在这里，我们提出了两个亚军提交的其中之一，这一个来自WORKAC。这个概念围绕着创造一个独特的灯塔，它将成为艺术、高等教育和日常生活重叠的中心。平行四边形的形式是为了创造一个动态的空间，创造机会相互作用的建议景观和周边地区。在一个正式和非正式的集合，开放和亲密的安排沿两个轴，钉在一起，一个明亮的公共空间。

Here we present one of two runner-up submissions, this one from WORKac. The concept revolves around creating a distinctive beacon, which would be a centerpoint for an overlap between art, higher-education, and everyday-life. The parallelogram form is intended to create a dynamic space which creates opportunities for interplay with the proposed landscape and surrounding area. Inside a collection of formal and informal, open and intimate are arranged along two axes, pinned together with a bright common space.

在休息后阅读建筑师的描述.。

Read the architects description after the break...

在加州大学戴维斯分校(UC Davis)校园的最外缘，JSMMS博物馆是一个大胆、开放的形象，它重新想象了艺术、高等教育和日常生活之间的交集。这座建筑对学生和游客来说都是一座灯塔，它使加州大学戴维斯分校与艺术接触的悠久历史在校园和城市之外清晰可见。通过对传统博物馆惯例的仔细和创新重组，这座高度开放的建筑成为集体学习、创作和实验的平台-展示了加州大学戴维斯大学的艺术遗产及其作为一种前沿文化力量的演变过程。和一个完整的，充满活力的枢纽，为未来的学生一代。

A bold, open-faced icon along an outermost edge of UC Davis’ campus, the JSMMS Museum re-imagines the intersections among art, higher education, and everyday life. A beacon to students and visitors alike, the building renders UC Davis’ long history of engagement with the arts visible to the campus and city beyond.Through a careful and innovative reordering of traditional museum conventions, the highly-accessible building becomes a platform for collective learning, creation, and experimentation—a showcase for UC Davis’ artistic legacy and its evolution as a cutting-edge cultural force, and an integral and vibrant hub for future student generations.

 Courtesy of WORKac Architecture

WORKAC建筑

为了强调建筑物作为多个观众的目的地的作用，团队设计了一种简单而引人注目的平行四边形形式，最大限度地利用了整个网站的公共空间。建筑物的两个角落被举起来，形成面向校园和邻近高速公路的独特的立面，形成一个戏剧性的倾斜屋顶，容纳着一系列的空间、景观和体验。这个屋顶的斜率，它的方向，和它的轻金属覆层一起产生了一个固有的有效的包络，以尽量减少太阳能的热量和所需的能量来冷却建筑物。

To emphasize the building’s role as a destination for multiple audiences, the team devised a simple and striking parallelogram form that maximizes opportunities for public space throughout the site. Two corners of the building are lifted to create distinct facades facing the campus and the adjacent highway, forming a dramatic sloping roof that houses an array of spaces, views, and experiences. The slope of this roof, its orientation, and its light metal cladding together produce an inherently efficient envelope that minimizes solar heat gain and the energy needed to cool the building.

 Courtesy of WORKac Architecture

WORKAC建筑

为了进一步强调博物馆的公共性质和提供一个巨大的遮阳室外空间，一个醒目的天篷延伸到一个新的广场，向北向更大的校园开放。这个主题是把博物馆的活动与周围的校园联系起来，设计的主题是通过一系列室外房间、庭院和露台将新建筑“缝合”到现场，这些房间、庭院和露台与博物馆的内部构成互补和融合，同时提供充足的自然光线和通风的机会。

To further underscore the public nature of the Museum and to provide a large shaded outdoor space, a striking canopy extends over a new plaza, opening northward toward the larger campus. Continuing upon the theme of connecting the Museum’s activities to the surrounding campus, the proposed landscape is strategically designed to ‘stitch’ the new building to the site through a series of outdoor rooms, courtyards, and terraces that complement and blend with the Museum’s interior while providing opportunities for ample natural light and ventilation.

 Courtesy of WORKac Architecture

WORKAC建筑

博物馆的节目提供了一系列的艺术体验，以适应各种各样的兴趣和客人。除了正式的展览空间外，该建筑还拥有创新的艺术制作和教育资源.在平行四边形计划中，这些经验被组织在两个轴上，从最正式的空间到最不正式的空间或实验空间。

The Museum’s programming offers a spectrum of art experiences to accommodate a wide variety of interests and guests. In addition to formal exhibition spaces, the building also features innovative art-making and education resources. Within the parallelogram plan, these experiences are organized along two axes, ranging from most formal to the least formal or experimental spaces.

 Courtesy of WORKac Architecture

WORKAC建筑

进入后，游客可以直接进入正前方的正东-西轴线的主和聚焦画廊-一个灵活，仔细比例的‘白色盒子’的集合。或者，南北轴线带来更多非正式或亲密的艺术体验，从博物馆入口处开始，延伸到第二层和许多户外空间。在两个轴线的交汇处，一个光线充足的公共区域，双高大堂休息室让位给“艺术论坛报”(ArtTribune)：一系列的案件展览、艺术平台和与主楼梯相结合的座位区域不断上升。拱顶式档案馆位于艺术论坛报内，为毗邻的户外艺术工作室和户外休息室提供了一个对位。二楼宽敞的露台连接室内艺术工作室和社区教育空间。穿过“艺术论坛报”和“前厅”是一座桥，桥上有收藏教室，这是一个中央的“珠宝箱”功能，展示了展出的永久收藏品-邀请公众登上“艺术论坛报”并浏览整个博物馆。

Upon entering, visitors can proceed directly ahead into the formal, east-west axis of the Main and Focus Galleries—a collection of flexible, carefully-proportioned ‘white boxes’. Alternatively, the north-south axis leads to more informal or intimate art experiences, beginning at the Museum’s entrance and extending to the second level and to many outdoor spaces. A light-filled common area at the intersection of the two axes, the double- height Lobby Lounge gives way to the Art Tribune: a rising sequence of casework displays, art platforms and seating areas integrated with the main stair. Tucked within the Art Tribune, the vault-like Archive Gallery provides a counterpoint to the adjacent Outdoor Art Studio and Outdoor Lounge. Expansive terraces on the second floor link to the Indoor Art Studio and Community Education Space. Passing over the Art Tribune and Lobby Lounge is a bridge that contains the Collections Classroom, a central ‘jewel-box’ feature that showcases glimpses of permanent collection items displayed within–inviting the public to ascend the Art Tribune and explore the Museum in its entirety.

建筑师WORKAC地点UC Davis类别画廊设计建筑师WORKAC执行建筑师WestLake Reed Leskosky承包商厨房工程2013年

Architects WORKac Location UC Davis Category Gallery Design Architects WORKac Executive Architects Westlake Reed Leskosky Contractor Kitchell Project Year 2013