© Samuel Ludwig

塞缪尔·路德维希

斯蒂芬努什被认为是一座现代宗教建筑，是对20世纪30年代阿尔托功能主义晚期作品的回归。它位于沃尔夫斯堡城市生活中心的一座小山上。面对购物中心的建筑一侧有一个面是卡拉拉大理石，完全没有窗户，因为它有一个象征意义，因为它反对商场的喧嚣。

Stephanuskirche is considered a modern religious building and is a return to the late work of Aalto's functionalism of the 1930s. It is located on a slight hill in the middle of the urban life of Wolfsburg. The side of the building that faces the shopping center has a facade clad in Carrara marble and is completely windowless, having a symbolic meaning as it opposes the bustle of the mall beyond it.

在东侧，一座独立的钟楼坐落在粉刷过的混凝土柱上。阿尔托最初计划建造12根柱子，但只有9根。后面是由各种大小的立方体组成的，这些立方体是不对称地交错在山上的。这些立方体组成了社区中心，包括办公室、图书馆、俱乐部室、厨房和公共房间。Stephanuskirche在规模上不与高楼大厦竞争，但由于其表面处理方式，它仍是一个独特的城市地标。

On the east side, a freestanding bell tower rests on whitewashed concrete columns.  Aalto originally planned for twelve columns, but only nine were constructed. The back is composed of various sized cubes that are asymmetrically staggered up the hill. These cubes make up the community center and include offices, a library, club room, kitchen, and common rooms. Stephanuskirche does not compete with the high-rises in terms of size, but it is still a distinct urban landmark due to its façade treatment.

 © Samuel Ludwig

塞缪尔·路德维希

简单的白色内饰包含250个独立的木制椅子，最多可容纳600名游客。高高的天花板上覆盖着独特的圆形，木制的声音反射器。由卡拉拉大理石制成的祭坛位于梯形图的北端。

The simple white-painted interior contains 250 individual wooden chairs and can hold up to 600 visitors. The high ceiling is covered in unique round, wooden sound reflectors. The altar made of Carrara marble rests at the north end of the trapezoidal plan.

阿尔托有着伟大的宗教建筑设计历史，他设计了37座宗教建筑，22座教堂，4座教堂和教堂，甚至一座清真寺。斯蒂芬努什揭示了阿尔托在教堂设计方面的技巧，并具有他的国际现代主义的全球公认的标准化的特点。

Aalto has a great history of designing religious architecture.  He has designed 37 religious structures, 22 churches, 4 designs for cemetaries and chapels, and even a mosque. Stephanuskirche reveals Aalto's skills in church design and has characteristics of his globally recognized standardization of international modernism. 

建筑师阿尔瓦·阿尔托项目年1968年塞缪尔·路德维希

Architects Alvar Aalto Project Year 1968 Photographs Samuel Ludwig