Courtesy of Invert Studios

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普里什蒂纳市的穆斯林社区由于缺少祈祷空间和旧城区与新城之间的清真寺覆盖不成比例而陷入困境。这种情况是社会主义时期城市发展的结果，在社会主义时期，神圣建筑不是城市规划议程的一部分。

The Muslim community of the city of Pristina finds itself in a hard situation due to the lack of praying space and the disproportional mosque coverage between the old and the new part of the city. This situation is a consequence of the city growth during the socialist period where the sacral buildings were not a part of the urban planning agenda.

 Courtesy of Invert Studios

Invert工作室提供

普里什蒂纳的清真寺主要位于城市的老(北部)地区，其中大部分仍然是奥斯曼时期的清真寺。这些都是为邻里的需要而设计的小泥巴，以及星期五祈祷的更大的一种。它们是古老的，具有文化遗产价值。除了一些新建的清真寺外，整个祈祷空间由城市穆斯林社区正在积极使用的旧清真寺组成。祈祷空间的不足导致了建造现有清真寺的趋势，社区的内涵是获得更多的空间，甚至利用附近的公共空间，特别是星期五的祈祷。

Mosques in Pristina are mainly located in the old (northern) part of the city and most of them remain from the Ottoman Period. Those are small masjids that have been planned for the neighborhood needs and a bigger one for the Friday prayers,. They are old and have cultural heritage values. Except of some new built mosques, the overall prayer space consists of the old ones which are actively being used by the city's Muslim community. The deficient prayer space has resulted in a trend of building extensions to the existing mosques with the community's intension to gain more space and even using the public spaces near them especially for the Friday prayers.

 Courtesy of Invert Studios

Invert工作室提供

因此，考虑到普里什蒂纳穆斯林社区的这些日益增长的迫切需要，科索沃共和国伊斯兰社区向普里什蒂纳市议会提出了一项请求，要求在适当的地点在城市建造一座中央清真寺，以满足社区的需要。很难找到合适的地点，这是因为以前的城市规划。

Hence, considering these growing urgent necessities of the Muslim community in Pristina, the Islamic Community of the Republic of Kosovo submitted a request to the Assembly of the Municipality of Pristina for an appropriate location for building a Central Mosque in city in order to fulfill the community's needs. The difficulties finding an appropriate location have been due to the fact of previous urban planning of the city.

 Courtesy of Invert Studios

Invert工作室提供

在从普里什蒂纳市确定地点后，科索沃共和国伊斯兰社区强调这座清真寺的重要性，因为它是该市的中央清真寺，因此决定通过一项国际竞争来设计这座清真寺。考虑将这座清真寺建设成对科索沃穆斯林社区特别重要的清真寺，应成为设计过程中的重要指南。

After the definition of the location from the Municipality of Pristina, the Islamic Community of the Republic of Kosovo emphasizing the importance of this Mosque as the Central one in the city took the decision of designing it through an International Competition. The consideration of building this Mosque as one with extraordinary importance to the Muslim Community of Kosovo, should serve as a crucial guide in the design process.

我们看了一下奥斯曼的建筑元素，简单地把两大元素结合在一起，这两大元素可以使任何一座清真寺像形状，尖塔和穹顶。我们想，如果我们能把穹顶的形状和尖塔合并起来，把大部分的活动都集中在那里，并且在主干道上有这座塔的存在，我们就会为伊斯兰文化中心增加一个标志性的设计，它可以很容易地与地点的城市联系在一起，并将与不同方向的接入点相互作用，从主干道到后低地。

We looked at the Ottoman architectural elements, and simply we merged the  two  big elements that can make any building a mosque like shape, the Minarets and the Dome. we thought that if we can take the dome shape and merge it with the minaret and integrate the tower, where the most of activities will take place , and have a presence of this tower to the main road, we will be adding an iconic design for the Islamic Culture Center that will easily tie in with the urbanity of the site, and will interact with different directions of approaching points to it, from the main high road and the back lower road.

由于建筑是以这个特定的角度，面向麦加的建筑，让路过街道的人有一个非常独特的体验，他们将如何从不同的角度来看待设计，在那里，他们总是能看到两种不同的优秀皮肤-向北的实心皮肤和面向南方的软透明皮肤。

As the building is laid on the site with that specific angle, oriented to Mecca, that gives people passing in the street a very unique experience of how they will perceive the design from different angle, where they will always see the two different outstanding skins, the solid facing North, and the sofe transparent skin facing South.

设计中的一个主要因素是大批人口从不同的方向和层次来到项目所在地。一个主要的方向预计来自网站的西侧，在图中以黄色箭头显示，来自居民区。其他的人群预计将来自主干道，在图中以橙色箭头显示，带人们到祈祷大厅顶部发生的不同活动，我们称之为“玻璃塔”。我们相信，设计团队，这将实现最高效、最简单的流通，在这样一个大型文化中心的不同活动和功能，并确保所有的空间将发挥与城市的网站。

A major factor in the design was the movement of masses of population coming to the location of the project from different directions and levels. One main direction is expected to come from the west side of the site, shown in yellow arrow in the graphic, coming from the residential neighborhood. The other stream of people is expected to come from the main road, shown in orange arrow in the graphic, taking people to different activities happing on top of the prayer hall, in what we call the “glass tower”. We believe, the design team, that this will achieve the most efficient and simple circulation between the different activities and functions of the such a big cultural center, and making sure that all the spaces will play in harmony with the urbanity of the site.

公共空间向主干道和南面堆放。正面有双层皮肤，外部是ETEF垫子，内部是玻璃垫。通过这样做，我们实现了绿色屋的概念，在那里太阳的热量和捕捉到的皮肤之间，这将辐射到空间在白天。

The public spaces has been stacked facing the main road and South. the facade has double skin, the external is ETEF cushions, and the inner one is glassing. By doing that, we achieved the idea of the green house, where the heat of the Sun and captured between the to skins, which will radiate into the spaces during the day.

建筑师倒置工作室位置Prishtina，科索沃类别清真寺设计小组Victor a istotskya，Raof Abdelnby，Kamel Loqman地区2013年项目年8103.0平方米

Architects Invert Studios Location PRISHTINA, Kosovo Category Mosque Design Team Victora istotskya,Raof Abdelnby,Kamel Loqman Area 8103.0 sqm Project Year 2013