架构师提供的文本描述。Mississauga图书馆项目是一个适应性的再利用战略，主要的翻新和扩建湖景，港口信贷，和洛恩公园的分支图书馆，所有可追溯到1956年至1967年。这三项翻修都是作为一个项目进行的，这是客户提出的一项战略，作为有效利用公共基础设施刺激资金的一种手段。这三个图书馆中的每一个都位于公园环境中；湖景和洛恩公园都嵌在1950年已建成的郊区居民区内，而信贷港位于莱克肖尔路(Lakeshore Road)附近的信贷河(CreditRiver)附近，这条商业的“高”街是港口信贷(Port Credit)的商业“高”街。

Text description provided by the architects. The Mississauga Library Project is an adaptive re-use strategy for the major renovation and addition to the Lakeview, Port Credit, and Lorne Park branch libraries, all dating from between 1956 and 1967. The three renovations have been structured as one project, a strategy put forth by the client as a means to use public infrastructure stimulus funds in an efficient manner. Each of the three libraries are situated in park settings; Lakeview and Lorne Park are embedded within established 1950's suburban neighbourhoods and Port Credit is situated adjacent to the Credit River along Lakeshore Road, the commercial 'high' street of the old town of Port Credit.

最初的三座图书馆被设计成世纪中叶的现代建筑，具有相似的物理和美学特征.因此，项目的设计是基于开发一个一致部分的单个词汇表，并以不同的方式应用于这三个库中的每一个。该解决方案在对三座非常相似的历史建筑的适当反应和快速进度的有效解决方案之间提供了一种平衡。由此产生的设计改变了三个疲惫的现代设施，包括彻底清除室内环境、重新包覆和扩大所有玻璃区域、翻新外部砖石以及开发一个天篷框架系统和一套外部露台，目的是改变建筑物的美学、参与街道和公园环境，并提供若干新的功能、保护和可持续的举措。

The original three libraries were designed as mid-century modern buildings, displaying similar physical and aesthetic characteristics. As such, the design for the projects is based on the development of a single vocabulary of consistent parts, applied to each of the three libraries in a varied manner. The solution offers a balance between an appropriate response to three very similar, historic buildings and an efficient solution for a fast paced schedule. The resulting design transforms three tired modern facilities through a complete gutting of the interiors, a re-cladding and expansion of all glazed areas, the refurbishment of exterior masonry and the development of a canopy frame system and set of exterior terraces intended to change the aesthetic of the building, engage with the street and park settings and offer a number of new functional, protective and sustainable initiatives.

 Courtesy of RDH Architects

RDH建筑师提供

每个图书馆现有的外部高地构成了坚实和空虚的基本节奏。实心区由砌体的垂直场组成；空隙区由垂直的玻璃场组成。这一成分受到尊重和强调，增加了玻璃在每个空白区域的数量，将玻璃从地板延伸到天花板，并使用最低限度的详细说明方法。

The existing exterior elevations of each library are composed as a basic rhythm of solid and void. The solid areas are comprised of vertical fields of masonry; the void areas are comprised of vertical fields of glazing. This composition is respected and accentuated by increasing the amount of glazing in each void area, extending the glass from floor to ceiling and using a minimal detailing methodology.

固体和空隙的组成被进一步强调，包括一个天篷和露台系统，包装每个库，创造一个更精细的粮食，垂直纹理。新的钢框架天篷系统试图整合现有的建筑体积，参与公园的设置，提供坚固的檐篷、太阳能遮阳、体积集成、LED照明和种植。此外，玻璃的领域包括一个定制的陶瓷玻璃图案，这加强了柱廊垂直条纹。这种起伏的线条模式被认为是固体和虚空关系的进一步延伸，这是一种陶瓷太阳能屏幕，读起来就像书的开头和结尾。

The composition of solid and void is further accented by the incorporation of a canopy and terrace system that wraps each library creating a finer grain, vertical texture. The new steel frame canopy systems attempt to integrate the existing building volumes, engage with the park setting, provide for solid canopies, solar shading, volumetric integration, led lighting and planting. Further to this, the fields of glazing incorporate a custom ceramic frit patterning which reinforces the vertical striation of the colonnade. This undulating line pattern is conceived as a further extension of the solid and void relationship, a ceramic solar screen that reads like the opening and closing pages of a book.

 Courtesy of RDH Architects

RDH建筑师提供

所有三个图书馆都使用透明的材料词汇，以增加周围地区的视线和视野。这一透明度是通过在所有三个设施中广泛使用玻璃幕墙、结构玻璃隔墙、使用低档位和恢复开放规划来实现的。恢复开放的计划，有助于恢复原来的建筑愿望，三个清晰，理性和开放的亭台漂浮在他们的自然设置之上。

A material vocabulary of transparency is utilized throughout all three libraries for increased sight lines and views within and out to the surrounding areas. This transparency is achieved through the use of extensive areas of glazed curtain wall, structural glass partition walls, the use of low shelving and the restoration of open planning at all three facilities. The restored open plans help to reinstate the original architectural aspiration of three clear, rational and open pavilions floating above their natural settings.

米西索加公共图书馆项目振兴了三座世纪中叶破败的现代建筑。该解决方案承认现代主义的历史意义，利用高效和尊重的战略，通过探索和强调现有的现代主义条件来改造设施。由此产生的建筑物渴望引起新的公众对现代化公共建筑的欣赏，并鼓励新一代图书馆用户回到这些重要的社区机构。

The Mississauga Public Library Project revitalizes three dilapidated mid-century modern structures. The solution acknowledges the historic relevance of modernism by utilizing an efficient and respectful strategy, transforming the facilities by way of exploring and accentuating the existing modernist condition. The resulting buildings aspire to engender a new public appreciation for modernist public buildings and encourage a new generation of library users back to these important community institutions.

 Courtesy of RDH Architects

RDH建筑师提供

Mississauga图书馆项目是一个适应性的再利用战略，主要的翻新和扩建湖景，港口信贷，和洛恩公园的分支图书馆，所有可追溯到1956年至1967年。这三项翻修都是作为一个项目进行的，这是客户提出的一项战略，作为有效利用公共基础设施刺激资金的一种手段。这三个图书馆中的每一个都位于公园环境中；湖景和洛恩公园都嵌在1950年已建成的郊区居民区内，而信贷港位于莱克肖尔路(Lakeshore Road)附近的信贷河(CreditRiver)附近，这条商业的“高”街是老港口信贷(Port Credit)。

The Mississauga Library Project is an adaptive re-use strategy for the major renovation and addition to the Lakeview, Port Credit, and Lorne Park branch libraries, all dating from between 1956 and 1967. The three renovations have been structured as one project, a strategy put forth by the client as a means to use public infrastructure stimulus funds in an efficient manner. Each of the three libraries are situated in park settings; Lakeview and Lorne Park are embedded within established 1950’s suburban neighbourhoods and Port Credit is situated adjacent to the Credit River along Lakeshore Road, the commercial ‘high’ street of the old town of Port Credit.

最初的三座图书馆被设计成世纪中叶的现代建筑，具有相似的物理和美学特征.因此，项目的设计是基于开发一个一致部分的单个词汇表，并以不同的方式应用于这三个库中的每一个。该解决方案在对三座非常相似的历史建筑的适当反应和快速进度的有效解决方案之间提供了一种平衡。由此产生的设计改变了三个疲惫的现代设施，包括彻底清除室内环境、重新包覆和扩大所有玻璃区域、翻新外部砖石以及开发一个天篷框架系统和一套外部露台，目的是改变建筑物的美学、参与街道和公园环境，并提供若干新的功能、保护和可持续的举措。

The original three libraries were designed as mid-century modern buildings, displaying similar physical and aesthetic characteristics. As such, the design for the projects is based on the development of a single vocabulary of consistent parts, applied to each of the three libraries in a varied manner. The solution offers a balance between an appropriate response to three very similar, historic buildings and an efficient solution for a fast paced schedule. The resulting design transforms three tired modern facilities through a complete gutting of the interiors, a re-cladding and expansion of all glazed areas, the refurbishment of exterior masonry and the development of a canopy frame system and set of exterior terraces intended to change the aesthetic of the building, engage with the street and park settings and offer a number of new functional, protective and sustainable initiatives.

 Courtesy of RDH Architects

RDH建筑师提供

每个图书馆现有的外部高地构成了坚实和空虚的基本节奏。实心区由砌体的垂直场组成；空隙区由垂直的玻璃场组成。这一成分受到尊重和强调，增加了玻璃在每个空白区域的数量，将玻璃从地板延伸到天花板，并使用最低限度的详细说明方法。

The existing exterior elevations of each library are composed as a basic rhythm of solid and void. The solid areas are comprised of vertical fields of masonry; the void areas are comprised of vertical fields of glazing. This composition is respected and accentuated by increasing the amount of glazing in each void area, extending the glass from floor to ceiling and using a minimal detailing methodology.

固体和空隙的组成被进一步强调，包括一个天篷和露台系统，包装每个库，创造一个更精细的粮食，垂直纹理。新的钢框架天篷系统试图整合现有的建筑体积，参与公园的设置，提供坚固的檐篷、太阳能遮阳、体积集成、LED照明和种植。此外，玻璃的领域包括一个定制的陶瓷玻璃图案，这加强了柱廊垂直条纹。这种起伏的线条模式被认为是固体和虚空关系的进一步延伸，这是一种陶瓷太阳能屏幕，读起来就像书的开头和结尾。

The composition of solid and void is further accented by the incorporation of a canopy and terrace system that wraps each library creating a finer grain, vertical texture. The new steel frame canopy systems attempt to integrate the existing building volumes, engage with the park setting, provide for solid canopies, solar shading, volumetric integration, led lighting and planting. Further to this, the fields of glazing incorporate a custom ceramic frit patterning which reinforces the vertical striation of the colonnade. This undulating line pattern is conceived as a further extension of the solid and void relationship, a ceramic solar screen that reads like the opening and closing pages of a book.

 Courtesy of RDH Architects

RDH建筑师提供

所有三个图书馆都使用透明的材料词汇，以增加周围地区的视线和视野。这一透明度是通过在所有三个设施中广泛使用玻璃幕墙、结构玻璃隔墙、使用低档位和恢复开放规划来实现的。恢复开放的计划，有助于恢复原来的建筑愿望，三个清晰，理性和开放的亭台漂浮在他们的自然设置之上。

A material vocabulary of transparency is utilized throughout all three libraries for increased sight lines and views within and out to the surrounding areas. This transparency is achieved through the use of extensive areas of glazed curtain wall, structural glass partition walls, the use of low shelving and the restoration of open planning at all three facilities. The restored open plans help to reinstate the original architectural aspiration of three clear, rational and open pavilions floating above their natural settings.

 Courtesy of RDH Architects

RDH建筑师提供

米西索加公共图书馆项目振兴了三座世纪中叶破败的现代建筑。该解决方案承认现代主义的历史意义，利用高效和尊重的战略，通过探索和强调现有的现代主义条件来改造设施。由此产生的建筑物渴望引起新的公众对现代化公共建筑的欣赏，并鼓励新一代图书馆用户回到这些重要的社区机构。

The Mississauga Public Library Project revitalizes three dilapidated mid-century modern structures. The solution acknowledges the historic relevance of modernism by utilizing an efficient and respectful strategy, transforming the facilities by way of exploring and accentuating the existing modernist condition. The resulting buildings aspire to engender a new public appreciation for modernist public buildings and encourage a new generation of library users back to these important community institutions.

 Floor Plan