© Aitor Estevez

Aitor Estevez

架构师提供的文本描述。2007年1月，塞加拉-加里格斯系统供水总管道二次管道的施工，使塞罗(Lleida，Artesa de Segre)4.800年来的一处古建筑意外地出现了考古遗址。这一发现最重要的一点是砂岩石板的巨石性质，特别是几何装饰雕刻的精确性。具有软浮雕的石头，同时也是古代雕像的一部分，这些雕像是从以前的一座雕塑纪念碑中重新使用的。

Text description provided by the architects. During January of 2007, the construction works of a secondary pipe of the water distribution mains in Segarra-Garrigues system, caused an unexpected appearance of archaeological ruins from an ancient construction for 4.800 years in Seró (Artesa de Segre, Lleida). The most important point of this discovery was the megalithic nature of sandstone slabs and specially the accuracy of geometrical decoration sculpted. Stones with soft relief that, at the same time, were parts of ancient statues reused from a previous sculptural monument.

 © Aitor Estevez

Aitor Estevez

两个没有使用的斑块和鳞片旁边的广场，是一个地方是投影和建造一个小的文化建筑，不同类型的用途和空间。一种由当地材料投射而成的建筑，同时也是一种地形，它能在正方形和斑块之间击穿一层的地势。一系列温和的坡道，软的和弹性的极限由波纹钢组成，建议不同的路径，涵盖不同的公共空间投影的不同条件。粘土和腐殖质在广场和前方的地平线之间，悬崖平面作为第四块石碑上的一个视点，我们可以在那里看到考古遗址。这是一个向西方向的角落，夏季有冬季阳光和植被覆盖，一些河岸回收其中一个果园的石头和不同地板的地毯，交替使用粘土、铁、表土、花岗岩砾石…等材料。两颗黑莓的阴影恢复了.。以及对古老果园的记忆，以及沙德自然再生的记忆。在内部，酒的空间提供了当地合作社的产品，同时也提供了乡村酒吧。

Two patches that are not in use and next to the scales square, is the place where is projected and built an small cultural building with different type of uses and spaces. A construction projected with local materials that, at the same time, is the topography to beat the drop of one floor between square and patches. A succession of mild ramps with soft and elastic limits made of corrugated steel that suggests different paths and covers the different conditions of the public spaced projected... clay and humus plattform between the square and the prepirinenc horizon, cliff plane as a viewpoint on the fourth of steles where we can see the archaeological ruins... a corner space looking to west orientation with winter sun and vegetal cover during the summer, some banks recycling the stones of one of orchards and different carpets of floors alternating the use of materials such as clay, iron, topsoil, granite gravel… the shadows of two hackberry recovered... and the memory of the old orchard with the spontaneous regrowth of chard. In the inside, the space of the wine offers the product of the local cooperatives, and at the same time is the village bar. 

 Courtesy of Toni Gironès

托妮·格莱塞(Toni Gronès)

此外，还有一个多用途的房间，它将作为社会中心的日常用途与博物馆区的介绍结合在一起，博物馆区记录了这一发现，并展示了巨石墓…的碎片。最后开始进入墓碑…的房间带几乎看不见的斜坡…的螺旋形旅行四周是陶片，在昏暗的光线下，在空气中，在乡间的气味里，在雾气中…。光强度下降，陶瓷路面崩解，到相机前，头顶上的光将目光聚焦在每个石碑…的蚀刻表面上。沉默…在一个精确思考的空间中，在一个粘土粉末的水平平面上减慢时间，以显示每个访问者的足迹(…)。悄悄的和相反的开始走出去，不可能与其他…交叉逐渐增强光线和噪音，直到麦田的地平线找到我们，带我们回到这个地区共同的农业景观。

Also a multipurpose room that blends the daily uses as a social centre with the introduction to the museum area where is documented the discovery and are showed the pieces of the megalithic tomb… finally start entering to the room of the stele …a spiral tour with an almost imperceptible slope… surrounded by ceramic pieces that lets in the dim light, the air, the smells of the countryside, the fog… light intensity goes down, the ceramic pavement disintegrates, and to get to the camera the overhead light focuses the eye on the etched surface of each of the stele… silence… slowing time in a space of accurate contemplation, in a horizontal plane of clay powder showing the footprint of each visitor… quietly and in reverse start to go out with no possibility of crossing with other… gradually intensifying light and noise, until the horizon of a wheat field comes to find us and takes us back to the common agricultural landscape of the area.

Architects Toni Girones

Location Seró-Artesa De Segre, Lleida, Spain

Category Cultural Architecture

Architect in Charge Toni Gironès Saderra

Area 3615.0 sqm

Project Year 2012

Photographs Aitor Estevez, Antonio Cayuelas