Courtesy of Taller 301 + Land+Civilization Compositions

高301大地文明作品

在伊斯兰传统中，圆圈是完美的几何图形，抽象地代表着完美的上帝。圆圈和光线是我们设计的综合元素。清真寺是社区的焦点，创造和滋养着周围的日常生活。此外，清真寺本身应该具有现代的质量，就像它的使用者和它所在的建筑物一样。

In Islamic tradition, the circle is the perfect geometrical figure representing, in an abstract way, the perfect God. The circle and the light are the integrative elements of our design. The mosque, being the focal point of the community, creates/nourishes everyday life around it. In addition, the mosque itself should be of a modern quality, like its users and the buildings it sits amongst.

 Courtesy of Taller 301 + Land+Civilization Compositions

高301大地文明作品

社区基地-祈祷大厅所处的基础-将其程序与邻近的用途联系起来，将它们全部捆绑在一起。继续这样的想法，一个哈玛姆被纳入我们的设计，商店被解决了一个阿拉斯塔类型，两者都把它与它的社区和历史进一步联系起来。这样，清真寺就为城市的发展做出了贡献，并让位于城市的发展。

A Community Base The base that the prayer hall sits upon relates its program to the adjacent uses, binding them all together. Continuing this line of thought, a Hamam is incorporated to our design, the shops are solved in an Arasta typology, both are tying it further to its community and its history. This way, the mosque contributes and gives way to the development of the city.

 Courtesy of Taller 301 + Land+Civilization Compositions

高301大地文明作品

重新阅读历史-圆顶、教堂和庭院的传统-在清真寺建筑中非常强大。这些传统的形式是保留，但修改以适应网站/背景，并赋予更现代的形式质量。

A Fresh Reading of History The tradition of a dome, a revak, and a courtyard are very strong in Mosque architecture. These traditional forms are kept, but modified to adapt the site/context, and given a more contemporary formal quality.

一个新的光/结构米玛西南使用圆顶有两个原因：创造尽可能大的不间断，统一，均匀的体积和最大限度的光在空间。该设计力求他的初衷，但使用现代技术来实现形式。

A New Light/Structure MimarSinan used domes for two reasons: to create the largest possible uninterrupted, unified, homogenous volume and to maximize the light in the space. The design strives to his original intentions but uses modern technology to achieve the forms.

个人和集体祈祷是一种个人和集体活动，同时：人们以多种方式与真主沟通。祈祷堂对其设计的多样性作出了回应。空间的梯度允许私人思考的亲密时刻和宏伟的集体空间。

Individual and Collective Prayer being an individual and a collective activity, at the same time: People communicate with Allah in many ways. The prayer hall responds to this diversity in its design. A gradient of spaces allow for intimate moments of private reflection and for a collective space of grandeur.

首先，网站的背景是多样的，每一种设计都以各自的方式相关-正式地面向主街，宏伟的内部祈祷大厅，以及向网站后面的亲密和自然。清真寺的不同元素共同作用，形成一个集体/整体的形象，就像崇拜者自己一样-一系列的个体聚集在一起，形成一个多元而和谐的整体。

All for One The site context is diverse and the design relates to each in its own way – formal toward the main street, a magnificent interior prayer hall, and intimate and natural toward the back of the site. The different elements of the Mosque act together to form a collective / holistic gesture.Much like the worshipers themselves – a series of individuals coming together to form a diverse, yet harmonious whole.

这个项目将以它的一系列历史上的，但背景相关的社区项目为基础。它将通过正式提供一系列与上帝有关的空间来向它的使用者说话。同时，它将是伊斯兰世界和科索沃丰富历史的象征，为未来奠定基础。

This project will be locally grounded with its array of historical, yet contextual community programs. It will speak to its users by formally providing a range of spaces for relating to God. Simultaneously, it will be a symbol of the world of both Islam and Kosovo’s rich history, laying the groundwork for the future.

建筑师：更高301土地文明作品地点：普里什蒂纳，科索沃团队领导人：Pablo Forero、Julian Restrepo、Jason Hilgefort、Merve Bedir团队成员：Manuela Mosquera、Jessica Thatcher、Santiago Sánchez、Juan Carlos Cuberos、Joaquín Mosquera、Intern-Camilo Serna客户：科索沃共和国伊斯兰社区方案：祈祷厅、Hamam、会议中心、儿童中心、商业中心、餐厅、图书馆、花园和广场用地面积：8，100平方米：40，000平方米

Architects: Taller 301 + Land+Civilization Compositions Location: Pristina, Kosovo Team Leaders: Pablo Forero, Julian Restrepo, Jason Hilgefort, Merve Bedir Team Members: Manuela Mosquera, Jessica Thatcher, Santiago Sánchez, Juan Carlos Cuberos, Joaquín Mosquera, Intern - Camilo Serna Client: The Islamic Community of the Republic of Kosovo Program: Prayer Hall, Hamam, Conference Center, Childrens’ Center, Commercial , restaurant, library, gardens, and plaza Site Area: 8,100 sqm Floor Area: 40,000 sqm Status: Competition Submission Project Year: 2013