Walloon Lake House DUDZIK Studios

2013-04-29 01:00

 Courtesy of DUDZIK Studios

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瓦隆湖的房子坐落在密歇根西北部美丽的蔚蓝湖上，并以它的名字命名，欧内斯特海明威经常在这个湖上避暑。这是一座3800平方英尺的平房，完全重新设想了一座1960年的小型建筑。原来的家，一种受人爱戴的家庭纽带，通过广泛使用四季天鹅道格拉斯冷杉、私人空间的亲密比例以及与景观的认真联系而得到尊重。从图上看，这个家是一个伸长的立式杉木盒子，坐落在石柱上。质感的天然材料和内部空间的复杂性温暖了这张图的脆性。在建筑上，这种结构引用了乡土的物质性，并将其与形式的严谨结合在一起。

The Walloon lake house is situated on, and named after, the beautiful azure blue lake in northwestern Michigan that Ernest Hemingway frequently summered on. It is a 3,800 square foot cottage that completely re-envisioned a small 1960’s structure. The original home, a beloved family nexus, was honored through the extensive use of quarter swan douglas fir, intimate proportioning of private spaces, and a conscientious connection to the landscape.   Diagrammatically the home is one elongated and one vertical fir box sitting atop a stone plinth. Textured natural materials and the complexities of internal spaces warm the crispness of this diagram. Architecturally the structure references vernacular materiality and combines this with a crispness of form.

 Courtesy of DUDZIK Studios

Dudzik工作室提供

网络内部空间被组合，扩展和重新安排，以创造流体过渡。内部道格拉斯冷杉墙，明确的条件，建筑图，提供参考点的相对条件的外部。大型建筑玻璃元素创造了内部和外部空间之间的无缝过渡。私人空间的亲密比例，再加上向湖边透明的墙壁，使低天花板高度引导眼睛进入景观。内部条件被概念化为不断地与自然环境相关、框架或参考。只有很小比例的原结构能够保留下来，然而，新的建筑、参考资料、透水条件和工程都是在以前的村舍的约束下进行的。其中之一是，原结构的完成天花板到成品楼板高度，新住宅的悬臂需要结构的洞，是不到一英尺。

Networked interior spaces were combined, expanded, and rearranged to create fluid transitions. Interior douglas fir walls articulate conditions of the architectural diagram offering reference points to relative conditions of the exterior. Large-scale architectural glass elements create a seamless transition between internal and external spaces. Intimate proportioning of private spaces coupled with transparent walls toward the lake allows the low ceiling height to guide the eye out into the landscape. Interior conditions were conceptualized to continuously related to, frame, or reference the natural environment.     Only a very small percentage of the original structure was able to remain however the new construction references pervious conditions and works within the constraints of the former cottage. One of which is the fact that the original structure’s finished ceiling to finished floor height, the cavity in which the new residence’s cantilevers needed to be structured, is less than one foot.

 Courtesy of DUDZIK Studios

Dudzik工作室提供

家具和配件的选择是为了创造一个既复杂又随意的环境。由于业主几乎没有带他们的渗透财产到村舍，室内景观可以像外部建筑的体积那样清晰地组成。收集的现代家具的叙述，前卫陈年和历史配件创造舒适通过视觉分层。“港泉”是室内配件的主要来源。Dudzik工作室专门为瓦隆湖屋设计了定制的箱子，包括办公室的办公桌。更多的家具来自罗氏博博伊斯、米诺蒂、弗鲁和第七队。这些结合了重要的历史地毯，以借鉴精神的周围地区，在维多利亚时代普及。Dudzik工作室专注于设计问题，从建筑设计、室内设计、平面设计、纺织设计到摄影，他们将敏锐的审美眼光与严谨的研究和学术意图结合在一起。他们痴迷于真实性、完整性和理性，通过这些因素，他们找到了意义、美和灵魂。

Furnishings and accessories were chosen to create an environment that is simultaneously sophisticated and casual. As the owners brought nearly none of their pervious possessions to the cottage the interior landscapes could be as articulately composed as the exterior architectural volumes. The collected narrative of modern furniture, with avant-garde vintage and historic accessories creates comfort through visual layering. Huzza of Harbor Springs was a primary source for interior accessories. DUDZIK Studios specifically designed custom case goods, including the desk in the office, for the Walloon Lake House. Additional furnishing came from Roche Bobois, Minotti, Flou, and Team Seven. These were combined with significant historic carpets to reference the spirit to the surrounding area that was popularized in Victorian times. DUDZIK Studios is focused on matters of design; from architectural, interior, graphic, and textile design to photography they couple a keen eye for aesthetics with rigorous research and scholarly intent. They are obsessed with authenticity, integrity, and reason, through which they find meaning, beauty, and soulfulness.

 Courtesy of DUDZIK Studios

Dudzik工作室提供

Dudzik Studio认为“语言及其随后的建筑翻译必须发出一种复杂的平衡感，以颂扬设计的能力，激发和激发富有成果的、直接的和复杂的对话，产生同时面对和连接的工作。”我们的角色是分析、表达和展示知识。这种简化和表达的能力是当今复杂环境中的关键。随着信息、货物和思想跨越每一个可以想象的边界自由流动，并由此形成真正的全球文化，我们的社会结构不可避免地变得更加复杂。在事实和数字的冲击中，创新和传统之间有问题的结合；不断发展的电子媒体有时会带来混乱的影响；我们正在参与设计的下一个重大挑战：在一个环境和社会可持续的平台上创造一个不牺牲高度网络化世界的丰富性。“

 DUDZIK Studio’s believes “language and its subsequent architectural translation must pronounce a sophisticated sense of balance that celebrates design’s ability to provoke and incite, to stimulate fruitful, direct and complex dialog, yielding work that simultaneously confronts and connects. Our role is to analyze, articulate and present knowledge. This ability to simplify and express is key in today’s complex landscape. With the unfettered flow of information, goods, and ideas across every conceivable border and the resulting formation of a truly global culture, our social structures are inevitably becoming more complex. Amidst an assault of facts and figures, the problematic combination of innovation and tradition; the liberating at times chaotic affect of ever-evolving electronic media; We are participating in design’s next big challenge: to create on an environmentally and socially sustainable platform without sacrificing the richness of a highly networked world.”