架构师提供的文本描述。这座大楼的委员会早在2006年就开始了。经过漫长的设计过程，加上与校长的广泛设计会议，设计已准备好提交市政府严格的监督委员会。主管唐沙普和迈克尔范格塞尔在他们的最后结论赞扬：“教会在其坚韧的可塑性和不愿使用材料，这是一个很大的好处，这部分阿姆斯特丹。”

Text description provided by the architects. The commission for this building started as early as 2006. After a long design process, along with extensive design meetings with the principal, the design was ready to be presented to the strict supervising committee of the municipality. Supervisors Ton Schaap and Michael van Gessel where praising in their final conclusion: “The church is in its tough plasticity and reluctant use of materials a big plus for this part of Amsterdam.”

 © Luuk Kramer

卢克·克雷默

这座建筑的定义很简单。入口和厨房已成为教会的焦点。毗邻左右，你会发现会议厅和主教堂大厅。在会议厅的上方，在一楼你可以看到灵活的会议室。主教堂大厅本身在一楼有一个阳台。第一层的其余部分是一个开放的空间，有一个9米高的屋顶。这个空间的尽头是一座13米高的光塔；一盏轻型屋顶灯横跨整个场地，允许间接阳光照射。

The building is simple in its definition. The entrance and the kitchen have become the focus of the church. Adjacent to the left and right you will find the meeting hall and the main church hall. Above the meeting hall, on the first floor you will find the flexible meeting rooms. The main church hall itself has a balcony on the first floor. The rest of the first floor is an open space, with a from 9 meters and up ascending roof. This space ends in a 13 meter high light tower; a light roof light spanning the full with of the venue, allowing for indirect sunlight.

 © Luuk Kramer

卢克·克雷默

光和白色对摩拉维亚教堂的礼拜仪式非常重要。从屋顶进入主教堂大厅的日光是整个建筑的关键要素。它定义了游客进入主教堂大厅的方式。最重要的是，这座建筑就像一个指向周围地区的灯塔.高玻璃正面的大门总能发出亮光，对周围环境发出强烈的“欢迎”信号。550把白色椅子，其白色的腿，主要是翻译‘白色’在主教堂大厅的礼拜仪式。它广告的清晰和有序的感觉，室内设计。

Light and the colour white are of great importance to the liturgy of the Moravian church. The daylight that enters the main church hall through the roof is the key element of the whole building. It defines the introduction of the visitor to the main church hall. On top of that, the building function as a light-beacon to the surrounding area. The main entrance with its high glass facade always emits light, giving a strong ‘welcome’ signal to its surroundings. The 550 white chairs with their white legs mostly translate the ‘white’ in the liturgy in the main church hall. It ads to the clear and ordered feel to the interior design.

 © Luuk Kramer

卢克·克雷默

在正面，我们选择了一个混合的白色-黄色的砖与砖的‘野生’模式。把建筑物放在土堆上，强调了建筑物的强大的整体特性。由于它的冷静和不情愿的性格，建筑本身从属于它的功能：

For the facade we chose a mixed white-yellow brick with the brickwork in a ‘wild’ pattern. Putting the building o a mound emphasizes the strong monolithic character of the building. With it’s sober and reluctant character, the building subordinates itself to it’s function: