架构师提供的文本描述。狭窄而黑暗的立面，一排排简单的房子-没有任何迹象表明隐藏在这个立面后面的空间感。古老的门铃扭动了一下，不久门就打开了。你立刻面对面地站在一块粗糙的木板和欢迎我的Tijl墙上。我从墙上的一扇门进了一所木屋。房子里的房子。这座建筑提供了美丽的景色。这只是第一个惊喜。然后，这座房子向上延伸到山脊，那里的光线透过不同的窗户发出光芒。一楼的居住空间集中在花园上，后部的全宽上方有一扇窗户。

Text description provided by the architects. A narrow dark facade, a simple house in the row - nothing suggests any sense of space which hides behind this facade. A twist on the ancient doorbell and the door swings open shortly afterwards. Immediately you stand face to face with a wall of rough wooden planks and Tijl who welcomes me. Through a door in the wall I enter a wooden house. A house in a house. The construction delivers handsome vistas. This is only the first surprise. The house then opens upwards to the ridge where the light shines through different windows. The living space on the groundfloor focuses on the garden with a window over the full width of the rear.

 © Tim Van de Velde

c.Tim Van de Velde

“为什么房子里有房子？在第一稿中，我们还在房子后面画了一座房子。最初的想法是在一个地块上建造三栋房子，但这个想法却被城市化部门所遇到。所以我们开始寻找另一个屋顶形状。情节有一个特殊的形状，里面有个扭结，所以我们决定跟着那个扭结。建筑师说：“通过将后窗放置在扭结上方一米处，并垂直于花园，你会感觉到室内的独特形态。”Tijl和Indra希望起居室非常开放，靠近花园。循环房、厨房、卧室和浴室在房子里有一席之地。在入口处，这个木结构有一个储藏室。方便自行车和垃圾。在墙上有一个为洗衣机设计的存储空间，所以它是一个功能元素。

"Why a house in a house? In the first draft we also had drawn a house behind the house. The original idea was to build three houses on one plot, but this idea was encountered by the department of urbanism. So we started looking for another roof shape. The plot has a peculiar shape with a kink in it, so we decided to follow that kink. By placing the rear window one meter beyond the kink and perpendicular to the garden, you feel that unique form in the interior" says the architect. Tijl and Indra wanted the living room to be very open and close to the garden. Circulation room, kitchen, bedroom and bathroom were given a place in the house in the house. In the entrance there's a storage provided in this timber construction. Convenient to bicycles and trash. In the wall itself there's a storage space designed for the washing machine, so that it is a functional element.

 © Tim Van de Velde

c.Tim Van de Velde

“当你在一栋联排别墅后面的建筑物上登广告时，你总是会遇到这样的问题：房子的中央很黑。”取下天花板的一部分，就可以获得更多的光线进入室内。因此，一楼的窗户是可见的。然后我们去寻找对开放空间的一个很好的解释。为了创造一个熟悉和愉快的形状，我们选择用它做房子。“建筑师说。这所房子是用粗糙的木板建造的，突出了形式的特点。那块木板在家里是一种奇怪而又不寻常的材料。通过选择一种较少的日常材料，人们不会与它背后的厨房产生联系。它本身就是一个物体。这是一个物体，但也是一个真正的房子。当你坐在它旁边的桌子上时，你会觉得自己就在一个靠近门面的内部露台上。在第一扇门和打开的窗户后面是厨房。因为厨房有点高，所以给人一种不同的感觉。此外，Tijl说，你可以在做饭的时候保持联系，这是很好的。从顶部的门口滑出一个白色的金属楼梯。通过空间楼梯的游戏，提供了独特的景观。有点像荷兰艺术家埃舍尔，马丁建议。埃舍尔以其通常不可能的结构、交配曲面和几何图案而闻名。

"When you ad a rear building to a townhouse, you always have the problem that it is very dark in the middle of the house. By taking away a piece of the ceiling, additional light to the inside could be achieved. Thus, the window on the first floor is visible. We then went looking for a nice interpretation of open space. To create a familiar and pleasant shape, we have chosen to make a house out of it" said the architect. The house is built of rough wooden planks that accentuate  the formal character. That planking is a strange and unusual material in a home. By choosing a less everyday material one doesn't make the association with the kitchen behind it. It is an object in itself. It is an object but also a real house. When you sit down at the table next to it, you get the feeling that you are on an inside terrace next to a facade. Behind the first door and window opening there's the kitchen. Because the kitchen is somewhat higher, it gives a different feeling. Moreover, it is nice that you can keep in touch while cooking, to says Tijl. From the doorway at the top slides a white metal staircase. The game of stairs through the space, providing a unique sight. A bit like the Dutch artist Escher, Martin suggests. Escher is known for his often impossible constructions and mating surfaces and geometric patt

 © Tim Van de Velde

c.Tim Van de Velde

有一个窗户开着一个突出的木碗，就像一个小阳台。也许只有几个播种机不见了？“会有人照顾的”，蒂耶尔向我们保证。木制阳台实际上是一张桌子。一个坐得很好的地方。从这个有利的角度，你可以看到楼下的开放式阁楼，厨房和客厅，还有-根据情节的形状-你可以看到后面的花园。所以你和每个人都保持联系。“以后，我们将把屋顶变成一个绿色的屋顶花园，这个花园已经从这里开始了。我们把我们的爱好室变成了托儿所，因为我们刚刚生了第一个孩子“。Tijl和Indra的卧室位于屋檐下。你又一次感觉到卧室里有家的感觉。这位建筑师再次对可用的空间感到困惑。一扇VELUX窗户，为下面的浴缸提供了光线和额外的空间。在一个小小的高架区域后面是淋浴。顶部的灯箱为底部提供额外的光线。我们了解到，天象光比透过窗户的光强得多。

There's a window opening with a protruding wooden bowl, like a small balcony. Missing perhaps only some planters? “There will be taken care of”, Tijl ensured us. The wooden balcony is actually a desk. A very nice place to sit. From this vantage point you have a view of both the open loft with downstairs the kitchen and the living room and - by the shape of the plot - you have sight of the rear garden. So you stay connected with everyone. "Later we'll turn the roof into a green roof garden that already begins from here. We have transformed our hobby room into a nursery because we've just had our first child“. The bedroom of Tijl and Indra is situated under the roof. Again you get the feeling of a home in the bedroom. Here was the architect again puzzling with the available space. A Velux window providing light and extra space for the bath underneath. Behind a little elevated area is the shower. A light box right at the top provides extra light to the bottom. Zenithal light is much more intense than light through a window, we learn.

 © Tim Van de Velde

c.Tim Van de Velde

建筑师Maarten VanBelle是Tijl的一个村民。他们认识多年了。Maarten和Dries Vens一起画了这个设计，Tijl代表他进行了装修。整个翻修过程持续了4.5年。“这是这所房子的一个大故事。除了屋顶、磨光的混凝土地板和大窗户的发展，我几乎什么都做过。我是来这里住的，甚至在装修的时候。和Maarten一起工作真是太好了。我以前住过的那栋房子，相当经典的装修，“蒂尔说。“对于一个架构师来说，很高兴看到你的设计，其中插入了大量的时间，然后完成并以一种有趣的方式使用。家具的选择对你所处的氛围非常重要。房子里的过渡对我们来说非常重要。你所采取的每一步都应该是不同的。当你站在虚空中时，你会有一种非常轻盈的感觉。你总是往上看。再远一点，你的目光就会自动转向花园。“

Architect Maarten Vanbelle is a fellow villager of Tijl. They have known each other for years. Maarten drew the design together with Dries Vens and Tijl took the renovation on his behalf. The entire renovation lasted 4.5 years. "This is a bit of the big story of this house. I have practically done everything myself except the roof, the floor in polished concrete and the development of the large window. I was here to stay, even during the renovations. It was very nice to work with Maarten. The previous house where I lived, was rather a classic renovation, "says Tijl. "For an architect it's also nice to see that your design, in which you inserted a lot of time, afterwards gets completed and used in a fun way. The choice of furniture is very important for the atmosphere that you live in. The transitions in a house are very important to us. Every step you take should be different. When standing in the void, you get a very airy feel. You constantly tend to look up. A little bit further your gaze automatically gets turned towards the garden. "

 © Tim Van de Velde

c.Tim Van de Velde

Tijl热爱漂亮的家具。他说这是他的一半爱好。“这立刻变成了一种困扰，然后你就开始做出选择。它并不是那么便宜，而且在你还没有意识到你的房子会变得拥挤之前。楼下的起居室布置得很好。你需要给自己时间在这件事上做点什么。因陀罗也是一名建筑师，她把我介绍给了根特家具，范登伯赫-波弗斯。我们在停止的时候在客厅里买了这些橱柜，这样我们就可以做一个真正的交易了。60年代有柚木框架的沙龙是由丹麦设计师GreteJalk设计的-来自Indra的祖父。在木制桌子周围，我们放置了Arne Jacobsen(Fritz Hansen饰)的蝴蝶椅，以及建筑公司Sanaa的日本建筑师Sejima的可爱的白色椅子“兔子椅”。这房子里很难找到橱柜。书和记录是在客厅的一个大的开放式书架上整理的。在厨房和其他房间里还有更多的衣架，也就是原来颜色为黄色、红色和蓝色的“绳子”金属架。转盘带来了更多的怀旧。很久以前，一根针在唱片的沟槽里发出嘎吱作响的声音，这是多么惬意的事啊。装饰和设计，图片是完全正确的。

Tijl has a passion for beautiful furniture. He calls it his half hobby. "At once this became an obsession and then you begin to make choices. It's not all that cheap and before you know your house gets crowded. The living area downstairs is perfectly furnished. You need to give yourself time to do something in this matter. Indra also is an architect and she introduced me to the Ghent furniture Van den Berghe - Pauvers. We've bought these cabinets in the living roomat the cessation, so we could do a real bargain. The salon of the '60s with teak frame – got from the grandfather of Indra – is a design by Danish designer Grete Jalk. Around the wooden table we've placed butterfly chairs by Arne Jacobsen (Fritz Hansen) and the lovely white chair the 'Rabbit Chair "of the Japanese architect Sejima of the architecture firm Sanaa." Cabinets are hard to find in this house. Books and records are sorted on a large open shelf in the living room. In the kitchen and other rooms there are even more racks, namely the metal racks of 'String' in the original colors yellow, red and blue. The turntable brings even more nostalgia. So cozy, and what is it long ago that creaking sound of a needle running in the grooves of a record. Decor and design, the picture is correct completely.

 First Floor Plan

一层平面图