架构师提供的文本描述。项目描述

Text description provided by the architects. Project Description

位于圣马丁山坡上的公墓和市政当局本身的孤立位置，根据与景观的关系以及缺乏与城市形态的正式和功能连续性，在很大程度上确定了建筑设计标准。墓园的建筑作为一种新的痕迹，作为地形的物理参照物，被插入到这片土地上。

The isolated location of the cemetery and the municipality itself, perched on the hillside of San Martin, define architectural design criteria at a great scale, based on the relationship with the landscape and the absence of formal and functional continuity with the urban morphology of the town. The architecture of the cemetery is inserted into the territory as a new trace, a physical reference of the terrain.

该方案的正规化是基于新公墓的围护，从现有的围墙中重新解释墙壁：景观的塑造者，适应它，它的地形，包含它，几乎没有划定它，凹和凸，就像科布西亚形式的回声，结合他们的观点，景观和一般的天空，融入其中。

The formalization of the program is based on the enclosure of the new cemetery with walls reinterpreted from the existing: shapers of the landscape, adapting to it, to its topography, containing it, barely delimiting it, concave and convex, like Corbusian formal echoes, incorporating their views, the landscape and the generic sky, integrated in it.

新的城墙重新排列和重写，增加新的含义，从旧墓园墙的存在开始，重新表示整个的意义。它们的部分透明性使人们能够对景观进行调解，并避免其集体的、封闭的看法。

The new walls rearrange and rewrite, add new meanings and re-signify the whole from the pre-existence of the wall of the old cemetery. Their partial transparency allows a mediation in relation to the landscape and avoid their mass, closed perception.

尽管程序本身是静态的，但当你穿过它的时候，它呈现出巨大的活力，它以某种方式在运动中被激活，揭示了它与环境的关系，在环境中，任何一条路径都是一系列不断变化的序列，吸引着不同的感知，并允许重新阅读和重新理解相同的环境景观。

Despite the intrinsic staticity of the program, the work takes on a huge dynamism as one travels through it, it is somehow activated in movement, revealing the relationships with the environment, where any path is a succession of changing sequences, drawing different perceptions and allowing to re-read and re-understand the same surrounding landscape.

 © Mikel Muruzabal

Mikel Muruzabal

这座建筑是赤裸建造的，一具半埋的骨架，存在于那里生长的缺失，它节省并包含了每个人的时间，它自己的时间代表在每个放置的块中。墙不仅在那里，而且每当它在我们面前的时候，它自己的时间就会发生。

The building is constructed naked, a skeleton half-buried, presence of the absence that grows there, that saves and contains the time of everybody, its own time represented in each placed block piece. The wall is not only there but its own time happens every time it is before us.

组成和景观标准

Compositional and landscape criteria

该项目产生于对传统上封闭的室内围护结构的重新定义，与景观之间的空置和未得到充分利用。通过设计一个不连续的、不太不渗透的极限，它改善了景观、风、光和自然的连续性，改善了景观和时间的不可改变的元素。

The project arises from the redefinition of an indoor enclosure traditionally closed, vacant from the landscape and underutilized. Through the design of a discontinuous, less impermeable limit, it improves the continuity of the landscape, winds, light and nature, immutable elements of landscape and time.

 © Mikel Muruzabal

Mikel Muruzabal

一种由关系构成的体系结构，其形式来源于此。正-负、凹-凸、空间-物质的对立，允许从这些考虑中引出景观项目.

An architecture charged with relationships from which it derives its forms. The opposition of positive – negative, concave – convex, space – matter, allow to draw the landscape project from these considerations.

建造的墙壁脱落他们的包层，并呈现在他们的纯结构，没有任何不必要的建筑或涂层，因此显示上述品质。因此，它们的形状使人联想到存在于我们记忆中的、埋藏在那里的缺失的存在。

The built walls shed their cladding and are presented in their pure structure, emptied of any unnecessary construction or coatings, therefore revealing the qualities described above. Thus, their shape evokes the metaphor of the presence of the absences that remain in our memory and that buried there, grow.

 © Mikel Muruzabal

Mikel Muruzabal

这些墙软化或消除角落作为一个最终的有机适应过程，从城市的结构，通过旧公墓。现有的公墓两头都作了改造，以便有一个新的内部流通和一个有盖的停尸房。

These walls soften or eliminate corners as a final organic adaptation process to nature from the urban fabric through the old cemetery. The existing cemetery is modified on both ends to enable a new internal circulation and a covered morgue.

不连续墙的形状，其材料从其通常的二项式功能形式减轻和解构，使阅读的设计意图是超越其使用，形式，和一般的建筑实践。

The shapes of the discontinuous wall, its material lightened and decontextualized from its usual binomial function-form, enable the reading of a design intended to be above its use, form, and common construction practices.

 © Mikel Muruzabal

Mikel Muruzabal

所需程序

Required program

提议的方案包括扩大地面100至120个坟墓的保留空间、60个龛位和31个墓穴，以及重新安排外部区域及其与现有墓地的正式和功能关系。

The proposed program consists of the expansion of the reserved space for 100-120 graves on the ground, 60 niches and 31 columbarium, as well as the rearrangement of the exterior areas and their formal and functional relationship with the existing cemetery.

功能和园艺标准

Functional and gardening criteria

 © Mikel Muruzabal

Mikel Muruzabal

新的扩建增加了两个新的更小，更亲密的空间，和两个更开放的地区，除了现有墓地的改良围护。

The new extension adds two new smaller, more intimate spaces, and two more open areas, besides the modified enclosure of the existing cemetery.

墙的设计允许保持当前地势，避免土方工程和建造挡土墙过分侵略性的景观。由于这不是一堵封闭的墙，它允许地形自然倾斜，树木可以无缝地进入墓地，这有利于将墓地与现有的本土景观结合起来。

The design of the walls allows maintaining the current topography of the plot, avoiding earthworks and construction of retaining walls overly aggressive with the landscape. As this is not a closed wall, it allows the terrain to slope naturally, and the trees to enter seamlessly into the cemetery, favoring the integration of the cemetery with the existing native landscape.

 © Mikel Muruzabal

Mikel Muruzabal

阐明和定义我们项目的墙壁被建议为釉面，通过或多或少的透明度，在需要的地方确保隐私。

The walls that articulate and define our project are proposed as glazes that, through more or less transparency, ensure privacy where needed.

公墓的围场将在某些地方逐渐覆盖植被。中部地区和轮廓将从山坡上重新种植本土树木，内陆将种植其他更多的观赏树。

The enclosures of the cemetery will be progressively covered in vegetation in certain places. The central area and the outline will be replanted with native trees from the hillside, the interior will be planted with other more ornamental trees.