© Koichi Torimura

c.Torimura幸一

灾难的危险总是隐藏在身后，海啸让东北地区海岸的景色发生了彻底的变化。这个展览设计的概念是创造令人印象深刻的景观，怪物/灾难在其中。采用三维CAD技术，用瓦楞纸板制作了以山波为主的格子骨架结构，并覆盖着无数四面体的纸皮。一旦骨骼被纸皮覆盖，就像被毛皮覆盖一样，它的外观就变成了一个具有显示功能的怪物。

Danger of the disasters always hid behind, and the tsunami let scenery of the coast of Tohoku area undergo a complete change. The concept of this exhibition design is to create impressive landscape where monsters/disasters lie in. Using three-dimensional CAD, the lattice form skeleton structure, of which motif was mountains and waves, was made by corrugated cardboard and covered with the paper skin made of innumerable tetrahedrons. As soon as the skeleton was covered with the paper skin as if to be covered with fur, its appearance metamorphoses into a monster with display functions. 

 © Koichi Torimura

c.Torimura幸一

摆在四面体顶部的艺术作品抹去了重力的存在，给人一种神秘的感觉。由于人们期待陶瓷和金属艺术作品的出现，事先进行了反复的实验，实现了用纸称重的耐受性。这两种结构，一男一女，被放置在10米x13米x 3m高的空间中心，围绕着一个漩涡，创造出一条流动的展示线。人们在欣赏展示作品的同时，被特定的图形引导到空间，漂流到内部空间。

The art works put on the top of the tetrahedron erase the existence of gravity and gives a mysterious sense.  Since ceramic and metal art works were expected, experiments were repeated beforehand and tolerable strength to weight with paper was achieved.  The two structures, a male and female, were placed in the center of 10m x 13m x 3m high space to surround a whirlpool and created display lines of flow.  People are led to the space by the specific figure and drift to the internal space while appreciating the display works.

 © Koichi Torimura

c.Torimura幸一

在显示结构的后面，仙台设计学院(SSD)的一个图片安装，3.11仙台地图，由ANNO实验室和信息图形，灾难的数据角(SSD)排列。3.11仙台地图显示了仙台市在3.11事件后拍摄的照片和海啸的高度，将手放在仙台的详细城市模型和东北海岸的地图上。灾害数据集以图形化的方式传递一般难以理解的地震灾害数据。这一切都是从组织者的“让人们享受艺术，并希望他们只想地震灾难最后一点”的想法中实现的。

Behind the display structure, a picture installation, 3.11 Sendai Map, by anno lab and infographics, Datascape of Disaster, by Sendai School of Design (SSD) were lined up. 3.11 Sendai Map shows photos of Sendai City taken right after 3.11 and the heights of tsunami by putting a hand on a detailed city model of Sendai and a map of the Coast of Tohoku. Datascape of Disaster conveys the earthquake disaster data, which is generally hard to understand, in graphic more clearly. These came all true from the thought "to have people enjoy art, and to want them to think about the earthquake disaster only a little last" of the organizer.

 © Koichi Torimura

c.Torimura幸一

纸折叠四面体约为1万，这是通过许多志愿者的合作完成的。大量的时间和人力花在手工折叠折纸上。在六天的时间里，展览总共吸引了大约6，000人参加。这是第一次，但组织者将继续这样的尝试。

The paper folding tetrahedron became approximately 10,000, and this was accomplished by the cooperation of many volunteers. Enormous time and labor were spent on folding origami by hand. The exhibition called out a total of approximately 6,000 people in six days. It is the first this time, but the organizer is going to continue such a trial.

建筑师：汉纳特建筑师位置：日本东京Shibuya-ku设计：Yosuke Hoshina，Risa Tsutsumi合作者：仙台设计学院(数据披肩)；anno实验室(3.11仙台地图)客户：Recove

Architects: Hannat Architects Location: Shibuya-ku, Tokyo, Japan Design: Yosuke Hoshina, Risa Tsutsumi Collaborators: Sendai School of Design (Datascape); anno lab (3.11 Sendai Map)Client: Recover & Rebuild Japanese art & design Use: Exhibition Structure, Materials: Corrugated Cardboard, Copying Paper Area: 120 square meters Holding Period: February in 2013