MAR – Rio Art Museum Bernardes + Jacobsen Arquitetura

2013-04-12 01:00
 © Leonardo Finotti
莱昂纳多·芬诺蒂
架构师提供的文本描述。我们的挑战是将具有不同建筑特色的现有树木建筑联合起来,以容纳里约艺术博物馆、学校“奥哈尔埃斯科拉”以及文化和休闲空间。现有建筑物、宫殿Palacete Dom Jo o“、警察大楼和里约旧的中央汽车站连接起来,将成为里约热内卢历史悠久的市中心重大城市重建的一部分。对于每一个建筑,我们分析了不同程度的保存。
Text description provided by the architects. Our challenge was to unite tree existing buildings with different architectural characteristics to house the Museu de Arte do Rio, the school “A Escola do Olhar” as well as cultural and leisure spaces. The existing buildings, the palace Palacete Dom João”, the police building and the old central bus station of Rio, connected shall be part of the major urban redevelopment in the historic downtown of Rio de Janeiro. For each construction we analysed different levels of preservation.
 Ground Floor Plan

                            
 
 
 
 
第一步是建立一个流动系统,使博物馆和学校能够以综合和有效的方式开展工作。因此,我们建议在警楼天台上建立一个悬空广场,将所有通道统一起来,并设一个酒吧和一个文化活动和休闲区。因此,探视将自上而下。
The first step was to establish a flow system allowing the Museum and school to work in an integrated and efficient manner. Therefore we proposed the creation of a suspended square on the police building rooftop, which will unite all accesses and host a bar and an area for cultural events and leisure. Consequently, the visitation will be from top to bottom.
 © Leonardo Finotti
莱昂纳多·芬诺蒂
据确定,皇宫由于其大的天花板高度和结构自由的计划,应该举行展区的博物馆。警察大楼用于综合设施的学校、礼堂、多媒体展览区、行政区域和雇员区。
It was established that the palace, due to its large ceiling height and structure free plan should hold the exhibition areas of the museum. The police building shall be used for the school, auditoriums, multimedia exhibition areas, administration areas and employee areas of the complex.
 Building Diagram
建筑图
 
目前用作道路通道的高跷将变成整个建筑群的大门厅,并将举办雕塑展区。这两座建筑之间的通道将受到控制,这片空旷的空间是内部的、开放的和被覆盖的。这条道路的广场是市里列出的文化遗产,将用作厕所、商店和上、卸货和存款的区域。这两座建筑之间的连接和游客的流通,以悬空的T台道的形式,将属于这座新建筑,以尽可能不寻常的状态出现。
The stilts, currently used as an access to the road, will turn into a large foyer for entire complex, and will hold the sculpture exhibition areas. Access will be controlled between the two buildings, characterizing this empty space as internal, open and covered. The marquee of the Road, heritage element listed by the City, will be used for lavatories, store and region of loading, unloading and deposits. The connection and circulation of visitors between the two buildings, in the form of a suspended catwalk will belong to this new building, featuring the most unusual state possible.
 © Leonardo Finotti
莱昂纳多·芬诺蒂
对于警察大楼,我们建议悬挂最后一层,以平衡两栋建筑物的高度,并采用半透明玻璃取代砌体的封闭外墙轮廓,使缩进柱的结构体系可见,并揭示高跷。最后,作为工程的主要标志,提出悬空广场具有抽象的、空中的形式。一种流体和极轻的结构,模拟水面波。一种富有诗意的建筑特征,在结构计算上既简单又现代。这一要素应在靠近和远距离,从下到谁到达普拉萨茂,从上面的人在Morro da Concei o。
For the police building, we propose the suspension of the last floor to balance the height of the two buildings as well as the replacement of the masonry closing façade profiles using translucent glass, making the structural system of indented columns visible and revealing the stilts. Finally as the main mark of the project, we suggested that the suspended square have an abstract and aerial form. A fluid and extremely light structure, simulating water surface waves. A poetic architectural character full of meaning, simple and at the same time modern in regards to the structural calculation.  This element shall be seen near and by far, and from below to who is arriving at the Praça Mauá, from above by those who are at the Morro da Conceição.
 © Leonardo Finotti
莱昂纳多·芬诺蒂
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Arquitetos Bernardes + Jacobsen Arquitetura
Localização Praça Mauá, 5 - Centro, Rio de Janeiro - RJ, Brasil
Autores Paulo Jacobsen, Bernardo Jacobsen e Thiago Bernardes
Coordenação de Projeto José Luis Canal e Ricardo Castello Branco
Equipe de Projeto Aline Bianca de Almeida, Bruna Fregonezi, Daniel Vannucchi, Edgar Murata, Fernanda Maeda, José Miguel de Sousa Ferreira, Lívia Ribas, Renata Leite, Maria Vittoria Oliveira, Maya Leal de Nobrega, Pedro Henrique Ramos, Priscilla Martins Costa e Veridiana Ruzzante.
Project Area 11240.0 m2
Ano do projeto 2013
Fotografias Leonardo Finotti
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