© Léon Wohlhage Wernik Architekten

(C)Léon Wohlhage Wernik Architekten

该项目的名称本身，“生活在昆士托校园”，表明它是针对一个大城市的客户，重视这一特殊的位置在柏林-斯潘多航运运河。一幅美丽的景色向四面八方展现：从运河的东面，到一个多民族的、以前由工业主导的地区，然后向西延伸到新的公园。在这样一个中心位置，与19世纪相比，其他的设计手段是需要的。艺术的主题拓宽了视野，延伸到纽约、巴黎或米兰，而不是唤起典型的柏林区或城市的格伦沃尔德森林。这也反映在架构中。

The project’s title itself, “Living on the Kunstcampus”, shows that it is aimed at a metropolitan clientele that values this special location on the Berlin-Spandau shipping canal. A fine view unfolds in all directions: towards the east over the canal and onto a heterogeneous, formerly industrially dominated region, and towards the west onto the new park. In such a central location, other means of design are called for compared to those of the 19th century. The theme of art widens the horizon, reaching out to New York, Paris or Milan, instead of evoking a typical Berlin quarter or the city’s Grunewald forest. That is also reflected in the architecture.

在公寓内部，一个服务管道可以让所有的房间都像围裙一样排列，甚至在更大的单元中也是如此。这些公寓被放置在一个固定的网格中，并通过两个V形玻璃正面向外部空间开放。正面保持一致，并被折叠在楼层上，形成一个有凸起和凹槽的规则表面。结果是一个微晶物体，其中的环境被反射像一个图片拼图。

Inside the apartments, a service duct allows all the rooms to be aligned as enfilades, even in the larger units. The apartments are positioned in a regular grid and open out towards the exterior space by means of two V-shaped glass fronts. The facade remains consistent and is folded over the storeys to create a regular surface with projections and recesses. The result is a crystallite object in which the environment is reflected like a picture puzzle.