Yingst Retreat Salmela Architect
2013-05-10 01:00
架构师提供的文本描述。避风塘坐落在一个安静的16英亩土地上,坐落在一片高大茂密的山毛榉林中,一直延伸到湖滨。建筑物的方向放大了这一坡度,对树木和水的看法具有同等的价值。
Text description provided by the architects. The retreat rests on a quiet 16 acre site amongst a tall, dense beech forest that descends to lakeshore. The orientation of the building magnifies this slope and places equal value on views to the trees and the water.
© Paul Crosby
C.Paul Crosby
进入现场后,你会遇到四个单独的黑衣建筑,它们将车库的平淡功能隔开。屋外矗立着白色的砖石、书头、墙面和裸露的木柱,与森林平行。
Entering the site you are met by four separate black-clad structures which separates the prosaic functions of a garage. Beyond stands the house with white masonry bookend facades and sidewalls of exposed wood columns mirroring the forest parallel.
© Paul Crosby
C.Paul Crosby
重复的灌木林柱引诱你沿着柱廊到前面的入口。与以黑色为主的外观相反,你在中间进入一个较轻的木衬大厅。早晨和晚上的灯光充满了空间,有节奏的木质结构提供了一个开放的计划,伸缩的空间流入和俯瞰彼此。
The repetition of the glulam columns entices you along a colonnade to the front entry. Contrary to the predominately black exterior, you enter at a midlevel to a lighter wood-lined hall. Morning and evening light fill the space and the rhythmic wood structure provides an open plan with telescoping spaces flowing into and overlooking each other.
© Undine Prohl
C.Undine Prohl
鉴于客户都是热心的厨师,明亮的红色厨房是中心的公共区域。把厨房和上面的起居室分隔开来的是一个白色的砖石壁炉,它连接到西边露台上的室外烟囱,进一步缩小了内外之间的界线。
Given the clients are avid chefs the bright red kitchen is the central communal area. Dividing the kitchen from the above living area is a white-painted masonry fireplace which makes a connection to the outdoor chimney standing sentinel on the West patio, further diminishing the line between inside and outside.
Floor Plans
平面图
卧室退过起居室,在上面的阁楼里有更多的房间。远处有一间带草皮屋顶的独立砖石桑拿和一座黑色雕塑,标志着波切宫。尽管它开放,但它仍保留着一种亲密的感觉,一种神秘的感觉,在智力和情感上都激发了想象力。
The sleeping area recedes past the living room with additional rooms located in the above mezzanine. In the distance there is a stand-alone masonry sauna with sod roof and a black sculpture marking the bocce court. Despite its openness, the retreat retains an intimate feel, a mystery, stimulating the imagination in both intellectual and emotional ways.
Axonometric
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