筑部分是围绕着这种建筑的各个组成部分的发展而展开的：庭院、阳台、穆拉萨比框架。

We were inspired by the basic elements of Arab architecture, and we tried to translate such traditional elements into a contemporary language and application. The architectural parti is thus centered around the development of the components of this kind of architecture: the courtyard, the balcony, the muraxabi frame.

土聚合物Muraxabi框架的设计灵感来自于吉隆坡马来西亚国家清真寺的非凡而现代的构图，这是由建筑于1965年的Howard Ashley、Hisham Al Bakri和Kassim Baharuddin建筑师设计的。

The design of the geopolymer muraxabi frame was inspired by the extraordinary and modern composition of the Malaysia National Mosque in Kuala Lumpur, design by the architects Howard Ashley, Hisham Al Bakri and Kassim Baharuddin, built in 1965.

 © Pregnolato e Kusuki estúdio Fotográfico

(C)Pregnolato e Kusuki Estúdio FotográFICO

 © Pregnolato e Kusuki estúdio Fotográfico

(C)Pregnolato e Kusuki Estúdio FotográFICO

这幅壁画是对阿拉伯挂毯的一种提及，它超越了这一令人难以置信的艺术的范围：它提议解构穆拉萨比框架。通过它的元素，颜色和形状，其意图是适应砖头的历史，这是一种在阿拉伯文化中有着深厚根基的元素。它的污渍、颜料和形态都是对它的暗示。由于壁画的面积很大，它可以被看作是一项公共艺术项目，也就是城市的一部分，而不仅仅是餐馆的一部分。

The mural is a mention of the Arab tapestry that goes beyond a reference to this incredible art: it proposes the deconstruction of the muraxabi frame. Through its elements, colors and shapes, the intention is to appropriate the history of the brick, an element with profound roots in the Arab culture. Its stains, pigments and its forms are an allusion to it. Due to its great size, the mural can be regarded as a public art project, that is, as part of the city, and not only of the restaurant.

 © Pregnolato e Kusuki estúdio Fotográfico

(C)Pregnolato e Kusuki Estúdio FotográFICO

Architects ODVO arquitetura e urbanismo, Mínima Arquitetura e Urbanismo

Location Av. Horácio Láfer, 491 - Itaim Bibi, Sao Paulo - São Paulo, 04538-082, Brasil

Category Interiors Architecture

Project Architects Carol Kaphan Zullo (Mínima Arquitetura e Urbanismo), Omar Mohamad Dalank y Victor Oliveira Castro (ODVO Arquitetura e Urbanismo)

Area 472.0 m2

Project Year 2011

Photography Pregnolato e Kusuki estúdio Fotográfico

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