Prime Nature Residence Department of Architecture

2013-04-26 01:00

 © Wison Tungthunya

.Wison Tungthunya

架构师提供的文本描述。房主为他的住所提供的简况起初似乎相当简单-他的卧室在一楼，他的另一间卧室在二楼，他的母亲和妹妹住在二楼，还有一个很大的室内居住空间，以及一个户外露台，供享受户外休闲的母亲使用。场地的位置也带来了巨大的挑战。这块地块位于一个繁忙的3街交叉路口，位于一个大型住宅小区，禁止使用任何形式的栅栏。这一限制对居住在地面上的居民的隐私以及夜间侵入汽车前灯的问题提出了严重的问题。

Text description provided by the architects. The owner’s brief for his residence seems at first rather simple – his bedroom on ground floor, another bedroom for his mother and sister on second floor, a large interior living space, and an outdoor terrace for the mother who enjoys outdoor leisure.  However, a great challenge comes with the site location.  The plot is situated at a busy 3-street intersection in an up-scale residential estate that forbids the use of any kinds of fences.  This constraint poses serious questions on privacy of the residents living on ground level as well as the problem of trespassing car headlights at night.

 © Wison Tungthunya

.Wison Tungthunya

为了应对场地的限制，传统的线性栅栏被打破成一系列较小的垂直面。这些飞机被投射到离房屋不同距离的网格上，从而阻挡了侵入的视野，同时允许通风进入室外区域。这些飞机继续水平地在整个露台上方飞行，形成了一个定义良好的半室外居住空间。

In order to cope with the site limitations, a conventional linear fence is broken into series of smaller vertical planes. These planes are projected onto a grid at varying distances from the house thus blocking out intruding views and simultaneously permitting ventilation into the outdoor area.  The planes continue horizontally above the entire terrace creating a well-defined semi-outdoor living space.

 © Wison Tungthunya

.Wison Tungthunya

这些飞机由两种材料组成：金属格子屏和透明帆布板，这两种材料都允许部分视觉透过它们。格子板和摇摆的树木在露台地板、建筑高地和帆布平面上投下微妙而移动的阴影图案。一个大而浅的池塘进一步增加了反光阴影的复杂性。

The planes are made from two materials: metal lattice screens and sheer canvas panels which both allow partial vision from looking through them.  Lattice panels and swaying trees cast delicate and moving shadow patterns on terrace floor, building elevations and canvas planes. A large shallow pond further adds intricacy of reflective shadow to the scene.

 © Wison Tungthunya

.Wison Tungthunya

晚上，周围的树木捕捉到非法侵入汽车前灯，并在故意放置的帆布飞机上投下阴影。一系列画布上出现的阴影图像，根据过往车辆的方向和速度，从一边消失，然后从一边移到另一边，这让我们想起了电影屏幕上的一些黑白动画。

At night, periphery trees catch trespassing car headlights and cast their shadows on deliberately-placed canvas planes.  The shadow images appearing on series of canvases fade in and out and move from one side to another depending on direction and speed of passing vehicles, reminding us of some black and white animations on movie screens.

 © Wison Tungthunya

.Wison Tungthunya

由此产生的是一个日日夜夜不断变化的壁画空间，在这个空间里，它的品质是由外部力量自主定义的；风、阳光和汽车灯。

What resulted from this are an al fresco space that is in constant flux during days and nights - a space where its qualities are defined autonomously by external forces; the wind, the sunlight, and the car lights.

 © Wison Tungthunya

.Wison Tungthunya

该项目欢迎场地和程序的限制，以此作为一个框架，将影子屋塑造成一个充满嬉戏和富有想象力的影子和反射的生活场所，成为其位置和所有者独特的建筑。

The project welcomes the constraints of site and program as a framework to which molds the Shadow House into a living place filled with playful and imaginative shadow and reflection, and into architecture unique for its location and for its owner.